What a freaking movie. So many twists and turns. Absolutely intense from start to finish.

Just intense enough to provide a much-needed diversion, just lightweight enough to make you forget about it soon after it’s over. It’s not exactly “good,” per se, but it does what it sets out to do in terms of putting us on edge, which makes it … successful?

Through painfully honest and emotional moments, the movie becomes irresistibly relatable

It's simply great fun, a winsome film and an occasionally over-the-top luxury fantasy that never flags.

"Hollywood Round-Up" is a supposed look behind the scenes at the making of a cheap B-western. It's a nice change of pace for the genre and Buck Jones is, as usual, very good in the lead.When the film begins, Buck Kennedy (Jones) is a movie stand-in who does all the dirty scenes for the star, Grant Drexel (Grant Withers). Despite looking similar, Drexel is the opposite of the nice-guy Kenney. Drexel is obnoxious, a bully and a liar and makes Kennedy's life miserable throughout this movie. Drexel also cannot keep his filthy paws off his leading lady, Carol Stevens (Helen Twelvetrees)...a once leading lady whose career has turned downward...and so she's forced to appear in the so-called 'horse operas'.Late in the film, Drexel gets Kennedy fired and a group of crooks convince Kennedy that they are filmmakers. But, as they rob the bank, it is NOT being filmed...it's real! And, Buck is left holding the bag. in a twist much like a B-western of the era, Buck soon breaks out of prison to catch the baddies himself...and yet Drexel steps in and acts as if HE is the hero! Is there anything anyone can do to prove Buck Kennedy is a hero and Drexel is a real zero?!This is a very interesting B-western because I've seen at least a thousand and they mostly consist of about 3 or 4 plots...but this one is much more unique and enjoyable. I did NOT like the whole fake filmmakers portion because it simply didn't make sense. But the rest of the film was just great--very enjoyable and it was nice to see Drexel get his!By the way, a couple interesting things about the movie are the casting of Twelvetrees and Dickie Jones (who played her brother). Twelvetrees played a once leading actress forced to be in a B-western--and that is EXACTLY what happened with this film. Soon she'd be out of movies completely and, sadly, a decade later she'd kill herself...presumably, in part, due to her career. Also, Jones is interesting because just a few years later he'd star as the leading voice actor in "Pinocchio".

There is a scene in the movie where Helen Twelvetrees, playing an actress who after a string of flops is sent to Crown Pictures for an "outdoor special", has a scene that requires all the emotion she can muster. To actresses on the outer, Westerns were the last straw - the conversation between Helen, as Carol, and her boss went along the lines that if you were a male star Westerns could pave the way (like John Wayne) but to a woman they were the end (like Louise Brooks). Helen Twelvetrees had such a grand future in 1930 - Pathe saw in her their top emotional actress and in films like "My Man" and "Panama Flo" she more than justified their faith in her. But after the production code was enforced her brand of heavy duty emoting seemed passe, then personal problems kicked in and suddenly, in 1937, in almost her last movie, she suddenly found herself (along with Grant Withers another actor on the skids) supporting Buck Jones in "Hollywood Round-Up" and having to play out some of the emotion she would have been feeling in real life. This was one of a handful of movies made around this time that tried to put a bit of satire into the staid western and succeeded.Grant Drexel (Grant Withers) is the kiddie's cowboy favourite at the local matinée but away from the cameras he is a big headed pain who is more concerned with having his make-up just right than showing authenticity during fights. He gets on everyone's nerves including Carol Stevens (Twelvetrees) an actress who, because of her run of bad pictures, has been assigned to Crown Pictures (the announcement causes her to burst into tears) for "outdoor specials" - in other words dreaded Westerns!!! He makes it especially uncomfortable for her but fortunately she finds a friend in an easy going stunt man Buck Kennedy (Buck Jones) who is the real deal and puts his beautiful horse "Silver" through some fancy tricks for the movie audience. He becomes a white knight to Carol and Grant gets so jealous he has Buck fired. Meanwhile a fly by night picture company, Acme, comes to town - it is just a front for a group of bank robbers who find in the dejected Buck a perfect fall guy. Not only is the innocent Buck thrown into prison on suspicion of being involved in the robbery, but when he does escape and single handedly capture the robbers, Grant steps in to take all the glory!! Fortunately little Dickie (Dickie Jones) is on hand with his trusty movie camera!!In this entertaining movie about over the hill movie stars and behind the scenes look at stunting, Grant Withers was probably the truly forgotten star. He was a rugged actor who had found a bit of fame in the early thirties ("Sinner's Holiday" and "Other Men's Women", both of interest for having James Cagney in supporting roles) and who also had a quickie marriage in 1930 to Loretta Young from which he never seemed to recover so by the time of "Hollywood Round-Up" he was on the way to becoming an alcoholic.

One of three films made by Columbia circa 1936-37 based on behind-the-scenes film making with a "western" setting ("The Cowboy Star", "Hollywood Roundup" and "It Happened in Hollywood"), plus RKO weighed in the same year with George O'Brien's "Hollywood Cowboy." It had been done before, RKO's 1933 "Scarlet River", and would be done again, "Shooting High" from 20th Century-Fox and Republic's "Bells of Rosarita", among others with a western setting, but this Coronet production with Buck Jones may well be the best of the lot as it devotes more footage to actual film-making both on studio sets and locations. One out-of-the norm plot incident has the studio head Lew Wallace offering a job to a fading star Carol Stevens, with a semi-apology for casting her in what he calls an "outdoor special" and she calls a "horse opry", and this scene in a B-western leaves no doubt that the B-western and it people were near the bottom of Hollywood's pecking order. The stereotypes are there, with Shemp Howard's over-zealous "assistant director" (who does calm down and gets more real when he loses his whistle), the ego-ridden "star" in Grant Drexel, and the deserving-to-be-the-star relegated to stand-in and stunts Buck Kennedy, but the remaining crew and player roles are realistic (especially the real stuntmen playing stuntmen). Buck Kennedy is the stand-in and double for star Grant Drexel and is fired when he has a fight with the bullying Drexel over Drexel's treatment of leading lady Carol Stephens. The movie company is on location, and a group of gangsters led by Eddie Kane and Lester Dorr, posing as another movie company, come to the location town and talk the banker into letting them film a fake holdup in his bank, but the holdup is real and the out-of-work Buck, whom they hire as the fall guy to cover their getaway, is left holding the bag and jailed by town sheriff Slim Whitaker. Things get worse for Buck before they get better. A mid-point sequence has hotel clerk George R. Beranger, who dreams of being a western star, performing a twittering, ballet-slippering audition for the checking-in film company by quoting lines from a western and asking them to identify the film. Shemp Howard guesses "Little Women."

There is a rather strange scene early on in this picture.the character played by Helen Twelvetrees goes to see the studio boss initially to complain that she has not made a picture for the studio in over a year.In reality Twelvetrees only made this film in 1937.The boss then admits that she had had 4 box office failures in a row and therefore he wanted her to go into this western.In reality Twelvetrees was virtually at the end of her film career with only a couple more films to go.Bearing in mind of course that between 1929 and 1936 she had appeared in around 30 films.So one can only assume that someone at Columbia had a malicious sense of humour or was paying off for past insults.Based on her performance in this film it is difficult to understand why her star slipped so quickly.She would probably be completely unknown now if it weren't for her unusual surname.This is an entertaining film with the bonus of a behind the scenes look at how B Westerns were made in the 30s.Well worth a look.