Mifune
Mifune
| 12 March 1999 (USA)
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Kresten, newly wed, is on the threshold of a great career success in his father-in-law´s company. But when the death of his own father takes him back to his poverty-stricken childhood home, far out in the country, his career plans fall apart. For one thing he has to deal with his loveable, backward brother, who is now all alone; for another, he meets a stunning woman who comes to the farm as a housekeeper, in disguise of her real profession as a call-girl.

Reviews
Vashirdfel

Simply A Masterpiece

Hayden Kane

There is, somehow, an interesting story here, as well as some good acting. There are also some good scenes

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Gary

The movie's not perfect, but it sticks the landing of its message. It was engaging - thrilling at times - and I personally thought it was a great time.

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Cristal

The movie really just wants to entertain people.

Tarding

This is a great movie... I think that all the actors and actresses did a very good job!... go see it! I think that Jesper Asholt did the best part!.. you can't tell if his like that in real life :) but i know he isn't... because I know him! then there is Iben and Anders who is unbelievable good actors! I just loved the movie.. a great little lovestory! I can't say that much about Emil playing Livas little brother... I can only say that he is NOT like that in real life... because I also know him! :) .. but i believe it was a great role to play and I think he did it good!Best regards Emil Tarding

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starvin4megravy

Terrific acting and mesmerising locations make this an easy movie to love. Denmark's hazy, almost dreamy summer light lends a touch of magic to this tale of a prodigal son's enforced return.The main characters are exquisitely drawn. Berthelsen plays newlywed Copenhagen yuppie Kresten, who has denied the very existence of his family in far-off (or so he thought) Lolland. Rud, his retarded brother, is brought to us with great sensitivity and charm in a show-stealing performance by Jesper Asholt. Iben Hjejle sparkles as Liva, a city prostitute with steadily mounting problems, many of which can be traced directly to her brattish younger brother Bjarke, for whom she seems to have assumed parental responsibility.Before long (and to nobody's great surprise), we see these two pairs of siblings brought crashing together by life's twists and turns. Kresten is summoned back to Lolland in the middle of his honeymoon by news of his father's death. He soon sees that Rud is incapable of looking after himself and is forced to stay on temporarily in Lolland. His advertisement for a housekeeper attracts Liva's attention just as she finally wears out her welcome in Copenhagen. Bjarke lasts about five minutes in the big city without her, and soon follows her to Lolland.The interplay between these makeshift cohabitees is wonderful, particularly Rud's relationships with Kresten and Bjarke. Endless summer evenings spent in Lolland's rural idyll with these four for company will soon have you believing in crop circles and cellar-dwelling samurai heroes.On the back of some audacious tricks to get us this far, Kragh-Jacobsen delivers a transcendent hour or so in the middle of this film that reminds me of just why I love the cinema so much. Having created this beautiful, shimmering landscape (both emotional and physical), and reminded us that love for your family - and perhaps, in a special way, your siblings - is its own reward, the movie finds it has nowhere particular left to go. There are supporting characters - some of them reasonably well-formed, others not - but once our quartet is established and the relationships between them start to blossom, any involvement from outsiders is unwelcome, unfulfilling and only likely to bring trouble.It's no spoiler, for I mean it purely in structural terms, when I say that we are brought to a bumpy and unsatisfying ending to this ride through the lives of four people we soon grow to care a great deal about.For me, though, despite its shortcomings, Mifune was a beautiful movie that I'm sure I'll watch again, many times.

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adelbert

Mifune's last song is a typical Danish dogma film. I am amazed that the film is announced as a comedy too. But where are here the comics? In think in our owns brain. It's a beautiful film which shows the conversion of everybody in the film to a real, not hypocritical, life. And when Kresten is laying down his head in the center of the open circle in the fields, he encounters the light which his disabled brother has used as a symbol that "light" is coming from heaven.And this light of live had disabled hitherto everybody until that moment.

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jacksflicks

Despite the Dogme trappings, there is a story here. It is about lying and its consequences.Kresten, a young go-go company man is marrying the boss's daughter, but hides, then fabricates his country past. He doesn't get away with it for long and ends up shamed and divorced. Likewise, a young prostitute, Liva, tries to flee her surroundings, but they follow her and in the end visit - literally - wrath on her new home.The only spiritually pure character, content in his surroundings, too innocent of wit to lie, is Kresten's retarded brother Rud. It seems that everything he says, no matter how far-fetched, turns out to be true. He is also the teacher of kindness who, since he is inarticulate, can only teach by example.Actually, I think the most unambiguously satisfying relationship here is between Rud and Liva's beastly little brother Bjarke. It is Bjarke who can't handle the truth about himself and his sister. Quickly, the stereotypes he has learned to brutalize in the social Darwinian hell of boarding school confront him with their humanity and teach him that life doesn't have to be the daily exercise in cynicism that he and his sister suppose.There is atonement for all three, visited in different forms, but ultimately redeeming and providing a hopeful ending to the story.Unfortunately, there are a few problems in Mifune which marred my viewing. A major one is the text, which is badly abused in translation to English. For some reason, the translator has seen fit to turn words which in Danish mean "damn" or "hell" into "f**k". Perhaps he or she thought it would give the dialog more impact. He or she was wrong. Another problem is the unresolved and perhaps unnecessary character of the ugly and despicable Gerner, whose purpose I'm not exactly sure of, other than as a kind of agent of punishment - perhaps a devil - descending on the hapless Kresten. In any case, we need at least to know more about him, or perhaps even have him whacked or otherwise disposed of for dramatic purposes.Anyway, as with most European movies, "Mifune" is more about character than story. I strongly recommend that you meet Kresten, Rud, Liva and Bjarke. I think you'll like them in the end.

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