April Story
April Story
| 14 March 1998 (USA)
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In spring, a girl leaves the island of Hokkaido to attend university in Tokyo. Once there, she is asked to reveal why she wanted to go there in the first place.

Reviews
Diagonaldi

Very well executed

Matcollis

This Movie Can Only Be Described With One Word.

Taraparain

Tells a fascinating and unsettling true story, and does so well, without pretending to have all the answers.

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Roy Hart

If you're interested in the topic at hand, you should just watch it and judge yourself because the reviews have gone very biased by people that didn't even watch it and just hate (or love) the creator. I liked it, it was well written, narrated, and directed and it was about a topic that interests me.

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david-rf

This movie felt like something unfinished. It surely deserved to be developed into something bigger. But what's there is fascinating, sweet, and somewhat unique. The way it portrays the first days of college for a girl who's alone in a big unknown city, with unfriendly and opportunist people, is just awesome. I really felt sorry for this cheerful, shy and friendly girl who couldn't manage to get a decent social relationship in this new environment. The lead actress was really good and always had that "sweet and awkward" aura that's just perfect for the character. Some great scenes in this movie, but who's familiar with the work of Shunji Iwai shouldn't be surprised about that: this guy can pull off memorable stuff.

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chaos-rampant

I was very recently exposed to this filmmaker and utterly captivated by another one of his films, so that alone ensures I'll want to see everything by him at some stage. He seems like one to follow and devote serious time to: a vibrant new voice that embraces damaged worlds with the gentle ardor of Zen. He makes the films Mizoguchi ought to have made but for drowning still reflections in overbearing dramatics.This is even more sparsely arranged than that other film. Once more the point is that it's seemingly about nothing, purely episodic life from a teenage girl's journey into young adulthood and love. Once more the point is that there is no solid core to explain from, only glimpses from a floating world. Nothingness permeates, but a sweet, Buddhist nothingness that is pregnant with life.The world is still new that she enters, the mind is clear, fresh. There is a lot of idle perambulation but no vexation. Solitude that is sweet enjoyment of the present moment. Being that is still magnificent in its simplicity.Against this backdrop the smallest gesture rings far and wide with meaning, say a smile beneath a red umbrella for the joy of being able to freely smile or the feeling of being wet but safe. It is the best cinematic Zen I know of.Spontaneous joy without pleasure. A world that makes sense because the senses are open, receptive. Astute viewers will pick up a connection to old landscape compendiums from the Shogunate era, the title of this post is a reference to one; those were intended for tourists passing through Edo, but were the training ground for cinematic perspective, more deeply intended for the travelling eye.On a technical level, I believe this was solely conceived as an exercise where the filmmaker got to work out a few shots and atmospheres he had in mind: spring rains, clear evenings, bird's eye views, calligraphic sweeps, many worlds fleeting from the windows of a speeding train. A lot of that paid off in Lily Chou-Chou, there in a longer form.This is small but full and ripe, a rare thing. I'm even more eager to follow his work.

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qyan

Just rent the VCD tonight and falling in love with it immediately. Sweet and beautiful, it is one kind of the movie that makes you smile in the heart and feel how beautiful life becomes... since there is a thing called *love*. The movie is presented in such a sentimental yet subtle way that IMHO none of the hollywood/western film makers can achieve. Being an oriental, I am wondering if western audience will be able to appreciate the movie as much as I am... also highly recommend Love Letter (1995) from the same director.

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tvbj

"Shigatsu monogatari" (aka April Story), is one of those rare films which concentrates deeply on the feelings and personality of a character. Takako Matsu displays brilliant acting as Uzuki Mireno, a university student who experiences life on her own. The film shows the ups and downs of Takako's life at university. Despite the fact that I am an action fan and that the movie has a "strange" ending, this film did not fail to please and entertain me. I highly recommend this film for people into quiet, beautiful and emotional films.

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