the leading man is my tpye

A Disappointing Continuation

If the ambition is to provide two hours of instantly forgettable, popcorn-munching escapism, it succeeds.

This movie tries so hard to be funny, yet it falls flat every time. Just another example of recycled ideas repackaged with women in an attempt to appeal to a certain audience.

In a recent biography of Burt Lancaster, Go Tell The Spartans is described as the best Vietnam war film that nobody ever saw. Hopefully with television and video products that will be corrected.I prefer to think of it as a prequel to Platoon. This film is set in 1964 when America's participation was limited to advisers by this time raised to about 20,000 of them by President Kennedy. Whether if Kennedy had lived and won a second term he would have increased our commitment to a half a million men as Lyndon Johnson did is open to much historical speculation.Major Burt Lancaster heads such an advisory team with his number two Captain Marc Singer. They get some replacements and a new assignment to build a fortress where the French tried years ago and failed.The replacements are a really mixed bag, a sergeant who Lancaster has served with before and respects highly in Jonathan Goldsmith, a very green and eager second lieutenant in Joe Unger, a demolitions man who is a draftee and at that time Vietnam service was a strictly volunteer thing in Craig Wasson, and a medic who is also a junkie in Dennis Howard. For one reason or another all of these get sent forward to build that outpost in a place that suddenly has acquired military significance. I said before this could be a prequel to Platoon. Platoon is set in the time a few years later when the USA was fully militarily committed in Vietnam. Platoon raises the same issues about the futility of that war, but I think Go Tell The Spartans does a much better job. Hard to bring your best effort into the fight since who and what you're fighting and fighting for seems to change weekly.Originally this project was for William Holden and I'm surprised Holden passed on it. Maybe for the better because Lancaster strikes just the right note as the professional soldier in what was a backwater assignment who politics has passed over for promotion. Knowing all that you will understand why Lancaster makes the final decision he does.Two others of note are Evan Kim who is the head of the South Vietnamese regulars and interpreter who Lancaster and company are training. He epitomizes the brutality of the struggle for us in a way that we can't appreciate from the other side because we never meet any of the Viet Cong by name. Dolph Sweet plays the general in charge of the American Vietnam commitment, a General Harnitz. He is closest to a real character because the general in charge their before Johnson raised the troop levels and put in William Westmoreland was Paul Harkins. Joe Unger is who I think gives the best performance as the shavetail lieutenant with all the conventional ideas of war and believes we have got to be with the good guys since we are Americans. He learns fast that you issue uniforms for a reason and wars against people who don't have them are the most difficult.I think one could get a deep understanding of just what America faced in 1964 in Vietnam by watching Go Tell The Spartans.

As one who served as an MACV adviser (1965) and later in the infantry in Vietnam (1966), I can only echo those that say this is the best Vietnam film ever made. The cast is excellent. Johnathan Goldsmith was right on with his burnt out NCO portrayal. The overall tone of the film was perfect. This film had no political ax to grind and showed the situation we found ourselves in on a daily basis. No other film about Vietnam comes close to the truth as this one does. Burt Lancaster's best performance since "7 Days in May". Ted Post was never given the credit he richly deserves for his direction. Craig Wasson showed what a "rookie" was up against being thrown into an overwhelming spot. Everyone looked the part of a MACV adviser. I can speak to that from the position of: "Been there, done that, got the T shirt"

This exceptional, totally deromanticized and unjustly forgotten knockout got undeservedly lost in the shuffle in the late 70's when it had the grave misfortune to come out around the same time as such more widely recognized 'Nam features "The Deer Hunter," "Coming Home," and "Apocalpyse Now." The film depicts the early stage of the war circa 1964, when American troops where initially sent over strictly as "military advisers." Burt Lancaster gives one of his finest, grittiest and most appealingly ragged performances as a rugged, irascible, foul-mouthed major in charge of a ragtag army base who's beginning to have serious misgivings about America's involvement in the war. Equally crackerjack characterizations are contributed by Craig Wasson as a naive, soft-hearted raw recruit with romantic notions about the glory of war who quickly learns that war itself is an intrinsically ugly and unfair thing, Joe Unger as a foolishly gung-ho corporal, Jonathan Goldsmith as a frazzled, alcoholic, battle weary combat vet, Dennis Howard as an oblivious to the world dope-head, an especially chilling Evan Kim as brutish, bloodthirsty South Vietnamese mercenary Cowboy, Marc Singer in his film debut as Lancaster's loyal, yet cynical aide-de-camp, Dolph Sweet as Lancaster's stern, overbearing, overconfident superior, and James Hong as a helpful elderly villager.Ted Post's strong, precise, tough-minded direction, ably packed up by Harry Stradling, Jr.'s crisp, skillful cinematography and Dick Halligan's tense, shuddery, moody score, injects a genuine heart-rending sense of loss and anguish into the grim proceedings, therefor adding the right element of roughhewn authenticity to the movie to make it poignant and convincing. Wendell Mayes' sterling script -- it's profane, dryly perceptive and often sardonically funny, with a laudably obdurate refusal to resort to either cheap macho heroics or mushy patriotic sentiment which goes a long way in explaining exactly why it spent seven years languishing on a shelf before third-tier studio Avco Embassy finally decided to make it into a movie -- spells out the savage, upsetting reality of war in very stark, bleak and no uncertain terms: It's nothing more than a horrendous, chaotic, futile ordeal in which the participants do their utmost to stay alive and intact under circumstances of ever-increasing severity. An absolute powerhouse.

Director Ted Post is incredibly talented when it comes to telling the audience a captivating story. His characters are believable and he helps create one of Burt Lancaster's finest performances. The story is told in a very entertaining and well-paced fashion while sustaining a feeling of tension. This film never received the attention it deserved when originally released. It's really worth your while and I hope when people see it in a video store they'll consider giving it a chance. It is definitely one of the most realistic and gripping accounts of the war in Vietnam. Ted Post proves to be a very talented director especially in the way he directs his actors. He manages to get great performances out of his entire cast (not only some of the stars). I highly recommend this film and hope that more people will appreciate the way I do.