Good start, but then it gets ruined

Very interesting film. Was caught on the premise when seeing the trailer but unsure as to what the outcome would be for the showing. As it turns out, it was a very good film.

All of these films share one commonality, that being a kind of emotional center that humanizes a cast of monsters.

Great movie. Not sure what people expected but I found it highly entertaining.

The reason why the protagonist gets into the sex industry is real enough. And for this I draw from own experience (but you won't get that story), many ambitious young artists earn on the side in the adult business hoping to be able the pay for their breakthrough (auditions, promotion, getting by). I just don't believe the "out", this kind of movie always has an "in and an out". Her father is immediately introduced, and going along the movie you will know what I mean. I enjoyed the movie, the drama never goes too deep and I could relate to these people. Now, my view may be distorted; as a young aspiring artist I've spent my time in the world of adult parties. And yet after 23 years I'm still married.For those who just wanna see dancing girls and tits, you won't have to wait long and you gonna get some. But the reasons are artistic and make the movie more believable. This movie is good enough to watch 1 time.

This film is supposedly based on the true story of screenwriter/director Greg Carter and his girlfriend Junie Hoang as they struggled to earn money while trying to make their way to California to further their careers. Carter is Black and Hoang is Asian, yet Carter chose two Caucasian actors for the leads. Why? Did he think it would make the film more marketable? More palatable to White audiences? If so, he greatly miscalculated because the film tanked at the box office.If Carter incorrectly portrays something as basic as the ethnicities of the protagonists, then the other events in this movie are probably fabricated as well. For example, he expects us to believe that his girlfriend worked as a stripper, hung out with rappers and drug dealers, was paid thousands of dollars for "companionship," yet remained completely faithful to him throughout most of her ordeal. I don't buy it.There are several respectable actors in the movie, but they are all past their prime, and Carter doesn't use them to full advantage. Stacey Dash is only on screen for about 45 seconds, just a cameo role. Emmy Award-winning actress Lynn Whitfield appears sporadically, as does Academy Award nominee Mariel Hemingway. Blink and you'll miss porn star Ron Jeremy. Veteran character actor James Remar pretty much just lies in bed moaning and coughing. Carmen Electra is 17 years older than the main character, too old to be cast as her rival and contemporary. Electra is also featured on the movie poster for this film, even though her role is a relatively minor one. Perhaps Carter thought that putting her on the poster instead of the unknown Ali Cobrin would make the film a bigger box office draw. Didn't work, and it's dishonest advertising.Overall, this is a disappointing, lame, tepid movie. I suggest you skip it.

Considering the title and the fact it stars Carmen Electra made me think this movie would be a lot more entertaining.I was hoping for something like Burlesque and after watching the first 20 minutes maybe something as Showgirls... After all it felt like the kind of movie made for TV: just a story in a life of a couple that almost drifts them apart.Not intriguing, not surprising, not entertaining.I believe the director put as many stripper/lap dance scenes as he could to compensate for the lack of story. I think all these horrible POV angles with very questioning lightning didn't help the movie either.Not worth watching.

If you're going to make a movie about Lap Dancing, AT LEAST have the common courtesy to hire an actress who seems willing to take her kit off and can, ya know, 'dance'. The female lead here seems to want to maintain her 'purity' when it comes to shedding her togs... Which is great. More power to her. The problem is, in a film about topless ladies writhing around on sweaty men with seductive music playing in the background, it stands out a mile when the main star a) Keeps her lingerie on at all times and b) can't move sexy to save her life. Let's face it... With that front cover, and that title, you expect there to be more flesh on display than the pitiful amount here.No, the director seems to think we'd be more interested in soapy histrionics, so there are sub plots about our budding exhibitionist's love life going down the crapper due to her new career, and her dad stuck in a hospital bed dying of terminal cancer. Boring, boring, boring. Words cannot express how bland and clichéd this stale material is... Yet the way the director dives into it, you'd think it was Oscar calibre stuff. Talk about deluded. If you're looking for I'll-just put-my-hand-in-my-pocket-for-a-couple-of-hours kind of flick, try your local specialist shop... Or just search online...If you're after something that deftly combines the heartbreak of a failing relationship, and the loss of a parent into a wonderful tapestry of human emotion for the ages... Man, did you take a wrong turning!! 3/10