This is a tender, generous movie that likes its characters and presents them as real people, full of flaws and strengths.

The movie's neither hopeful in contrived ways, nor hopeless in different contrived ways. Somehow it manages to be wonderful

This is ultimately a movie about the very bad things that can happen when we don't address our unease, when we just try to brush it off, whether that's to fit in or to preserve our self-image.

.Like the great film, it's made with a great deal of visible affection both in front of and behind the camera.

I was surprised by this one. It is an excellent introduction to La Fiesta Brava, showing, for example, many versions of the Veronica as performed by the best Mexican matadors of the late 40s. Luis Procuna, Alfredo Leal, Silverio Perez and the great Carlos Arruza are absentees. Stack, apparently, mastered enough of the technique to perform ably with a heifer -- and that itself is not easy. The background of the corrida -- particularly the tienta (or testing) -- is well documented and the vast Plaza Mexico appears with dramatic effect -- both filled and totally empty. Some of the b/w sequences in the bullring are breathtaking. The problem with the film is Stack's character, who behaves very badly very consistently and really does not seem to learn from his vivid errors. Furthermore, he makes no effort to master even the rudiments of Spanish. Otherwise, the film is compelling. I also recommend the Azteca film of about the same period, "Torero," a documentary about Luis Procuna, starring Procuna. He does not need a stand-in. As an introduction to bullfighting that does not show much of the picing or the actual kill, I recommend "Bullfighter/Lady."

This is a great film showing the horrors of bullfighting with excellent photography and directed by a former bullfighter himself, Budd Boetticher. John Wayne produced this picture but did not appear in this film and presented a film that was originally cut into pieces but has been restored to its original print, which is seen today. Robert Stack, (Johnny Regan) plays the role as a U.S. Citizen who has connections with Hollywood and has become interested in becoming a bullfighter and so he travels to Mexico to met a real famous matador. Johnny meets up with Manolo Estgrada, (Gilbert Roland) at a famous eating place and forces his attentions to Manolo in order to become friendly with him and to break into his inner circles of life. It it not very long before Johnny makes an arrangement with Manolo to teach him how to shoot birds in exchange for Matador lessons. This film goes into great detail about how to fight a bull and the dangers of the sport in Mexico. Johnny also meets up with a woman he falls in love with at first sight and just can't get her out of his mind both day in and day out, this woman is Anita De La Vega, (Joy Page) who does keep a distance from Johnny, but things do warm up between these two couples. Great film and a wonderful Classic Bullfighting film with great realism. Enjoy.

Robert Stack with blonde hair? Could that really be "Elliot Ness?" Well, it was the early '50s, before Stack made a name for himself with the TV hit, "The Untouchables. For those looking back at this film for the first time, as I did in the 1990s, this was a weird sight.Blonde or not, the main question which might answer if you will enjoy this film is, "Does bullfighting interest you?" If it does, you'll like this; if it doesn't, you're going to be bored.II saw the two-hour "restored" version and it looked nicely-photographed in black-and-white and very detailed about the sport of bullfighting. There were a number of scenes where I started to get bored, to be honest, and I hard time sticking with it but I have no interest in bullfighting, either. It leaves me cold. If I had interest, well, I would have a totally different outlook on the film.Kudos to Stack for doing - at least in some spots - his own bullfighting. That was impressive and shows me the man had guts. The skeet-shooting scene also was real as he was a pretty good marksman.The romantic scenes, as expected, were so-so as "Chuck Regan" (Stack) pursues his bullfighting coach's daughter, "Anita de la Vega" (Joy Page)If you love bullfighting, this film would be a "must-have" because it goes into the "sport" in some detail and even mixes in some live footage (in the long version). I would suggest the longer version, anyway, because that's the way the filmmaker intended the audience to see his work. Given a choice, always see the longer version and then make up your own mind whether it should have been cut or not.

This is a beautiful, compelling and honest film. It is imbued with the good kind of machismo--notions of honor, sacrifice, and the nobility of effort. Instead of cluttering up the film with lots of story and complications, Boetticher has delved inside the heart and mind of this (to us gringos) strange sport.My only addition to the other comments is the photography is remarkable for its era, almost an outdoor film noir, a romantic realism in black and white. (And note that in a number of shots it is clearly Robert Stack doing his own bullfighting!) I note that the film was produced by John Wayne for Republic, obviously mostly in Mexico; just one year later Republic permitted John Ford to make THE QUIET MAN in Ireland; early examples of American filmmaking in an international context.Don't hesitate to see this extraordinary film.