Horrible, fascist and poorly acted

Clever, believable, and super fun to watch. It totally has replay value.

The movie really just wants to entertain people.

True to its essence, the characters remain on the same line and manage to entertain the viewer, each highlighting their own distinctive qualities or touches.

Rugged trail boss and reformed criminal Pike (an excellent and convincing performance by big, bad Jim Brown) promises his honest wealthy employer Morgan (a fine cameo by Dana Andrews) that he will venture across the dessert to deliver $86,000 dollars in payroll money to a ranch in Sonora, Mexico. Pike makes an uneasy alliance with smooth, yet shifty gambler Pyree (ably played by the ever-suave Fred Williamson) in order to successfully complete his dangerous mission. During their perilous trek Pike and Tyree encounter desperate prostitute Catherine (an appealing portrayal by the beautiful Catherine Spaak) and her loyal ace martial artist half-breed companion Kashtok (amiable Jim Kelly in sturdy fighting form). Meanwhile, ruthless bounty hunter Kiefer (a perfectly steely Lee Van Cleef) and numerous greedy others give dogged chase. Director Antonio Margheriti, working from an offbeat and engrossing script by Eric Bercovici and Jerrold L. Ludwig, relates the lively and exciting story at a snappy pace, makes terrific use of the dusty Canary Islands locations, and stages the spirited shoot-outs and dynamic action set pieces with rip-roaring skill and gusto. The top-rate cast rates as another major asset: Brown and Williamson display a winningly easy'n'breezy chemistry and play off each other well (they also vigorously mix it up in a satisfying rough'n'tumble fisticuffs confrontation about an hour into the movie), Van Cleef makes for a marvelously menacing main villain, Barry Sullivan snarls it up nicely as brutal corrupt lawman Kane, Robert Donner and Harry Carey Jr. contribute pleasingly slimy turns as no-count cowpoke members of Kiefer's gang, and Charles McGregor provides some amusing comic relief in a regrettably minor part as the bumbling Cloyd. Riccardo Pallottini's sharp cinematography offers plenty of breathtaking shots of the vast and desolate dessert scenery. Jerry Goldsmith's twangy and robust score hits the stirring'n'sweeping harmonic spot. An immensely entertaining sagebrush saga.

The idea of a Western film with Black leading characters is a great idea. After all, in reality about a third of the cowboys were Black and you might have noticed that up until this picture debuted, there had been almost no Black men or women in most films of this genre. The few that had been in mainstream Westerns up until TAKE A HARD RIDE were mostly comic relief--with the horrible antics of Steppin Fetchit or Mammy types playing the only roles. Of course, there were a few anomalies, such as HARLEM ON THE PRAIRIE, but this and subsequent films starring Herb Jeffries in the 1930s were made on a shoestring budget for Black movie houses only--plus they were pretty lousy films. Black heroes or even normal supporting characters for wide audiences just didn't exist and TAKE A HARD RIDE could have done a lot to correct this omission. Sadly, however, this film isn't well made and is so anachronistic that it just doesn't do much to dispel the myth of the "White only West". Instead, it looks much like a Blaxploitation film out West, as one of the characters (played by Fred Williamson) looked much like he was starring in his films BLACK CAESAR or HAMMER--which were set in the 1970s with a "bad" leading man who fights "the man". Because of this, the film is in many ways a great opportunity lost.Now this doesn't mean there aren't some things to like. After all, Jim Brown plays a great character--a truly honest and decent Black man who does the right thing and is rather believable (despite his shooting ability that would be the envy of any Olympic marksman). And having the always scary Lee Van Cleef on hand to play, what else, a scary bounty hunter is great (for more of this, see FISTFUL OF DOLLARS, FOR A FEW DOLLARS MORE, THE GOOD THE BAD AND THE UGLY or any of the Sabata films). The problem is that a routine script (complete with many clichés and totally indestructible characters) and Williamson's character do so much to sink this film into obscurity that you can't help but get tired of the film and just want it to end. Seeing Fred fall about 500 feet and survive at the end was just too much. Even John Wayne or Clint Eastwood weren't THAT tough in movies!!

Thank God blacks have gotten past this stage of films. How completely undignified.Moreover, this was for me, a painful film to watch. Such a wonderful talent as Ronald Howard, playing the crooked preacher, in this, his last film, which turned out to be complete crap. The cameramen didn't even have the grace to give him one lousy decent shot. Every time it looks as though he might get a little bit of exposure, the camera returns to that damned Lee Van Cleef. It is clear to see how this led him to finally abandon acting entirely. What a waste of talent. Very sad indeed.

This predictable and formulaic Western will not blow you away with its brilliance, but it IS fun, carried along almost entirely by the strong presences of its top stars. Only Jim Kelly and his karate moves feel out of place. And it also must be mentioned that the big moment that you all (?) have been waiting for, a fight between Jim Brown and Fred Williamson, does arrive in this film....but the scene is terribly unrealistic-looking. (**1/2)