Touches You

Don't listen to the negative reviews

This is a small, humorous movie in some ways, but it has a huge heart. What a nice experience.

The movie's neither hopeful in contrived ways, nor hopeless in different contrived ways. Somehow it manages to be wonderful

One of Avery's pet projects was satirizing popular American culture. Chief among these were well known stories and documentaries. Here he parodies Ripley's Believe It Or Not in the spot gag format which he established the year before. It's a collection of sight gags of outrageous oddities from around the world. Egghead (or the proto-Elmer version of Egghead) is thrown in for good measure as a running gag expressing blatant skepticism throughout the picture.Since Ripley's Believe It Or Not is still around today, the gist of the parody should not be lost to modern viewers aside from a few topical gags (i.e. the Buck Rogers reference) and some elements of Ripley's from this time period. Many fans have expressed disdain for the spot gag cartoons, but they didn't start becoming stale until late 1940. I believe Avery himself had the same sentiment, based on an interview he did with Joe Adamson. I've always had a fondness for this short, but it's mostly nostalgia speaking.

. . . but that's a pretty apt description about the Marching Orders provided to We Americans of the (Then) Far Future by Warner Bros.' always prophetic Animated Shorts Seers division (aka, The Looney Tuners), those Peerlessly Proficient Prognosticators of the USA's upcoming Calamities, Catastrophes, Cataclysms, and Apocalypti. These clairvoyant psychics, who can boast a much better track record of Prophecies Fulfilled than such over-rated hacks as Nostradamus, were particularly accurate with their uncanny depictions for America's Deplorable Advent of Rump. BELIEVE IT OR ELSE is a title sounding fairly threatening in and of itself, and as soon as Today's Viewers see frequent Warner Rump stand-in "Egghead" barge onto the scene during BELIEVE IT OR ELSE we can understand why that title elicits such trepidation. But, as was often the case with these brief cartoon offerings from Warner, the final scene of BELIEVE IT OR ELSE provides a prescription for relief from our current Reign of Terror. Though an easily bamboozled American Minority in the Confederate\Nazi States have been fooled into thinking that Rump is a "Man of Stature," Warner shows by Rump's Egghead representation that he's as bogus as those bloated Gas Bags in the Macy's Parade, and can be "popped" or cut-down-to-size as efficiently as the Magician sawing Egghead in half as BELIEVE IT OR ELSE concludes.

Another of Tex Avery's funny shorts that's basically just a series of gags connected by a single premise, in this case a spoof of Ripley's Believe It or Not. It's notable for being one of the final appearances of Egghead, who pretty much vanished after Elmer Fudd came on the scene. He appears here and there throughout, usually walking across the screen carrying a sign expressing disbelief at whatever's going on behind him. Basically the entire cartoon is one bit after another where, like the Ripley's show, we see different oddball characters that have something unbelievable about them. We have a fat guy whose been drinking fifty quarts of milk a day for two years, a Hindu snake charmer, a bottle ship builder, a hog caller, a "bad boy," the human basketball, a knife thrower, and so on. Most of these gags are corny but I think they were supposed to be, even back then. The highlight is probably the "life on Mars" bit with Buck Dodgers. The animation is beautiful with nicely detailed characters and backgrounds and rich colors. The voice work and music are good. It's not a bad cartoon by any means, just nothing extraordinary. How much you like it will probably depend on how much you like sight gags or how familiar you are with some of the stuff that's being spoofed.

Tex Avery loved to do spoofs of things and this one was a spoof of Robert Ripley's column/program, "Believe It or Not", where he detailed odd or unusual events, items and the like for his readers' edification. This is Avery doing the same, but Avery's way. The running gag (Avery almost always used one in his shorts) consists of Egghead (Elmer Fudd in the larval stage) periodically showing up to scoff at various claims, saying, "I don't believe it!" The ending is probably the best gag, the rest being either mildly amusing or falling a bit flat, with one or two not working in the slightest. Egghead basically makes this one worth watching. Decent idea, with some funny gags, but the parts are definitely greater than the sum. Average Avery, which means that it's equal to quite a few other directors' better work, but a simple finger exercise for the maestro, Still worth watching. Recommended.