Baise-moi
Baise-moi
| 01 June 2001 (USA)
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Manu has lived a difficult life. Abused and violently raped, she sets off to find herself only to meet Nadine, a prostitute who has encountered one too many injustices in the world. Angry at the world, they embark on a twisted, rage-filled road trip. They choose to have sex when they please and kill when they need. Leaving a trail of mischief and dead bodies in their wake. Generating a media blitz and manhunt, soon everyone is out to capture the young fugitives.

Reviews
Sexyloutak

Absolutely the worst movie.

Pacionsbo

Absolutely Fantastic

Dynamixor

The performances transcend the film's tropes, grounding it in characters that feel more complete than this subgenre often produces.

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Adeel Hail

Unshakable, witty and deeply felt, the film will be paying emotional dividends for a long, long time.

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Leofwine_draca

BAISE-MOI is another in a long line of controversial French thrillers made over the past couple of decades. This one's low budget indeed, shot with a camcorder and featuring a bunch of adult film stars in the main roles, so don't go in expecting any great shakes in the acting department. The story is about a couple of women who are traumatised after being raped by a gang of thugs and decide to take revenge on mankind as a whole. I was expecting a proper story here, but instead what I got was a series of violent set-pieces featuring sloppy gore and poor camerawork. The controversy arises from the frequent unstaged sex scenes which are pornographic in nature and have a really sleazy/grubby feel to them. It's all rather jaded and disappointing, a film far too obvious in its attempt to shock the viewer's sensibilities but also a film which has very little to say about anything.

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BA_Harrison

Mixing extreme violence with hardcore sex, Baise-moi is a taboo busting piece of French cinema that exists purely to shock. And shock it does! Following the exploits of hooker Nadine (Karen Bach) and rape victim Manu (Raffaëla Anderson), two man-hating killers on the run, this movie, directed by and starring real porn stars, delivers moment after moment that one doesn't usually find in films that have been passed by the BBFC (albeit with 12s of cuts) and released legitimately on UK DVD.Beginning with a harrowing and explicit scene depicting the rape of Manu (and her junkie pal), the film starts as it means to go on—by unflinchingly showing everything, however seedy or violent. As the film progresses viewers are treated to more full-on sex, some nasty killings (innocent victims are killed for fun), and a gob-smacking finale in which our modern day Bonnie and Clyde (or should that be Bonnie and Bonnie?) enter a sex-club, guns ablazing.Baise-moi is PURE exploitation. As far as I could see, the extreme content has no sub-text or hidden message; it is simply there for the purpose of entertaining viewers who like to watch films that push the boundaries. Some people may have a problem with this kind of entertainment, and if so, they should stay well away. I, however, was mightily impressed by this unpretentious piece of dangerous movie-making and recommend it to anyone wanting to try something a little less 'safe' than the usual fare offered at your local video store.

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kino1969

I finally sat down to watch this movie. I was expecting just a mess of a film. However, I was greatly surprised by it. It is definitely not for everyone. It relies on Abel Ferrera for its story, no doubt. What struck me was the gritty portrayal of a France that is usually unseen (albeit a fictionalized one) in French cinema. It is not the lighthearted "Amelie" or others of the ilk. No one is really likable. French society is not ideal. The two leads are not professional (except in the porn business), and their acting shows that, but their characters are not supposed to have any more depth than they do. Many of the victims are sleazy, and I, as a viewer, do not know whether to root for the antiheroes or not. That is the directors' strength in the movie, and precisely their point. These women are empowered feminists (as is one of the directors) and show their anger at not only men, but the industry that creates a male-dominated and desexualizes women in a male-oriented way. Just look at how the female victim at the ATM looks! Look at how the women at the sex club are "enjoying" themselves! Look at how the men "force" the women into pleasing them or how they attempt to control them from doing what they want to do to feel pleasure (whether it is sexual or, in the case of the protagonists, killing). This movie is a critique on society. The two women had enough and, like Michael Douglas in "Falling Down," go on a cross-country killing spree just for a release from reality and to control it at the same time. There are many hardcore sex acts, and the film is not in the same vein as "Cafe Flesh," but, like that film, it swerves from sex acts to a "normal" storyline. Again, NOT for everyone, so don't go out and rush to rent. I wish it were a bit better with acting and film stock, but it's hardly worth the 4.4 that IMDb shows it having! I give it 7 of 10. E.

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Lisa Muñoz

I couldn't figure out if this was porn or an exploitation movie. It should have been more about exploitation. If real sex were to be shown, it should have been about the intimacy between the two people instead of the prostitution, rape and sodomy.Baise-moi is about a lot of things, revolt, sexual violence, lust, rebellion, attack on the rich, the scums, the sleaze, the pervs, the life of slackers, drug addicts and low lives. There are so many things that I just can't put my finger on.When a movie is very confusing in a lot of senses, I don't like it. And this one was pretty muddled up. I can't feel too sorry for these girls (I didn't watch the whole of rape scene, as it was too much) because they do equally repulsive things as what was done to them. The controversy surrounding the film, as well as some outraged right wing and conservative groups trying to ban the film from premiering in France, is actually more interesting than the film itself. I'm really not sure what the directors were attempting to do with the film, either making another Thelma & Louise, but on crack, or showing that pornography is actually a violence towards women, as, both the directors and the lead actresses have experienced, in the porn industry, women are often used as objects of extreme sex, violence and humiliation.Either way, the film really doesn't merit the title of a film that changed the way people thought, it was simply trying to say something about pornography and the violence that comes with it, mixed into an indie film, that was so violent and sexually explicit that it was banned in several countries and changed several censorship titles in France.If you want a better story about nihilism, a lot violence and killings, with a clear message about why they are depicted, watch Natural Born Killers, instead.

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