Very interesting film. Was caught on the premise when seeing the trailer but unsure as to what the outcome would be for the showing. As it turns out, it was a very good film.

While it doesn't offer any answers, it both thrills and makes you think.

There are moments that feel comical, some horrific, and some downright inspiring but the tonal shifts hardly matter as the end results come to a film that's perfect for this time.

This movie feels like it was made purely to piss off people who want good shows

DEAD MAN RUNNING is a typical expletive-laden British gangster movie that trades on past glories. All of the actors involved play characters who are mere riffs on their former glories and the plot, about a hostage situation and the attempt to make a great deal of money in a very short time in order to pay off a gambling debt, are very predictable.The consistently uninspiring Tamer Hassan is the main character who is driven to the edge when his mother, Brenda Blethyn, is held hostage by a shotgun-wielding psychopath. Said psycho is played by Phil Davis, enjoyably riffing on his crazy turn in FACE, and he's the best thing in the movie. For her part, Blethyn feels miscast and hard to take seriously, although she's better than the one-note Hassan.The rest of the film wallows in clichés and low rent situations, although it's not quite the worst I've seen of this genre; at least some of the comedy is funny in places. Danny Dyer has the typecast role of Hassan's buddy and is one again the naughty-but-nice tearaway. Alan Ford and Omid Djalili have cameos, the former welcome, the latter not so much. Worst of the group is rapper 50 Cent in a 'take the money and run' type turn as the crime boss.

The plot: Given 24 hours to pay off his massive debt, a reformed gangster descends back into the underworld he struggled to escape.Dead Man Running isn't a bad film, but it's strictly by-the-numbers. It lacks the brutal realism of something like Refn's Pusher trilogy or Hodges' Get Carter, operating in a universe more like Guy Ritchie's, where the underworld is populated by idiosyncratic acquaintances, crime bosses with dangerous reputations, and oddball sidekicks. The biggest difference, however, is that this seems like something of a breezy overview of the genre, where each character is given a brief cameo, rather than any kind of reinterpretation. Nobody really has much to work with, but it does give the film a certain simplicity that many people found lacking in Get Carter and Revolver, which are often accused of having overly intricate plotting.It's not an original movie, but it's enjoyable enough for what it is. If all you want is a simple, mildly violent crime thriller, then this will fit the bill nicely. If you're looking for something a bit deeper or original, I think you'd be better off skipping it. You'll just be bored or annoyed by all the clichés.

I recently viewed Lock, Stock, And Two Smoking Barrels, and thought it was a cinematic masterpiece. I watched Dead Man Running yesterday, when I saw that the two had a similar plot line. I wasn't expecting Dead Man Running to be as good of a movie as Guy Ritchie's Lock, Stock, And Two Smoking Barrels, but I also wasn't expecting it to be almost as bad of a movie as Dave Eddy's Pocket Ninjas. The dialogue is rather lame, the twist is cliché and expected, and everything feels hand-me- down and second hand. Brenda Blethyn had a beautiful performance as Tammer Hassan's mother, which although was superb, didn't quite make up for 50 Cent's less than acceptable acting. Dead Man Running and Lock, Stock, And Two Smoking Barrels have the same situation with me as Corner Gas and Dan For Mayor. The Corner Gas/Dan For Mayor conundrum means that I enjoyed Corner Gas, but don't enjoy Dan For Mayor, although I want to. Lock, Stock, And Two Smoking Barrels is hands-down one of my all-time favourite movies, and Dead Man Running is hands-down one of my all-time least favourite movies. I really want to like Dead Man Running, but the dialogue, second-hand feeling, and clichés didn't do it for me. I give Dead Man Running a three of of ten.

I wasn't expecting great things from this movie and I wasn't disappointed. The plot is very two-dimensional but done reasonably well, the film is well-paced and directed competently with a fair bit going on in its 90-ish minute runtime. It's never going to trouble the Academy but it pretty much does what it says on the tin as a run-of-the-mill UK gangster flick.The performances leave a little bit to be desired, however. Danny Dyer, who now seems hopelessly typecast, really phones in his performance and it would be nice to see him given a role which might stretch him. If he keeps taking roles like this one, though, it ain't going to happen. Here Dyer is reunited with his co-star from 'The Business' (ten times the film that 'Dead Man Running' is, by the way) Tamer Hassan. Hassan, again, means well but again he's given very little to work with. It's a shame as both he and Dyer have, I feel, more to offer than this formulaic 'good-guys-gone-a-little-bad' buddy-buddy nonsense.The chief baddie is 'played' by Curtis 'fifty pence' Jackson and it's not good, people. I'm not a fan of his music but he undeniably has talent, just not on the boards. His performance is borderline embarrassing but thankfully he doesn't take up much screen time.Not a great movie, not a disaster either. Just average.I did chuckle when I saw the name of footballer Rio Ferdinand in the credits as an 'executive producer' and the Jar-Jar Binks lookalike even gets a dedicated (and very clunky) line in the script. Rio's got his insipid 'Number 5' online magazine going on and now fancies himself as a mover and shaker in the film world but someone really ought to take the big man to one side and quietly explain to him that he is not in any way 'cool', nor will he ever be. Stick to football, Rio, you're quite good at that (recent performances aside).