SERIOUSLY. This is what the crap Hollywood still puts out?

This is a coming of age storyline that you've seen in one form or another for decades. It takes a truly unique voice to make yet another one worth watching.

Each character in this movie — down to the smallest one — is an individual rather than a type, prone to spontaneous changes of mood and sometimes amusing outbursts of pettiness or ill humor.

Amazing worth wacthing. So good. Biased but well made with many good points.

Let me come straight to the point with this one and admit that "Mad Monster Party?" nearly wasn't as good or as much fun as I hoped it would be. The actual plot is rather weak, the film is overlong, a large amount of the gags entirely miss their effect and there's way too much singing and dancing going on. What the hell was that about? Someone really ought to add the tag "musical" to the genre description here on the film's IMDb page! But on the other hand, I can't possibly be too harsh or overly critical about a movie that pays so much tribute to my all-time favorite genre of cinema and all of its legendary contributors! All minor defaults and shortcomings aside, "Mad Monster Party?" is a warm-spirited, enthusiast and freshly inventive ode to (classic) horror from the 1930's to the 1960's. As a European kid born in the 80's, I'm not too familiar with the works of Arthur Rankin and Jules Bass, and I never watched any of the "Frosty the Snowman" or "Rudolf the Red-Nose Reindeer" cartoons as child. But the simple fact that these men managed to cast the awesome Boris Karloff himself in order to voice the Baron Von Frankenstein pivot character more than enough proves to me that they know and respect a great deal of the horror genre. Up in the tower of his castle on the remote Isle of Evil, Baron Von Frankenstein just finished his latest and greatest invention; an all-destructive liquid in a tube! In order to celebrate his invention, and primarily also to make an important announcement, he invites all of his monster friends over to the island. And oh yes, all the protagonists from the brilliant horror milestones (Universal and others) attend the monster mash: Count Dracula, the Wolf Man, the Hunchback of Notre Dame, Frankenstein's creature and his bride, the Mummy, The Invisible Man, the Creature from Black Lagoon, Dr. Jekyll and Mr. Hyde and an uninvited mystery guest referred to as "it". However, the party turns sour and hostile when the monsters learn that Baron Von Frankenstein will announce his retirement and that he will hand over all of his secret formulas to a nerdy outsider – his nephew – instead of to one of them. The newly added character of Francesca, the Baron's voluptuous and sly secretary, is still original, but other side-characters like butler Yetch (with a voice reminiscent of Peter Lorre), Chef Machiavelli and even Felix Flanken are quite redundant. Instead of giving lines and lyrics to them, I personally would have much preferred that the parts of the familiar monster favorites were a bit more extended. Most of them don't have anything to do, except to howl and groan occasionally. The Claymation is inarguably wonderful and still very admirable even by today's high standards. I bet that even nowadays clay-wizards like Adam Elliot ("Mary and Max") or Peter Lord ("Wallace & Gromit") are big fans of these designs and that they couldn't do a better job.

Some of my childhood favourites come from Rankin/Bass, and I still love a vast majority of them now(the only notable exceptions at the top of my head being Cricket on the Hearth and The Leprechaun Christmas Gold). I don't think I'd go as far to say that Mad Monster Party is perfect, but there is much that is fun and enjoyable. I am in agreement that some of the story and scenes, fun on the most part, may be a little too padded out, maybe in trying to sustain Mad Monster Party's length, which did feel a little too long. Phyllis Diller tries her best with some rather corny and unfunny dialogue and jokes, but in the end comes across as grating. However, the animation is detailed and ideally coloured and the monsters are deliciously kooky to look at and literally. In my mind it does hold up well. The musical numbers are bizarre but in a wonderful way, they are very catchy above all which is a good situation to be in. The score fits very well also. Apart from that of the Monster's Mate, the writing, with lots of puns, is both funny and weird at the same time, and there is some fun and interest value in the story at least that makes up for the length and the padding. The monsters have great personalities and are a delight to spot for any horror or literature fans. The Frankenstein doctor and Felix are endearing as well, but Francessca who is sexy and a hoot in every way is my favourite character. The voice acting is fine, Diller aside. Allan Swift does a great job, especially as the James Stewart-like Felix. The standouts however are Boris Karloff's wonderfully eerie Frankenstein doctor and Gale Garnett's enticing Francessca. All in all, I can see why people will dislike it but I find it good fun and worth the look. 7/10 Bethany Cox

Mad Monster Party? (1967)** 1/2 (out of 4)Animated film has Dr. Frankenstein (Boris Karloff) inviting all sorts of monsters to his house as well as his young nephew. What people don't know is that the doctor plans on retiring and wants his rather dorky nephew to take over for him. This animated feature is certainly a favorite to many who grew up with it and I understand what they'd enjoy. I'm sure being a kid who loved monsters this here would be terrific because there are simply so many on hand. The problem I've always had with this film is that I think it would have been better served as a television special that way it wouldn't come with a 96-minute running time, which in my opinion is just way too long and it really sucks the story dry. I say this because the idea of a monster (Dracula) revolting against Dr. Frankenstein isn't exactly the greatest story idea ever made and this is clear because the film just starts to run out of gas because it doesn't have anything there to work with. The film is certainly creative and it appears that the filmmakers were fans of the genre. I think the best character is a clear homage to Peter Lorre and I thought this one was delightful whenever he was on the screen. The Frankenstein doctor is also memorable thanks in large part to the vocal performance by Boris Karloff. The monsters are another major plus as we've got all the big guys here including Dracula, the Mummy, Frankenstein's monster, the hunchback, the creature, Jekyll and Hyde and countless others. I really thought all the monsters looked fantastic and there's no question that their look will put a smile on the face of monster fans.

you did. you did sell your soul to the devil. you watched "monster party' last night and sold your soul to nerdy, baby boomer, nostalgic obscura.not that 'Monster Party' deserves to be as obscure as it's become. mostly from those critics who are cynical about anything that isn't hyped or accepted by mainstream thinking. this film still has no real reputation to speak of. and that's an unfair oversight. after all this was Boris Karloff's last movie. it's worth remembering for that alone. it also pre-dated contemporary stop-motion puppet toons like 'Nightmare Before Christmas' and 'Fantastic Mr.Fox'. 'MMP' may not be as sophisticated or as accomplished as 'Nightmare' or 'Fox', but it's stop motion still holds up surprisingly well and it sports an hilarious script with some witty dialogue and a killer ending in the boat with Felix and Francessca.the songs aren't half bad either. especially the title song "mad monster party last night". some of these songs will be instantly recognizable to baby boomer ears. baby boomer hit favs like the raucous "do the mummy",and every boomer's favorite mantra, "you gotta stay one step ahead",where Boris Karloff does a soft shoe dance with some baby monsters.this movie always takes me back in a good way. it's as much fun and amusing as it was over forty years ago.