Very disappointing...

Too much of everything

hyped garbage

It's easily one of the freshest, sharpest and most enjoyable films of this year.

I think around this time is when Sinatra was big pals with Sammy Davis Jr. so getting involved in a film a subject matter like this was probably something he thought he should do.Basic premise is Sinatra gets to liking a girl in town, when he's on liberty in France, but she's hesitant to getting involved with him. She finally tells him that's her father was a black man. She tells him the basic background of her father and white mother and why they came to France. Back in those times it was it was a common site over there (like Josephine Baker). He takes his time and finally decides he's OK with it but a problem occurs by-way-of Tony Curtis. He's a spoiled little rich kid who gets into the army. He basically has a way with women and gets whatever he wants. He meets Sinatras girl and decides he loves her. This causes issues of course.I won't talk about the big "gasp" in the movie but needless to say, whether you believe in miscegenation or not, you'll probably agree at what Tony Curtis has comin to em at the end.This one is certainly not an award winner but all in all...a decent film

KINGS GO FORTH (1958) is an excellent war drama with Frank Sinatra, Tony Curtis, and Natalie Wood and directed by Delmer Daves. It was one of those powerful films that I watched for the first few minutes, fully expecting to change the channel but was quickly hooked for the duration. I saw it a couple of years ago and forgot to note it on IMDb, but I remembered a war romantic drama with great narration. I was thrilled to stumble upon it streaming on Netflix, heard Frank Sinatra's distinct narration, and knew I'd found my missing film. It is set near the end of WWII on the French coast. Sinatra and Curtis are in the same army unit and there is a love triangle with a young and beautiful Wood who also possesses an important secret. The friendship is always uneasy between the two male stars, but they are able to do their jobs as soldiers in spite of their conflict. It is mostly a drama, but it does have enough war action to turn off some viewers, but I didn't find it to be too much action. It actually provided a realistic contrast considering the setting. Would it be a good drama without a good ending? No. It may not be the end you expect or pull for, but it works for this film. I highly recommend this film to any classic lover of this genre or these artists.

Frank Sinatra, Tony Curtiss, and Natalie Wood, make a good trio cast in these roles. The movie, for its day, was a good one, but I think this could be a prime one for a remake. The screenplay had all the right elements in it, but the order was tweaked to make the ending into a Hollywoodish, happier ever after story. The book by Joe David Brown (called Combat Mission) had it end in a much darker way than was acceptable for movies in 1958.It could be done correctly these days, filmed in a dark nor style in wartime of 1943-44. They only worries I would have is with the current rash of remakes hitting the theaters, it would be done sloppily and the cast would be sub par. I could see a remake done with a low/average budget using good, young, unknown actors in the roles with the emphasis put on the accuracy of the original story. Also, an average amount of CGI in the battle scenes (read no overkill), and I think a remake would redeem itself at the box office.

I like movies of this vintage, and I like Frank, Tony, and Natalie, so I liked this movie, but it's a mess. The crux of the drama seems silly these days (at least to anyone who isn't a pathetic loser), but I suppose that it was daring in its day. Also, some key actions seem grossly undermotivated, and there is no emotional coherence to the ending. I can't say anything more without mentioning things that are technically spoilers (although they are mentioned in other reviews here), so I will warn you that this review contains spoilers...............So the big dramatic moment is that Natalie Wood's father was black. When this is comes up in the scene, I really expected the Sinatra character, to whom this revelation was made, to look confused and say "So what?", but of course he didn't (he looks shocked and dismayed, although he gets over it eventually -- it's rather sick-making how the girl's mother acts as if there is some nobility in this: "You reacted like a bigot idiot, but after a week of struggle you have decided to overlook what is at most a disgusting cultural artifact, and I'm sure that the fact that my daughter looks like a young Natalie Wood has nothing to do with it.") Anyway, Natalie (who is 19) doesn't love Frank (who is 43, but looks older), so when she falls for Tony, Frank steps aside despite his great love for her. Then Tony breaks her heart by dumping her (can't marry an African American woman even if she looks like Natalie Wood), and so Frank decides to see to it that Tony dies (by going on a suicide mission with him). Tony dies, Frank loses an arm, and then comes back an visits Natalie after the war. Mom has died, Natalie is now running a school for orphans, and Frank looks at Natalie in a haunted manner while the orphans sing a song. (Frank is on his way back to LA, where he is a partner in a construction contracting firm, but has stopped to see Natalie for some reason that is never explained -- it's like a pilgrimage, but to or for what?)I can't figure out what is supposed to be going on here. Why would Frank not warn Natalie about hooking up with an aristocratic no-good from the South? Why would he kill a guy who was his friend just for jilting a woman, especially when Frank is in love with her, and after this jilt she might well be more interested? And why does the ending seem so unmotivated, random, and abrupt?Well, here's why. In the book, "Frank" doesn't know about the father, just that "Natalie" doesn't love him. He introduces N to T in the hope that it will make him (F) look better (N says that she wants to know more ordinary Americans -- F is an officer -- and so he brings his buddy T, who is a wealthy, Ivy League educated, Southern aristocrat, as a sort of joke) and is surprised when N falls for him. T asks N to marry him (perhaps for real, perhaps just for sex), and then eventually learns that N has a black father. He dumps her cruelly, and she kills herself. F kills T, more or less as in the movie, and tells the mother shortly before she dies (She comes to see him in the hospital). He is badly wounded (losing an arm, and eye, and lots of shell fragments and bullets), and feels terrible about N's death, but is also haunted with guilt about killing T.The book isn't bad. It's written in a sort of stream of consciousness, and the suicide gives F a motive for killing T (which doesn't exist in the movie, of course, and explains why he's so troubled at the end). I guess they decided that it was too much of a downer having N die (she throws herself in the ocean but is rescued), but without that the motivation for the killing and the remorse and haunting memories just don't make sense.