Marguerite
Marguerite
| 11 March 2016 (USA)
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Paris in the 1920s. Marguerite Dumont is a wealthy woman with a passion for music and the opera. For years, she has performed regularly for a circle of guests. But Marguerite sings tragically out of tune and no one has ever told her. Her husband and her close friends have always encouraged her in her illusions. Things become very complicated the day she gets it into her head to perform in front of a genuine public, at the Opera.

Reviews
Plantiana

Yawn. Poorly Filmed Snooze Fest.

Develiker

terrible... so disappointed.

Plustown

A lot of perfectly good film show their cards early, establish a unique premise and let the audience explore a topic at a leisurely pace, without much in terms of surprise. this film is not one of those films.

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Edwin

The storyline feels a little thin and moth-eaten in parts but this sequel is plenty of fun.

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MartinHafer

"Marguerite" is a very well crafted French film. It's lovingly filmed and has a lot of wonderful aesthetic qualities. However, it's also a film that ultimately left me dissatisfied as the payoff wasn't at all what I would have anticipated...or enjoyed.The Baroness Marguerite Dumont has the delusion that she has a beautiful singing voice and she dreams of becoming a world famous opera singer. When the film begins, she does a recital and the audience behave as if she is gifted...but she sounds much like an animal being tortured! Why each of these people go along with the ruse is uncertain but you can only assume many of these folks genuinely like her and don't want to spoil her dream. However, there are also those with hidden motives...such as the husband who is cheating on her as well as the Dadaist artists who believe anti-art and want to provoke audiences to hate her. What's to become of her and her plans of one day doing a giant recital in a real concert hall for the public?This film seems, at times, like it's trying to be a comedy...albeit a dry one. After all, the name Marguerite Dumont appears to be a nod to the lady who co-starred in so many Marx Brothers films, Margarite Dumont. And, at times it seems like it's all a big joke. But ultimately the film becomes serious and a bit depressing...and left me feeling extremely dissatisfied. Still, it did take a risk and looked nice...but that's just not enough for me to recommend it.

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georgewilliamnoble

I wish i could follow French films without subtitles. Alas that is not one of my skills, yet i got so lost in this so very off beat period piece and it's magnificent central performance from a simply marvellous Catherine Frot, a superb talent unknown to me until now,that the subtitles somehow vanished from my consciousness.I will give nothing away except to say it is set and lavishly so among the idle rich of France immediately after the end of the great war which must of been a very bitter time after so much loss of life and limb for so little, and a time little covered by film makers. A very well made little film that rewards patience.

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happytrigger-64-390517

Marguerite is inspired by the true story of Florence Foster Jenkins, a rich woman who loves so much opera she thinks she is a great soprano. And she sings in small salons or recital halls for a confidential audience, getting good articles in musical publications, written by friends of course. Catherine Frot is the perfect actress to perform this naive and touching opera lover, unconscious of her lack of talent. She is just so natural that we have immediate sympathy for her. But not for her family circle who, in that weird situation, did not help her, especially her husband who deserts her and her butler who manipulates her "talent", everybody laughing around. Some changes have been made from the true story : Florence is now Marguerite (maybe in reference at Marguerite Gautier? See the last part), and the end of her life was different. But it is a great vision of that pathetic situation. There always have been art lovers who naively think they are genius, remember Ed Wood. Just wait Stephen Frears version , with Meryl Streep in the role of Florence (whose other first name was Narcissa) ...

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GUENOT PHILIPPE

From a true story, you have here the tale of a pearl lost in a sea of mud. The mud of hypocrisy, lie and trickery. The tale of an eccentric and wealthy woman who is married to a rich business man who cheats her with a mistress. An eccentric lady played by the outstanding Catherine Frot who has only one dream in life: singing opera, recitals, not in front of wide audiences but circles of music lovers who fake to be her friends. Those "friends" who let her think she is a great singer whilst she sings totally FALSE. Here, the audience is also guilty to laugh at this poor naive woman. Me too laughed and I am ashamed of myself. It's a genuine sad, painful story, I assure you. Catherine Frot has never been better, she gives here a terrific performance. I also appreciated the black butler character whom we at first think of him that he is Frot's close friend and dedicated house keeper. But as the film continues it appears that his behaviour is rather weird, even disgusting. During all this powerful drama I thought of Mark Robson's THE HARDER THEY FALL; the only difference is that this old movie took place in the boxing business. But for the rest, it's the same scheme. Go to see this very good feature showing how a pure pearl got drowned into an ocean of mud. The human mud.

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