I was totally surprised at how great this film.You could feel your paranoia rise as the film went on and as you gradually learned the details of the real situation.

The movie's neither hopeful in contrived ways, nor hopeless in different contrived ways. Somehow it manages to be wonderful

Very good movie overall, highly recommended. Most of the negative reviews don't have any merit and are all pollitically based. Give this movie a chance at least, and it might give you a different perspective.

It is encouraging that the film ends so strongly.Otherwise, it wouldn't have been a particularly memorable film

'Dead Letter Office' is a low-budget film about a couple of employees of the Australian postal service, struggling to rebuild their damaged lives. Unfortunately, the acting is poor and the links between the characters' past misfortunes and present mindsets are clumsily and over-schematically represented. What's most disappointing of all, however, is the portrayal is life in the office of the film's title: there's no mechanisation whatsoever, and it's quite impossible to ascertain what any of the staff really do for a living. Granted, part of the plot is that the office is threatened with closure, but this sort of office surely closed in the 1930s, if it ever truly existed. It's a shame, as the film's overall tone is poignant and wry, and there's some promise in the scenario: but few of the details convince. Overall, it feels the work of someone who hasn't actually experienced much of real life; a student film, with a concept and an outline, but sadly little else.

This little gem of a film tells a heart warming, bitter-sweet tale with classy acting and low-key direction. Lonely Alice takes a job at the dead letter office in order to track down the father with whom she lost contact in childhood. There she meets the apparently cold but super efficient manager, Franc, a refugee with a past which torments him. The basic story then progresses along lines you would expect with some nice twists and turns along the way. Alice and Franc grow to understand each other, while facing up to the realities of their previous experiences, and the realization that the past is impossible to recapture. Miranda Otto as Alice lifts this film out of the ordinary with a charming, sincere performance, a very pretty face and a dab of genuine star quality . George Del Hoyo as the tortured soul, Franc, is an effective polar opposite to Alice. He's cold and apparently cynical, Alice is wide-eyed and enthusiastic but both share a loss in their past. The supporting characters at the dead letter office itself , in which undeliverable and wrongly addressed mail is processed, are a curious bunch of misfits who add some comic touches and depth. The straight forward and un-flashy direction is effective in making the whole movie seem down to earth and realistic. A case of less being more. There are some fine memorable scenes ; Alice posting a letter to her missing father while striking a graceful balletic pose ; Frank practicing dance steps after hours in the office. Not high art, but quality no nonsense film making in which the story and characters lead the way and the director supports, rather than usurps them. A nice film and please can someone in Hollywood sign Miranda Otto as I could watch her all day!

An unpretentious little film made with sincerity, gentleness and with a reduced budget (and it shows.) In the end, it looks and feels mostly undernourished. The Latin-American characters that give the movie its rather unusual "exotic" flavour also collaborate with the collective tortured past that runs through the movie, although their personal stories and discourse may sound pretty unconvincing.

Letters with no destination end up in another world found in the back rooms of the post office. Here, Alice manages to land a job in hope of finding her lost father. What she does discover is the tormented soul of her boss, Frank. A quiet little Aussie flic that came and went at the cinema. Now you find it in the deep dark corner of the video shop, overshadowed by fifty copies of that dreaded GODZILLA film. It's a shame because this turned out to be a satisfying film telling a brave tale with strong simple images and effective performances from the two leads. This film succeeds where Garry Marshall's other dead letter office flic DEAR GOD (1996 - USA) failed, and comes close to the brilliance of, not the Kevin Costner turkey, but He Jianjun's POSTMAN (1995 - China).