Better Late Then Never

Blending excellent reporting and strong storytelling, this is a disturbing film truly stranger than fiction

This movie tries so hard to be funny, yet it falls flat every time. Just another example of recycled ideas repackaged with women in an attempt to appeal to a certain audience.

The movie is made so realistic it has a lot of that WoW feeling at the right moments and never tooo over the top. the suspense is done so well and the emotion is felt. Very well put together with the music and all.

About the young life and loves of artist Salvador Dalí, filmmaker Luis Buñuel and writer Federico García Lorca. Robert Pattinson as Salvador Dali is probably one of the most weird things that ever happened watching him look like a woman and wearing some kind of obvious wig was enough for me or even that weird looking mustache and ruining his paintings and getting covered with paint was enough for me. The film gets even worse when he has to look at Federico García Lorca making love to this girl and it was just over the top and corny everyone in this film is just weird and the whole film is just disgusting and horrible and the fact that i even chose back then to watch it it's even more weird i give Little Ashes a 1.0/10

a love story. with different levels. because it is not exactly episode from Salvador Dali's early years but a delicate sketch about the spirit of a part of Europe in the Belle Epoque. Garcia Lorca by Javier Beltran is one of the great virtues of film. not only for the physical resemblance but for the precise delicacy to define his character in the right tones. the flavor of his poetry is present in inspired manner. Salvador Dali... an interesting drawing who could be important role for Patterson . but something missing and Garcia Lorca remains the hero. a sketch - film. important for the science to suggest the atmosphere. for the art of photography. for the courage to resurrect in decent manner, an old story. for the status of start point for discover the universe of great artists. for the emotion who remains powerful a time after the end of the film.

The title of my review (if IMDb permits) is taken from a quote by Salvador Dali in 1969 regarding rumors of a Dali-Lorca affair. The full quote, epitomizing Dali's unbridled humor and arrogance is as follows:"He was homosexual, as everyone knows, and madly in love with me. He tried to screw me twice... I was extremely annoyed, because I wasn't homosexual, and I wasn't interested in giving in. Besides, it hurts. So nothing came of it. But I felt awfully flattered vis-à-vis the prestige. Deep down I felt that he was a great poet and that I owe him a tiny bit of the Divine Dali's a(..)hole."And with that, let's now talk about the movie.Although vividly denied by Dali, speculation of a romance between Dali & Lorca is the story of "Little Ashes". This is important to note up front, because if you're looking for a film that delves into the passion & inspiration behind Dali's art, Lorca's poetry and Buñuel's films, you'll be disappointed. This is mostly a straightforward love story with only a few substantial references to the 3 young men's creations (Lorca recites 2 poems, Dali displays 1 painting, and we get no more than 5 sec of Buñuel's film references, including the infamous slashed eyeball scene from "Un Chien Andalou").What makes this film separate from any other generic forbidden love story is the interesting portrayal of the characters. Whether historically accurate or not, their personalities jump out of the screen at you, particularly Dali played by Rob Pattinson a.k.a. the Twilight studmuffin. Pattinson's Dali is decidedly NOT a studmuffin but instead a very awkward, dorky kid which instantly reminded me of some of Johnny Depp's early roles ("Benny & Joon", "Edward Scissorhands", "Don Juan Demarco"). But fused with his dorkiness is an overbearing arrogance which comes to the surface more frequently as the film progresses."Little Ashes", however, is not about Dali and certainly not about Buñuel (who is really a minor character) but is mostly from Lorca's perspective. In that respect, it's fitting that the affair (which never happened, according to Dali) would be exaggerated and poetic. If you noticed in the Dali statement I quoted, he did admit that Lorca was "madly in love" with him, and that is what the film portrays in a very poetic and sentimental way.Although I was initially disappointed because I wanted to see more of Dali's art & creativity, I liked the forbidden, one-sided love story because it was well done and made good use of recognizable characters & events in history. Thus you could say I liked it in the end (uh, which is more than we can say for Dali. Heh heh).

I can't help but be slightly worried about anyone that professes this to be the Best Movie Ever, it was really quite bad! I've marked it 2/10 purely for Beltran's performance but the rest... well, the accents made me wince & the acting was really quite wooden and awkward for the most part. As good an actor as Pattinson is, this was a disastrous bit of casting - I thought he actually looked a bit embarrassed at times.... I do believe this would have been a lot better if the whole cast & dialogue was Spanish with some subtitles for us; the story itself is an interesting one and it would have been much more believable - and much less distracting - if that were the case.