Sadly Over-hyped

not as good as all the hype

The plot isn't so bad, but the pace of storytelling is too slow which makes people bored. Certain moments are so obvious and unnecessary for the main plot. I would've fast-forwarded those moments if it was an online streaming. The ending looks like implying a sequel, not sure if this movie will get one

Worth seeing just to witness how winsome it is.

One by one, the models featured in a calendar are being murdered. Lieutenant Dan Stoner (Tom Skerritt) is put in charge of the investigation. He immediately strikes up a friendship with former model Cassie Bascomb (Sharon Stone), who seems to have a stalker. Is the stalker the killer? Or, is it someone more closely associated with the calendar?Even by 80s television standards, Calendar Girl Murders is pretty weak. As was customary at this time, the filmmakers would have you believe the movie is more scandalous than it is with models from a nudie calendar as a backdrop. But honestly, these buttoned-up women have more in common with the Amish than calendar models. A lot of the movie plays out like a standard 70s/80s cop show. I could easily see this as an episode of Charlie's Angels or Vegas. And what could have been a good ending is ruined. There should have been tension and suspense in the final scenes. Instead, it feels rushed. In short, Calendar Girl Murders is just lame. The only real positive I can come up with is some of the acting. Considering how young she was, I thought Stone did a nice job. And Skerritt gives the professional performance you would expect and manages to rise above his lackluster surroundings. Finally, I look at Calendar Girl Murders as a wasted opportunity. The makings of a decent film are buried here somewhere. Beautiful women, an unknown killer, red herrings, the calendar backdrop, and a twist at the end – sounds like the makings of a giallo to me. In the right hands and without the constraints of TV, I could see Calendar Girl Murders being an entertaining film.

Millionaire Richard Trainor (Robert Culp) is celebrating the fact that his new calendar featuring twelve nude woman is a huge success. However the party is ruined when Miss January is pushed off a building and later on that night Miss February is knifed to death.If you want to see Alan Thicke as a glamor photographer, Tom Skerritt as a cop (not surprisingly) and a young Sharon Stone, this is the film for you. Skerritt (who plays the oddly-named Detective Stoner) must find out who is killing the calendar girls... and you might keep guessing until the end! The film is made or television, so it is pretty tame. No nudity (despite the plot's description) and fairly mild violence. They found ways to stab and murder women without it being too messy, and this is no more racy than the average episode of "Murder She Wrote".

An example of the slightly racy, slightly tacky, slightly entertaining TV films that were popular in the mid-80's, this one concerns a serial killer, picking off the models of a nudie calendar, starting with January. Skerritt plays the laid-back cop on the case who has to navigate the world of Hugh Hefner knockoff Culp and his assistant Parkins along with their corral of shapely beauties. There is no shortage of suspects with little mini-dramas going on with somewhat slimy photographers Thicke and Gwynne, shady emcee Morse or even Skerritt's neglected wife Bosson. As the killer works his way through the calendar, Skerritt becomes embroiled in the life of model Stone, whose month is fast approaching. She makes no secret of her interest in him, and he can't help but find her striking, though he is devoted to Bosson. As the case progresses, Skeritt and his assistants Beltran and Gallardo continue to experience the decadent surroundings of Culp's lifestyle while trying to piece together the mystery. Skerritt deftly underplays his character in the laconic style that he's known for. Stone gives what could have been an extended audition for her later character in "Basic Instinct" as she creates an air of flirtatious mystery and retains a blasé attitude to the killings going on around her. Culp is well-cast as the aging playboy, though see him briefly don a speedo could give some viewers pause! Parkins' role couldn't be more thankless, though she's very attractive and classy throughout. Morse gets a rare opportunity to play drama and does fine. Bosson makes a nice companion to Skerritt. Beltran, later to gain cult status with Trekkers for his role in "Star Trek: Voyager" is hunk-a-licious here. Christian appears briefly as one of the murder victims. The year this was made, "Dynasty" was on the way to being the number-one-rated show on TV, so big hair, sequins and conspicuous consumption were the rules of the day. This lends some of the scenes a heavy dollop of camp hilarity, notably in the party sequences and modeling sessions. This being a TV-movie, the photos and photo sessions all have far more clothing involved than would have been in evidence in a real men's magazine. It's an agreeable time-filler that may make some viewers feel nostalgic for the ostentatious 80's while making other segments of the viewing audience either amused or repulsed.

This movie was on lifetime movie networks and is a clever, kinky tale of murders at a fashion shoot. check it out for sharon stone's early perfomance as a model being stalked by a psycho killer who is also offing her friends. Tom Skerrit plays the detective on the hunt for the killer before he gets to Stone. A clever whodunit, not too bad for a tv movie.