I wanted to but couldn't!

Don't listen to the Hype. It's awful

While it doesn't offer any answers, it both thrills and makes you think.

It's the kind of movie you'll want to see a second time with someone who hasn't seen it yet, to remember what it was like to watch it for the first time.

Based on a true story, Kevin (Robert Hoffman) and his new fiancée Monica (Ali Cobrin) are on their way out to Hollywood to make their fortune, him as a screen writer and her as an actress. They detour to visit her dad (James Remar) who is dying from cancer, doesn't have enough insurance, and is facing a foreclosure etc. Monica wants to care for daddy, can't make enough money and opts to be a stripper. This causes problems in their relationship, surprise surprise, and we end up with a trite script that could be a Lifetime style film.The film has only a small amount of stripper nudity and even less lap dancing. It is not an erotic film, but uses the erotic nature of the business for a background. It seems to have supplied us with the worse of both worlds. If you are looking for something sexy, keep looking. If you like a "B" Lifetime film with a sexy background, this is it.

OK, it wasn't that bad - I did feel some level of caring for the characters, especially the main two. From what I know of strip clubs and the girls who work in them, the potential "pitfalls" as presented in this film are but a tiny sugar coated fraction of the real perils, which another reviewer here tells accurately. Anyway, maybe keeping it light is a refreshing change, so much in the real world is so dark anyway. I give it a 5.

This film is supposedly based on the true story of screenwriter/director Greg Carter and his girlfriend Junie Hoang as they struggled to earn money while trying to make their way to California to further their careers. Carter is Black and Hoang is Asian, yet Carter chose two Caucasian actors for the leads. Why? Did he think it would make the film more marketable? More palatable to White audiences? If so, he greatly miscalculated because the film tanked at the box office.If Carter incorrectly portrays something as basic as the ethnicities of the protagonists, then the other events in this movie are probably fabricated as well. For example, he expects us to believe that his girlfriend worked as a stripper, hung out with rappers and drug dealers, was paid thousands of dollars for "companionship," yet remained completely faithful to him throughout most of her ordeal. I don't buy it.There are several respectable actors in the movie, but they are all past their prime, and Carter doesn't use them to full advantage. Stacey Dash is only on screen for about 45 seconds, just a cameo role. Emmy Award-winning actress Lynn Whitfield appears sporadically, as does Academy Award nominee Mariel Hemingway. Blink and you'll miss porn star Ron Jeremy. Veteran character actor James Remar pretty much just lies in bed moaning and coughing. Carmen Electra is 17 years older than the main character, too old to be cast as her rival and contemporary. Electra is also featured on the movie poster for this film, even though her role is a relatively minor one. Perhaps Carter thought that putting her on the poster instead of the unknown Ali Cobrin would make the film a bigger box office draw. Didn't work, and it's dishonest advertising.Overall, this is a disappointing, lame, tepid movie. I suggest you skip it.

If you're going to make a movie about Lap Dancing, AT LEAST have the common courtesy to hire an actress who seems willing to take her kit off and can, ya know, 'dance'. The female lead here seems to want to maintain her 'purity' when it comes to shedding her togs... Which is great. More power to her. The problem is, in a film about topless ladies writhing around on sweaty men with seductive music playing in the background, it stands out a mile when the main star a) Keeps her lingerie on at all times and b) can't move sexy to save her life. Let's face it... With that front cover, and that title, you expect there to be more flesh on display than the pitiful amount here.No, the director seems to think we'd be more interested in soapy histrionics, so there are sub plots about our budding exhibitionist's love life going down the crapper due to her new career, and her dad stuck in a hospital bed dying of terminal cancer. Boring, boring, boring. Words cannot express how bland and clichéd this stale material is... Yet the way the director dives into it, you'd think it was Oscar calibre stuff. Talk about deluded. If you're looking for I'll-just put-my-hand-in-my-pocket-for-a-couple-of-hours kind of flick, try your local specialist shop... Or just search online...If you're after something that deftly combines the heartbreak of a failing relationship, and the loss of a parent into a wonderful tapestry of human emotion for the ages... Man, did you take a wrong turning!! 3/10