Ladies of the Jury
Ladies of the Jury
NR | 05 February 1932 (USA)
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Society matron Mrs. Livingston Baldwin Crane is selected as a juror in the trial of former chorus girl Yvette Gordon, who's accused of murdering her rich older husband. In court and during deliberations, Mrs. Crane proves to be a disruptive and unorthodox juror.

Reviews
Daninger

very weak, unfortunately

Smartorhypo

Highly Overrated But Still Good

Keira Brennan

The movie is made so realistic it has a lot of that WoW feeling at the right moments and never tooo over the top. the suspense is done so well and the emotion is felt. Very well put together with the music and all.

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Skyler

Great movie. Not sure what people expected but I found it highly entertaining.

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Michael_Elliott

Ladies of the Jury (1932) *** (out of 4) Interesting comedy with just a pinch of drama. A chorus girl is accused of murdering her much older husband so that she can get his money. Eleven people of the jury thinks she's guilty but one (Edna May Oliver) believes that there isn't a way she did the crime due to a questionable witness at the trial. Sound familiar to a certain Henry Fonda movie called 12 ANGRY MEN? This film was based on a Broadway play and there's no question that it has a lot of strong connections to the much more famous Fonda film. I can't go into any real detail as it would provide spoilers for both films but it was rather funny seeing how many characters shared some similarities as well as reasons why those thinking the woman is guilty switch sides and go for not guilty. Fans of 12 ANGRY MEN will certainly get an added kick out of this film but even on its own this thing isn't too bad. I think what's most interesting is that the first thirty-five minutes is pure comedy as we're in the court room as the evidence is given and all hell is constantly breaking loose. This includes the lawyers fighting each other, the suspect constantly screaming at the witness and of course there's Edna May Oliver who is constantly jumping up to ask her own questions of the witnesses. A lot of the comedy is very forced and over the top but most of it works. It even works when we get to the jury room where more craziness follows including jurors falling in love and of course more fighting. While there's a lot of over-the-top moments, the film actually takes the case rather serious and keeps the mystery going right up until the ending. I think it was a rather interesting move keeping the dramatic side of the case strong and it makes for a rather unique experience since most films would either go for all laughs or all drama. A big reason this film works are the performances with Oliver really delivering the goods in the main role. She's perfectly believable as the rich woman who gets her way and will let no one tell her how to do things. The supporting actors are quite strong as well with Jill Esmond (who was married to Laurence Olivier at the time), Ken Murray, Kitty Kelly, Cora Witherspoon and Robert McWade all doing fine work. We even get some very funny moments from stutterer Roscoe Ates who is best remembered for his role in FREAKS. At just 63-minutes this thing flies by and is certainly worth checking out when it shows up on TCM.

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small45-670-264771

It's too bad that real trials aren't like the one depicted in this film. The trial and jury deliberations shown in this film are completely unrealistic, but what does that have to do with good movie making? I love Edna May Oliver's rendition in the Hildegard Withers series, which this film is NOT part of. It is, however, a worthy precursor of her later sleuthing roles.The film is something of a comic version of 12 Angry Men. A single juror votes not guilty, then, using appeals to the prejudices and passions of the other jurors more than reason, persuades other jurors to change their vote to "Not Guilty" until the final scene where the innocence of the accused is "proved". A fast wrap up has the jury declaring, in voice over on the end credit, that they find the defendant "Not Guilty".You won't find realistic situations anywhere in this film. What you will find is an acting tour de force by Edna May Oliver, excellent characterizations by the rest of the cast, an excellent period piece of the early 1930's.This is not a film for everyone. It is a film for true cinephiles. Not a classic, but a classic example of early talkies.I'm sorry I could not explain it's appeal better, but it's appeal is ephemeral. Good acting, good humor, good story - good, good, good. Good enough to make it's flaws worth ignoring.

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Neil Doyle

LADIES OF THE JURY is a little programmer boosted by the performance of leading player EDNA MAY OLIVER as a Bostonian aristocrat who is allowed to ask questions of the woman on trial for her life (JILL ESMOND), accused of murdering her husband.Edna May is the only member of the jury who believes the woman "not guilty" on the first ballot. The balance of the courtroom scenes show how she turns everyone around to thinking differently.Surprisingly, GUINN ("BIG BOY") WILLIAMS, who livens up the proceedings with some characteristic humor and facial expressions, is not even credited in the film's cast. Among the supporting players, he's the one that stands out.Unfortunately, the script is uneven and the treatment is less than routine with the outcome assured. The abrupt ending makes no impact at all even though the last word goes to Miss Oliver.The humor is scanty and it's surprising to see KEN MURRAY cast as a flippant juror whose attempt at comedy is not really successful.

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SkippyDevereaux

If you love Edna Mae Oliver, then see this film. It's hers all the way as she destroys the jury system in this comedy. A close second would have to go to Guinn "Big Boy" Williams, who is also a riot. It's too bad the studios never gave this great actress more opportunities to shine in the lead roles.

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