Boring

Instead, you get a movie that's enjoyable enough, but leaves you feeling like it could have been much, much more.

The film creates a perfect balance between action and depth of basic needs, in the midst of an infertile atmosphere.

If you like to be scared, if you like to laugh, and if you like to learn a thing or two at the movies, this absolutely cannot be missed.

The comedy "Bob & Carol & Ted & Alice" is the type of movie that aged badly. The story of free love, freedom, true feelings and other values from the late 60´s and 70´s is absolutely dated in 2018. The cast is top-notch and the mignon Natalie Wood has a shining performance with witty dialogs. Quincy Jones´ music score is also magnificent. My vote is five.Title (Brazil): "Bob, Carol, Ted e Alice" ("Bob, Carol, Ted & Alice")

Don't let the famous poster of this swinging comedy of the late 1960's fool you; This is actually more a study of two marriages, two inseparable couples. This shows how modern morals changed the way people communicated, and how they just interrelate. These couples believe in total honesty, but it takes its toll on the real star of the film, Oscar nominated Dyan Cannon. This starts with the seemingly leading couple of Robert Culp and Natalie Wood heading towards a spa, driving into the beautiful countryside as the "Hallelujah Choir" plays lushly in the background. Wood finally gets to be free and honest and practically has a nervous breakdown over it. Back home, they begin to change their existence based upon their experience, and when motherly Cannon overhears Wood's blase revelation that Culp had an affair, she looses it, pretty much having a nervous breakdown in a very groovy nightclub. The tides turn as the honesty leads them to decide to switch partners, Wood ending up with Cannon's husband (a very droll Elliot Gould) and Culp preparing to make love with his best friend's wife, all in a rather tiny bed.So you can say that this is not as wild as it looks, supposedly happily married couples getting together and seeing if they can be as swinging as the world has been trying to tell them that it's OK to be. But individual morals are stronger than sexual desires, so there's a great lesson for them to learn. Thanks to a witty and smart screenplay, this ends up being surprisingly sweet, and nobody gets to point and laugh.

Paul Mazursky's directorial debut ranks with his best. Though B&C&T&A lacks atmosphere and could use tighter editing, it remains one of the 60s top comedies and one of that decades best films. Far better than the insipid comedies Hollywood churned out with Jack Lemon, Peter Sellars, Tony Curtis and Doris Day. In some respects a period piece, B&C&T&A is still funny and pointed today. The 4 leads are believable as couples and friends and Wood, Cannon, Gould and Culp have rarely been better. Gould and Cannon make their long scenes really work and Cannon is a standout especially in a scene with her analyst. Wood is far more nuanced and relaxed than she was in her previous comedies: Penelope, The Great Race, Sex and the Single Girl. The use of improvisation and long uninterrupted scenes works as well here as in any Cassavettes' film and the final scene is inspired by Fellini.

I admit that I was a bit puzzled by the perspective of this movie. All the way through, it seemed to be building to the logical conclusion that the four main characters were going to end up swinging together, culminating in Alice's expected suggestion to the other three that they have an orgy. All the way through it seemed to be a celebration of the sexually free-wheeling 60's, with Bob and Carol essentially enjoying an open marriage - not only having affairs but telling each other about them and sometimes even meeting each other's lovers - and basically trying to convince Ted and Alice to join them in this lifestyle of freedom. Then, in the end, it didn't happen. That didn't upset me - I was pleased by the ending of the movie, but still surprised. The lasting message that I got from the movie was that, ultimately, sex without love is an empty thing, but love without sex is a wonderful thing. Thus, the concluding scenes of the four deciding that their friendship made it impossible to begin a sexual relationship and the eye contact they make with strangers while on their way to the Tony Bennett concert, while all the way the closing song ("What The World Needs Now Is Love") plays in the background. I loved the ending and thought it perfectly appropriate. I also loved the beginning of the movie with the encounter session which was absolutely hilarious.Robert Culp & Natalie Wood & Elliott Gould & Diane Cannon as the respective title characters were fantastic all the way through, and their performances made an interesting story even better. The only thing I never really figured out was the decision to open the movie with the "Hallelujah Chorus"? What was the relevance? I wasn't sure. Small point, though, in an overall great movie.