My Beautiful Girl, Mari
My Beautiful Girl, Mari
| 01 January 2003 (USA)
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Kim Nam-woo struggles through life as people around him constantly leave him; his best friend, Jun-ho, is going to study in Seoul and in some ways his widowed mother is "leaving" him too by paying more attention to her new boyfriend. To escape, he goes to a dream world, where he meets a girl named Mari. The story follows Nam-woo in discovering himself and maturing.

Reviews
Organnall

Too much about the plot just didn't add up, the writing was bad, some of the scenes were cringey and awkward,

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Twilightfa

Watch something else. There are very few redeeming qualities to this film.

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Celia

A great movie, one of the best of this year. There was a bit of confusion at one point in the plot, but nothing serious.

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Bob

This is one of the best movies I’ve seen in a very long time. You have to go and see this on the big screen.

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ebossert

Like art-house movies, I have a love/hate relationship with anime. Sometimes I'm treated to a magical Miyazaki film, a quaint comedy like "The Girl Who Leapt Through Time", or an excellent romance like "5 Centimeters Per Second." Other times, however, I'm forced to sit through boring tripe like "Serial Experiments Lain" or "Grave of the Fireflies." I'm disappointed to report that "My Beautiful Girl Mari" safely rests within the latter category.The big problem with this movie is that there's no development for any of the characters and all of the relationships are wafer thin. You barely get to see the boy spend time with his family, which is allegedly the primary cause for his discontent with his personal life. It might have been a good idea to spend a little more time within the household so the viewer gets a better understanding of why this kid is so depressed all the time. And what's with that girl at his school? Did she serve any purpose whatsoever in this movie? It's no understatement to say that 90% of the running time is dedicated to showing the kid and his friend doing all sorts of dull activities like sleeping, walking around an old lighthouse, and other trivialities. Some of the swimming scenes were good, but that's about it. I don't know about you, but when I was a kid I would actually have fun when spending time with my friends, and a lot of the games we invented could easily fill a number of movies. A child's imagination is quite impressive when attempting to find something fun to do. It's too bad the filmmakers here were content with unimaginative wandering and dull-as-dirt filler material. Watch "Ponyo" (2008) for a more successful endeavor.But I still haven't even gotten to the worst part of this movie. And let me tell you, it's a definitive black eye to the filmmakers of "My Beautiful Girl Mari." What is it? Quite frankly, there is virtually no time spent in the fantasy realm with Mari. This completely cripples the entire premise of the movie, and one scene in particular makes this perfectly clear. At the 50-minute mark the kid worries about how "all of this might end" even though he had literally spent less than 2 MINUTES with the girl throughout the ENTIRE FILM! That, my friends, is HORRIBLE relationship development.Don't believe me? Try this. Imagine that you're on a first date. You meet this person at a restaurant, introduce yourself, and then sit at the table. While waiting for the server to bring you your drinks you say, "Gee sweety, I don't know how I'd live without you." Rest assured that you'll never get a second date.It's really a shame, because the animation in this film is gorgeous at times, but the whole project falls in on itself with an uninspired script. Did the filmmakers not know that the premise they're attempting to sell is the conflict between reality and fantasy? Don't you think it would be a good idea to fully develop the difficulties of reality and fully develop the comforts of fantasy? Neither of which is given enough attention here. What we end up with is lots and lots of dull filler. Why do some filmmakers feel the need to make anime films as bland as humanly possible? It's no exaggeration to say that the title of the film should be changed from "My Beautiful Girl Mari" to "My Boring Life."

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GSmith9072

Perhaps due to the fact that I couldn't access the English subtitles with the original Korean voice actors, I found the voice work engorging and mild. Also, I was surprised that a film that deals with the theme of growing up and moving on (a subject that usually gains instant sympathy from myself), didn't particular move me. I compare this film to Miyizaki's masterpiece "My Neighbor Tortoro" where fantastical characters accompany the overall theme of common childhood hardships. In "My Beautiful Girl Mari", the fantasy may or may not exist, but I found it not really relevant to the progression of the story. In fact, the story did have more depth and interest then the images and occurrences that took place in the metaphysical universe in which the protagonists meet Mari, an odd-looking floating female in white. Maybe because of the nature of the film's two protagonists, I couldn't really connect with them connecting emotionally to the nature of the fantasy. Certain aspects in the film's emotion do succeed however, such as the important friendship between the the boys. It makes the film's ending more touching and meaningful. The soft, soothing music also complements the story's tone and animation framework."Mari" is interesting due to it's unique artistic style. The animation is not the common type used, and it makes for a more interesting visual appeal. I saw a lot of potential however in the story and deeper meaning of the film, and found it quite lacking.

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Brian Thibodeau

MY BEAUTIFUL GIRL MARI (2002) Call this the not-so-WONDERFUL DAYS, if you will, a sentimental, perceptive tale of a young boy, Nam-woo, coping with the loss of his father (which probably has even greater resonance in a patriarchal society like Korea's), the illness of his grandmother, his mother's new boyfriend and the impending departure to the city of his best friend by retreating into a world of fantasy where he meets the title character, a mute girl who becomes the only character in his life with any sense of permanence: his mother is trying to move on, his grandmother has a very pragmatical sense of her own mortality, his best friend will be continuing at school in another city (something repeated in the present-day opening sequence, in which the friend announces again that he's off to study abroad, underscoring the sense of separation we all feel from even our closest friends with the passage of time).It's ultimately a cautious, profound tale about letting go and moving on, something the main character deeply wishes he could avoid, and something that can stir-up similar childhood memories in even the most hardened cynic. Director Lee Sung-gang wisely shuns conventional Japanese and western animation styles to create something entirely new and heartbreakingly beautiful in its deceptive simplicity. Computer animated but approximating traditional hand-animation in a wholly original style, the film boasts an absolutely gorgeous muted colour palate that brightens whenever Nam-woo enters the world of his mind. In many ways, I prefer the honesty and simplicity of this film to the high-tech sheen of WONDERFUL DAYS, which suffers from a painfully straightforward story.

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Jay Sondh-Panesar

Just as the above user states - a unique and visually stunning animation piece from Korea! Highly recommended!Namoo, a young boy living with his mother and grandmother, explores an old lighthouse with his friend Junho and his cat, Yeo. They discover a mysterious marble which transports them to a rich and vibrant fantasy world.Unavailable outside of Korea? - Well, I recently (May 2004) imported the Region 3 DVD to the UK from Hong Kong for a very low price. Beautiful cover - that's what initially grabbed my attention! I'm certainly glad it did! My copy's entitled "Love Fantasy* My Beautiful Girl, Mari". Seek it out!

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