This is a must-see and one of the best documentaries - and films - of this year.

I enjoyed watching this film and would recommend other to give it a try , (as I am) but this movie, although enjoyable to watch due to the better than average acting fails to add anything new to its storyline that is all too familiar to these types of movies.

Yes, absolutely, there is fun to be had, as well as many, many things to go boom, all amid an atmospheric urban jungle.

A clunky actioner with a handful of cool moments.

Brazilian director José Mojica Marins is renowned by cult movie fans for his surreal, gory, bizarre and frequently incomprehensible Coffin Joe movies in which he plays sadistic undertaker Zé do Caixão. Hellish Flesh doesn't feature Zé and is one of the film-maker's more conventional efforts, but I don't mind: it's nice to be able to understand what the hell is going on for a change!Marins plays Dr. Jorge Medeiros, a scientist so caught up in his experiments (or 'experience' if you have the poorly subtitled Anchor Bay DVD) that he neglects his beautiful wife Raquel. A little too trusting, he is happy for Raquel to go to dinner with his friend Oliver while he tends to his test tubes; unsurprisingly, the pair are at it like rabbits behind his back.Fed up with keeping their affair a secret, the deceitful couple plan to rid themselves of Jorge and claim his fortune. While working one night, Raquel goes into his laboratory and throws acid into her husband's face; Oliver goes one step further and starts a fire, leaving Jorge to burn to death. Miraculously, Jorge survives his ordeal and spends months in hospital receiving reconstructive surgery (cue some nauseating real-life eye surgery footage); meanwhile, Oliver and Raquel are quickly working their way through what cash they have, unable to lay their hands on Jorge's money.Strangely, when Jorge leaves hospital, he doesn't go to the police; on the contrary, he regularly gives Raquel money, most of which is squandered by Oliver on gambling and, unbeknown to Raquel, on numerous skanky hookers (fat women, women with bad teeth, women with five o'clock shadows: he's not fussy!). When Raquel learns of Oliver's dalliance's with these women, she rushes to confront him, but is hit by a car (she needn't have bothered: his last hooker had stabbed him to death).Once again, Jorge comes to his wife's rescue, paying for the surgery necessary to help her walk again. Indebted and wracked by guilt, Raquel returns to her husband, and, on seeing his scarred visage, declares her love and throws acid into her own face, wanting to be disfigured just like Jorge. After unsuccessful plastic surgery, Raquel returns home and once again declares her love for Jorge, at which point her husband… well, that would be telling, suffice to say that as acts of revenge go, this one is pretty sweet!6.5 out of 10, rounded up to 7 for IMDb.

Hellish Flesh is a slightly more conventional horror tale from Brazilian madman José Mojica Marins. In it Marins plays a scientist who spends too much time in his lab. His wife conducts an affair with a mutual friend. The pair then concoct a plan to kill the hapless husband. The wife pours acid on his face and her lover sets fire to his lab. But the scientist survives albeit with a creepy burned face, while the wife suffers a bad life as her lover is a good-for-nothing gambler and womaniser. But things only get even more complicated.At its heart this is a simple revenge tale. Although given that it's a Marins movie it isn't a typical one. He still manages to incorporate some surreal elements such as the scenes with the mysterious young woman. Her lover is but a shadowy silhouette, á la Nosferatu. There are also a couple of shock moments; one being the acid attack scene which does look quite fake and another being the eye surgery scene which unfortunately is quite genuine, and very unpleasant indeed. Also, the parts with Marins facially deformed scientist were nice and creepy. But mostly Hellish Flesh is a fairly straightforward affair. The twist at the end is kind of good though and rounds off the film on a satisfyingly macabre note.

I guess of the films directed by José Mojica Marins that I've seen, Inferno Carnal might be his least difficult to follow. Actually it was rather accessible when compared to his past films and has subject matter quite relatable to tales of revenge in regards to marital infidelity and attempted murder by adulterous lovers towards an innocent spouse. A scientist spends a great deal of time in his basement conducting peculiar experiments while the missus has an affair with his friend. Together they concoct a plan to kill him..throwing acid in his face and attempting to burn him alive with his test tubes and chemicals. Living through a difficult eye surgery and face reconstruction, the scientist remains devoted to his wife, hiring a man to look after her, furnishing money despite what she's doing with it..giving it directly to the lover who spends the money on booze and women gleefully. But, a series of events plague the wife and her lover, their sinful actions returning to haunt them. The lover and his philandering ways catch up to him, eventually choosing the wrong greedy floozy to flaunt money around. The wife suffering a serious injury(..after being hit by a car, thanks to surgery she's able to walk again), including a tragic decision she makes out of guilt because of her husband's continual kindness despite her actions towards him. Another development has this beautiful young woman speaking to someone who remains off screen, his silhouette indicating that it's a mystery man she loves dearly and passionately.Unlike Marins' former works, there aren't odd, nightmarish sequences, Inferno Carnal remains grounded in realism(..well, mostly, except for the outlandish denouement revealing a startling discovery in regards to actual physical appearance)and pretty much functions as a morality tale. Surprisingly, this film would almost act as a crowd-pleaser..those who exacted an evil scheme towards an innocent man are punished. I think the most distinctive visual stylizing in this particular film would be the use of silhouette(..especially the long fingers whose shadow stretch across the body of the beautiful girl always conversing with her lover unseen by the viewer)to establish a person's presence in a room(..and before the scenes featuring the girl occur, a man's eye comes across the screen also indicating that he perhaps is that person she talks to). I will admit that the film gets a bit tedious and repetitious as the film shows a variety of hookers hopping in the sack with the scientist's wife's male lover..followed by Marins' scientist often being questioned by his hired "tag-along" about his willingness to spend money on his wife. But, ultimately, Inferno Carnal is about how payback is a bitch. Throughout the film, Marins' cries of pain from acid burns to his face, begging for his wife's help and agonizing over her actions is layered in the soundtrack in scenes featuring the scientist, strolling his premises "wearing his new face"..it's a really creepy face, too. I figure Marins' cult audience might actually find this a bit disappointing for Inferno Carnal doesn't challenge you as his others films do.

"Hellish Flesh" is not an Coffin Joe entry but an average horror tale of revenge. A scientist (Marins) gets his face destroyed with acid by his young cheating wife. She then spends his money on a playboy/lover, meanwhile Marins is lurking around them with a scarred face. The end has nice twist but like "Perversion" it's too straightforward compared to his unique surreal Coffin Joe epics. The print from Something Weird Video is pretty worn but it's properly the only way to get this rare film. Only for fans of this Brazilian genius.