Simply Perfect

a film so unique, intoxicating and bizarre that it not only demands another viewing, but is also forgivable as a satirical comedy where the jokes eventually take the back seat.

This is a must-see and one of the best documentaries - and films - of this year.

The film's masterful storytelling did its job. The message was clear. No need to overdo.

I'm not sure if I still would've loved Coven if I had not seen American Movie, which tracked how director Mark Borchardt spent more than three years and hundreds of man hours to make a film. What was this movie is revealed, sort of, during the course of American Movie, but only in snippets. By the end, when Chris Smith shows a quasi-trailer for Coven, one gets really hyped to watch the whole thing. Thankfully we all can thanks to it being featured on the DVD, and it's really quite impressive. It's shot with an eye for creativity and an odd sense of horror by Borchardt and he gets some crazy and intense performances from his actors, especially one (I forget his name) who looks like an Orson Welles love-child.And yet, as enjoyable and intense as the movie becomes- about a writer who becomes involved in a rehab group that is really a coven of witches (some women some male)- I wonder now if I would've connected to it more if I had not seen Smith's film. One saw in that, for example, how Borchardt and his friends abused alcohol over the years, and especially how his friend Mike took far too many acid trips and became the slow-talking (though amiable) guy he is today. So, seeing those rehab scenes one gets a more personal sense from Borchardt after seeing the documentary (not to mention his love of Night of the Living Dead projected through in Coven via harrowing hand-held black and white cinematography on a cheap-ass camera, and funky music, and some nasty gore). But if you do watch it first on the DVD, or find it online, it's still by itself a successful work of primitive art: an independent film that is crude and uncouth, and with some really bizarre, effective scenes like the one in the hospital elevator, or when Mark is in the woods and is surrounded by the men in black cloaks.

This short film shows real talent. Very artistic looking and reminiscent of horror films of the 70's. The acting left allot to be desired, but it actually looks really good. I like the black and white. I hope to see more movies from Mark, he's classic. The documentary about the making of this film is called American Movie and it's a fascinating look into how this film got made and all the characters that were involved in doing it. Mark and his cronies are super interesting portraits of middle America and the depiction of what a long process it is to make even a short film, is extremely inspirational.

Its one of those movies that is just a film to some, but a powerful social commentary for others. Mark Boschardt proves himself as a capable film maker, not the man so obviously mocked in American Movie (though when asked about his portrayal in American Movie, Mark Boschardt said "They were making their own movie, I'm not going to judge it so harshly").The story is simple; a drug addict/alcoholic writer almost dies from an overdose. Hoping to stay sober, he tries out a support group which doesn't quite work for him. So he tries to stay sober on his own. This, of course, becomes impossible as we see the true nature of the support group, which drives him to further drug use in the movie (they do not take kindly to his not returning). The motivations of the group are unknown throughout the movie, and are still unclear at the end.But the moral and message of the film are clear enough. Those who are in Alcoholics Anonymous will tell you to steer clear of this film, and to quote Boschardt once more "AA feels that if you don't get help from them, or God, then you haven't gotten help at all." This movie struck close to home with me, and I was really glad to be able to meet Mr. Boschardt himself. After all, it is quite obviously a very personal film for him. 4 stars.

I watched Coven after the intrigue that manifests from watching American Movie, it is totally roughraw, this is a must-see for anyone interested in film making and film rhetoric, the inventiveness and creativity that is apparent here sticks out like a sore (bloody) thumb. The story is wierd yet strangely compelling (well it compelled me :) ) and some of the visual shots are ultimately memorable, there are some great bits of dialogue and the early signs of a great directing style waiting to be developed.Keep your eyes on this guy, if he ever gets lucky enough to get a decent budget he could make a real classic movie, hopefully starring Mike Schank as a gritty new york cop :)