Boring

I cannot think of one single thing that I would change about this film. The acting is incomparable, the directing deft, and the writing poignantly brilliant.

an ambitious but ultimately ineffective debut endeavor.

Great example of an old-fashioned, pure-at-heart escapist event movie that doesn't pretend to be anything that it's not and has boat loads of fun being its own ludicrous self.

MASK OF DEATH is a well-made thriller from Lorenzo Lamas' career as a staple player of the golden days of direct-to-video action fare. It's basically a remake of Chuck Norris' THE Hit-man, and I'm surprised to say that the Lamas flick is the superior effort of this sort of storyline. With that said, it's not a fantastic action film, and that's what brings down my rating: if I could value low-budget storytelling over fistfights, this one would have a four-star rating, but as it stands, MASK OF DEATH is missing the one crucial element to my idea of a good mid-90s action flick.The story: After his wife is killed in a criminal deal gone wrong, Officer McKenna (Lamas) is declared dead but instead undergoes plastic surgery to disguise himself as a hit-man killed in action. Going undercover, McKenna infiltrates the dangerous underworld to bring a cruel mobster (Conrad Dunn) to justice.The script is penned by a writer with little apparent experience (R.C. Rossenfier) and by high standards probably isn't all that special, but I like how it goes more into the mindset of Lamas and the ethical problems he faces in this situation than the aforementioned Norris picture. Lorenzo Lamas isn't a fantastic actor but he makes the most of this role while staying within the macho archetype. There are some surprisingly well-staged parts here, like the interrogation scene in the middle of the film. Additionally, I appreciate the casting of part-time action lady Rae Dawn Chong as McKenna's ex-partner: it's not a fantastic role, but it allows her to play a tougher character than she usually gets to, one who gets into fistfights and car chases and crashes.As that last line indicates, the film is far from action-free but, it's too little and too impersonal for my tastes. There's a speedboat chase, two car chases, one shootout that Lamas is barely a part of, one bad hand-to-hand fight, and an instance wherein Rae Chong fends off an assassin with a towel, a jar of paint, and a wrench. Most of this passes as fairly big-budget stuff and would be at home in many a Hollywood feature, but it's just not what I'm after. There is plenty of opportunity for more karate and stylish gunfighting, but apparently the film was geared towards generic action to tide over the ultimately good story. It's disappointing and keeps the film from attain a four-star rating, but I don't think everyone will be bothered by it as much as me.Basically, Lamas fans - especially those of his TV show - can feel free to check this one out, and potential fans who want to acquaint themselves with Lorenzo via a slightly sophisticated vehicle might as well seek it out too, but everyone else ought to settle for happening upon it on TV someday.

What worse then a movie with Lorenzo Lamas? A movie that has two Lorenzo Lamas's. In a loopy plot that casts him as a cop named McKenna who goes undercover and imitates his evil lookalike when the Russian mob led by Frank Dallilo (Conrad Dunn) kills McKenna's wife. A poor movie all around with no real merit, casting Lorenzo Lamas in two roles is even worse then when Jean-Claude Van Damme played two roles in Double Impact.

This movie sets a bad example for society. In "Mask of Death" shallow, ruthless characters hurt other people just to succeed. It's another lame story about greed, money and power. There's an excessive amount of violence and the characters are underdeveloped. The bad acting and direction don't help the movie either. The whole movie is typical low budget trash and has nothing that makes it worth watching.

Predictable, generic cop fare notable only for the many direct similarities to John Woo's Face/Off, which debuted subsequently. The initial sequences, from the speedboat chases to the plastic surgery sessions, are beat for beat the same. Lamas is adequate as the police infiltrator with revenge on his mind. A lot of violence and little plot. Two stars.