That was an excellent one.

Dreadfully Boring

This is one of the few movies I've ever seen where the whole audience broke into spontaneous, loud applause a third of the way in.

The storyline feels a little thin and moth-eaten in parts but this sequel is plenty of fun.

"Genuine Risk" surprised me by remaining very engrossing throughout. Yes, there are lots of clichés, but they didn't bother me. There are some really fun bits as well, and the movie keeps you guessing as to which will be next. It's true that "the girl" gets just about zero character development, rendering her a walking (or should I say slithering?) cliché in both name and substance, but so what? Everyone here is at least somewhat of a cliché. The movie embraces that.Berg is very well cast in this role, being quite believable as a small-time loser with more heart than brains who gets sucked into things beyond his control. His friend Jack brings a huge dose of life to the story, strutting his way through scene after scene with flamboyant ambiguity. Stamp's Paul is perfect, as we would expect from him. (I guess that could be considered "faint praise", but can it be any crime to be good at something and do it?) Johnson does what she can with the admittedly shallow role she's given, which is to say she looks sexy. Everyone else are minor characters, but each does well with them. The pacing, editing, and directing are all solid.What I enjoyed perhaps the most here was the sense of reality Berg's character brings to the backdrop of the tapestry of clichés which make up the story. He is a splash of "the common man" across that tapestry, and the contrast creates the tension. He clearly doesn't belong in Paul's world, so we want to see what happens as he gets drawn into it.Ultimately, I gave this movie an 8, which is probably too high, but for what it is I really enjoyed it a lot. It knows what it's about and it spends its time on exactly that. It's certainly better than its present 4.8 rating, at least for those who enjoy noir -- and if you don't, then shouldn't you pick something else in the first place?

M.K. Harris and Peter Berg are low level thugs for mobster boss Terrence Stamp in "Genuine Risk", a very entertaining film indeed. Berg is the horse racing degenerate, recruited into crime by his good friend Harris. After Berg is "checked out" in the local bar for her boyfriend Stamp, a torrid affair between Berg and the mobster's trollop, Michelle Johnson, commences.. "Genuine Risk" is an unusual mix of violence and humor, although I never felt the movie was intended as "dark comedy". Our hero, Berg, takes some serious punishment, from Sid Haig playing a bookmaker, in a minor role. This is a truly surprising sleeper, featuring likable characters, a slightly off kilter story, and a fairly outrageous conclusion. Recommended for admirers of the genre. - MERK

"Genuine Risk" is what you might call a "neo-noir" film, predating Hard Eight (1996), among other examples, and quite similar to most of the output of director John Dahl. His The Last Seduction (1994) also features Peter Berg. Perhaps Dahl saw "Genuine Risk" and recognized Berg as a new noir figure, the 90's answer to Dan Duryea? We may never know.Berg puts in an engaging performance as Henry, a good-looking but down-on-his-luck dude who is addicted to betting on horse races and lives in a squalid apartment above a seedy L.A. bar. His buddy Jack (M.K. Harris) is a psychopathic gangster who works for Paul Hellwart (Stamp), the biggest, baddest, most intimidating crime lord in town. Needing money, Henry reluctantly agrees to work with Jack and become an employee of Hellwart. Next thing you know, Henry is mixed up with The Girl (Michelle Johnson), Hellwart's girlfriend. Uh Oh.As stated earlier, Berg is quite good in this film. He is likable amid his difficult circumstances. He doesn't want to be a bad guy. He provides a good audience-identification character, as he's sort of roped in bit by bit into a life of crime. Not to take anything away from him, but I noted that Christian Slater also could have played the part of Henry. That would have been interesting. Terence Stamp is scary as Hellwart (great name), and there is an intriguing point about his character, that he was a pop star in the 60's in England under the name Paul Blaze, that might have been developed a bit more. Also one gets the feeling that Stamp wasn't firing on all cylinders, but that's okay, as it fits the moody style of the film. Sid Haig makes a welcome appearance as one of Hellwart's men.Besides the Paul Blaze thing (The film was produced by Miles Copeland and the IRS record label, maybe they demanded a musical subplot?), there are some other half-baked ideas in "Genuine Risk". For example, the entire character of "The Girl". Even her lack of a name connotes zero character development. She doesn't say that much or do that much, and her "personality" is nil. it seems hard to believe Berg would fall in LOVE with her. Sure, she's hot but she's basically a human prop. And a rich, powerful crime boss like Hellwart could get any woman he wants, why he would unleash hell over "The Girl" seems a waste.But ultimately, these are minor quibbles, as "Genuine Risk" (the title has at least two meanings, you have to watch the film to see what they are) is well worth watching. The lighting and cinematography, as well as the music, capture that noir feeling well, and there are some good performances and ideas. "Genuine Risk" is an underrated gem.For more insanity, please visit: comeuppancereviews.com

If you are a cynical person then you might watch this all the way thru. There is violence (or the danger of violence) plus the requisite love scene. Pretty good acting (especially Terence Stamp) gets you thru the clichés in the script.A racetrack milieu is involved. Note the title of the movie, which is both a banal comment on the ambiguous nature of relationships, and the name of a race horse - in the 'Baby' race! (that horse has no role in the plot, that I remember).This movie is a bit better written than your average hood flick (I gave it a 6 out of 10).