Let's be realistic.

This is a small, humorous movie in some ways, but it has a huge heart. What a nice experience.

The movie's not perfect, but it sticks the landing of its message. It was engaging - thrilling at times - and I personally thought it was a great time.

A great movie, one of the best of this year. There was a bit of confusion at one point in the plot, but nothing serious.

This review contains spoilers.Hero is a martial arts film directed by Zhang Yimou and stars Jet Li as the nameless hero. Nameless claims to have dispatched the assassins that have made an attempt on the King of Qin's life. The King allows Nameless to present his case in person to him.Hero is a beautiful movie that has a great story. Most of the movie is presented as flashbacks and renditions of Nameless' story. This plays into why the movie looks so pretty as much of the movie exists in an idealized form that exists in the character's heads. The cinematography is astounding for his fantastic work. Almost every scene is beautiful to look at with color playing a role in every scene.The story is also riveting. Although it can be hard to follow with much of it being subjective due to memory, the movie makes the main plot of the assassins easy enough to follow.The action in this movie set the bar for the time it was released. This movie had amazing stunt-work and along with the directing, it elevated the action to be both entertaining and story-driven.I highly recommend Hero. This movie is a complete package.

I certainly disagree with the message. I understand that this is a telling of how China came to be by "uniting" the different kingdoms but it, possibly inadvertently, sends the message that war and conquer are good. The king is a ruthless man who will do anything to achieve his goals of bringing the different kingdoms together. This includes the killing of many individuals. Sometimes war is necessary. To protect. But never to conquer. We should all be united, but not in the way this film presents. We can live separately yet together in peace. The different kingdoms could have thrived separately but this king was willing to kill so that they would all be forced under one rule. Not because the others were dealing with injustice or the like but because that's just how he wanted it. So while the film is obviously stunning visually - the choreography, the use of color, lighting, etc. it all ultimately fails in its portrayal as the message is not one that deserves to be uplifted. It's a great film for its endeavors but ultimately shameful in what it's trying to tell us. Allowing the king to succeed may have stopped the killing but he started it to begin with and this choice undoes the entire sacrifice of nameless and the two lovers and their pain.

A beautiful masterstroke from director Zhang Yimou, Hero is a beautifully constructed wuxia film that is infused with history, Chinese culture, honor, and themes of overcoming hate and the pain that can be caused from not conquering that hate. Through this film, Zhang Yimou not only creates a terrifically entertaining martial arts action film, but he also creates a film that is a moving and stirring look at the unification of China and the sacrifices that went into that monumental step.While the movie does take some liberties with historical retelling, what top box office film doesn't? Without fail, the movie plucks at the heart-strings of its viewers and masterfully captures the human aspect of War and how it affects the minds of the ruled.

Hero is concerned not only with physical prowess and ability, but also the battles that occur within the mind. The entire film then takes place solely within the confines of the king of Qin's palace, and they are trading stories, not blows. Like in Rashomon, they are fighting for their own version of the story, attempting to gain an upper hand in the proceedings. And within these stories there are also mental battles; Long Sky and Nameless' initial clash is in their imagination, a vicious one-on-one muted in grey-scale. They are like chess grandmasters, with each blow calculated and bringing infinite possibilities and outcomes, so that the fight is over before it has begun. Their mastery of the art of swordfighting makes this possible. The choreography of Hero is in the wuxia style, which has been codified over time so that Western audiences may also come to appreciate and know its art. Masters of the style float over long distances as if they are suspended by strings, barely needing to touch the ground before they gracefully float away again (affectionately dubbed 'wire-fu'). When they fight their movements are so ferociously fluid that they whip up leaves into tornadoes, which curl around the characters themselves. Zhang Yimou is concerned with form as much as he is with function; Flying Snow does not merely repel, but dances amongst the rain of arrows, and the writers inside are painting with ink as red as blood, also fiercely devoted to their craft. Consider this: Broken Sword derives his mastery of swordplay from the strokes of his calligraphy. Or is it the other way around?The prominent art of Christopher Doyle is also on display. He begins with an initial dreary grey, a drabness to the present day story. This allows for the sharp contrast of the stories the two men tell, which are each punctuated strongly with their own colour code. There are a many number of possibilities and interpretations here. I was shocked by the vividness of the red ink, and its likeness to the blood shed by the diligent students of calligraphy. In the demonstration of the 10 pace killing technique Doyle and Yimou find beauty and tranquility in the cool blues, the apt slow motion, the little dink of the sound design as the cup lands on the sword. The blade is shown to be as ferocious as it is gentle. Robed in white, he reveals a purer technique, a strike of such surgical precision magnified in the shallow focus and slow motion. Yimou uses the latter well, cutting judiciously from serenity to furious motion, assuming the perspective of these masters who move and see at a different speed level. They whip their blades which such strength that they the metal bends and groans to their touch.The king tells his story with such passion and understanding. In his version, Flying Snow and Broken Sword are lovers so desperate to take the fall for each other they must resort to fighting for that honour. It is a tragic love story, more so than the apparent truth. This also points to the king's understanding of the nature of sacrifice; he is able to imagine the sorrow and grief of a sword twisted just enough to wound but not to kill, and that sword being beaten to save the life of another. So he is also able to recognise the greatest sacrifice of them all, and that sometimes the greatest warrior is the one who lays down their sword. So in the end it is indeed tranquility that wins out.