Sadly Over-hyped

everything you have heard about this movie is true.

Charming and brutal

It is encouraging that the film ends so strongly.Otherwise, it wouldn't have been a particularly memorable film

As far I know, there's a thin difference between Canadian films and the US. Just like the Hong Kong's Cantonese and the Chinese Mandarin films are. They exchange starts and crews, but most of the Canadian film I've seen were French language. Those English films are not as popular as the Hollywood's on the world stage. Lots of good films go unnoticed like the recent film 'The Confirmation' I reviewed a few months ago. If this same film were made in Hollywood, would have been considered an average. But for the Canadian standards, I mean they usually won't make the big budget fancy films, hence it is so much better.This is a coming-of-age thriller drama. Revolves around two teenagers as they run away with a bag full of cash from their parents. It all begins with a girl, who arrive in a small town with her father. Soon she makes a friend with her neighbour boy. His parents are neglect kind when it comes to him, and her father is an alcoholic, abuser, as well as a dirty cop. One day her father comes standing between them, that's the opportunity they were looking for to run away, since being with their parents has not been any good. But her father is not in the mood to let them go as his money was involved. So the running and chasing game begins.You might say, you have seen this story in all the similar themed films, no matter its Hollywood, European or the Korean. That's what I thought too, but still it is a very good film. I'm not expecting it to impress you as well. If it does, then that's great. But it all depends on your taste in films, quantity of films you watch regularly and most importantly your expectation from it. It was like another 'Cop Car', but there's no car involved in the core of the plot. It's all about the money and the mad-cop father. It looked kind of western style, or the tale that very much suitable for the humid California settings.❝It's no ocean, but it's ours.❞In this, it was always cloudy, wet and chilling moisture atmosphere where all the chase takes place. The great locations that avoids to get in any major town/city. Other than 3-4 main cast, there's no one else. Because most of the scenes are between the boy and the girl and sometimes her cop father in isolated places. There's a dog in the film, but not focused enough to classify it as a dog film from one of the angles. The pace of the narration was so fast with not too long or very short overall runtime. It had many twists and turns, yet definitely you would predict most of them.Nice performances, by both the youngsters. As usual Bill Paxton nailed it in his negative role. It was one of his final films before his death early this year. It was a small appearance, but a prominent role that I surely would remember it for him. I was not anticipating anything extraordinary. But when I learnt about its synopsis, I thought I understood everything about the story there itself. Though watching it in the film was a different experience and one of the reason was, it is a different cast and atmospheric setting.I felt they should have improvised in some of the parts, but at the end I'm satisfied being what it is. Especially in the initial stage, the intro was so simple and skips fast to the next stage. I did not fully understand any of the characters about their earlier life events to the point where this story commenced. But going forward, I started to have an idea, seeing how the tale has progressed. That really helped to come to the point directly.There are no smart scenes like the film characters to take measures to counter the threats in a fancy way. That's done mainly to impress the viewers. This screenplay tried to be realistic as much as possible, but there's a couple of scenes that could only work in cinematic. I think that's sometimes necessary for a film. After all it is a film and made for entertainment purpose, not a documentary feature. But overall film was much better with enough tense moments and interesting developments. Lots of good films released in the last 12 months and this is not one of them, but considering it is from Canada, surely it is. Because I've already given the reason for that in the very first paragraph. So thumbs up for it from my side.7/10

Mean Dreams is every adolescent's worst nightmare. Or maybe it's horrible scenarios like this that prepare youngsters for the real world, and build character. Or perhaps they just turn them into the same bitter, violent adults they're trying to escape from, only to perpetuate the circle. In any case, it's an ugly, somber story, scarred by the harsh realities some teens face on the road to adulthood. It's ironic in a way that this is Bill Paxton's last role in cinema, and I wish it weren't, because he plays an absolute monster. For anyone who's met him or seen interviews, he was the sweetest dude you could ever hope to meet, and wouldn't hurt a fly, but he always chose tough scripts that made memorable, challenging films and this is just one more. Here he plays a lawman and single father who moves his daughter (Sophie Nelisse) out to a desolate county, brought to life by stunning, haunted rural Ontario. Once there, she finds her only friend in a local rancher's son (Josh Wiggins), and it's not long before romance begins to flourish. Not on Paxton's watch though, that angry drunk prick. Abusive, dangerous and up to his neck in illegal activities, it's only a matter of time before he gets one of them, himself, or everyone killed, and Wiggins hatches a plan to get the both of them out of there and on the run to better lives. Trouble is, where do you turn for help in a town whose only police officers are not there to help you? Paxton has a bitter ally in the Police Chief, venomously played by Colm Feore, and the dragnet they lay over the county threatens to ensnare the two teens at every turn. Wiggins and Nelisse are excellent, especially for their age, playing the character development with all the right notes, even when things get tense between the two of them, a facet of their relationship that's nice to see and brings out shades of maturity in the writing, touches that this type of film begs for. Paxton is scary, tragic, broken and brutal, a soured man who shows occasional flickers of the father he once must have been, and despite the ugliness, it's some of his best work in a while, particularly during a positively poetic final confrontation. The cinematography from Steve Cosens lingers in the long grass until you can hear the mournful echoes of a region beset by economic despair, a place where danger breeds easily and is always just on the horizon, an uneasy mood also perpetuated by Son Lux's unconventional score, which finds the spark of first love amidst the strife. Downbeat, but hopeful stuff.

Greetings again from the darkness. It was one month to the day since the shocking news that Bill Paxton had died when I sat down to watch one of his final two movies (the other being The Circle, which hits theatres in a few weeks). His searing performance in this low-budget drama made me realize just what a gaping hole he leaves in the film world … and how fitting that his character is the antithesis of Paxton's real world nice guy persona.Director Nathan Morlando opens with a shot of a peaceful stroll through rural prairie land, providing no indication of the quietly intense misery that is coming. Jonas (Josh Wiggins) is a teenage boy working daily on the family ranch when he meets Casey (Sophie Nelisse), the new girl in town. The two quickly hit it off, and connect in a way neither has before. Jonas soon realizes that Casey's cop dad (Paxton) abuses her, and spontaneously can shift between country charm and frightening intimidator.Writers Kevin Coughlan and Ryan Grassby do a nice job of using minimal dialogue and subtle interactions to round out these characters. Paxton plays a corrupt cop who is an alcoholic and abusive dad, and a man overly protective of his daughter and distrusting of outsiders. Casey is played by Sophie Nelisse, who was so good in The Book Thief (2013). She is a smart girl who fears not just her father, but also a life that may prevent her from ever seeing the ocean. Josh Wiggins plays Jonas as a strong-willed young man who believes people should do the right thing, especially for their loved ones. Wiggins made a terrific film debut in 2014's Hellion.There is a lot going in this little independent feature. It's a coming of age story, and a reminder of the anxiousness of youth and the power of first love. It's also a disturbing story of a rotten-to-the-core man who has lost his way (if he ever had it). Lastly, it's a chase movie that features a blend of beautiful and harsh scenery – filmed mostly in Sault Ste. Marie in Ontario. There is a tremendously tense sequence shot with the limited perspective offered by the covered bed of a pickup truck; and it's a contrast between two youths trying to escape their situation, and two bad cops with little redeeming value. Maybe we've seen similar type movies, but never one with two excellent young actors and a menacing performance from the late great Bill Paxton.

No spoiler here. Actually not much about the movie at all accept that what ever you do don't pass it up. Everyone does great jobs with their roles and what can you say about first love. We have all had them, they are special and seem to mean everything, life and death, the world. We older folks forget that is what our young people are going through today just as we did once.... we hard on them, most of the time pushing them away. Yea, I am guilty too lol... Remember that...But mostly watch this movie for good old bill. for my money one of the most consistent, brilliant method actors ever. He took a role and lived it, made it his own. He did this for every role and was putting on a fantastic television show. I can't even get up the energy to watch it now that he is gone, it won't be the same and not sure what they will do with it. He was making a great character there that had some great depth and he seemed to be enjoying that. Bill was not your normal mammy whiny Hollywood type, he was a good man that might say what was on his mind but He always knew where his money came from, us.....will miss you bill