One of my all time favorites.

One of the worst ways to make a cult movie is to set out to make a cult movie.

The plot isn't so bad, but the pace of storytelling is too slow which makes people bored. Certain moments are so obvious and unnecessary for the main plot. I would've fast-forwarded those moments if it was an online streaming. The ending looks like implying a sequel, not sure if this movie will get one

Worth seeing just to witness how winsome it is.

The first slight disappointment when watching a film by Almodovar, It had promise at the beginning and middle but then followed on to a rather disappointing end, but never the less it is a starting point for his other films and you can see where his slightly unusual touches have started.The usual shooting of Almodovar is usually more refined, so is the music and acting, thus making this a slight disappointment, but then again who makes a good film straight away, you learn from mistakes, improve on the weak bits and get out your ideas to the audience.A six out of ten, not bad, but not recommended.

i suspected i would get something like this before i saw it. I was interested in understanding the roots of Almodóvar as a filmmaker, how he started developing his kind of visual storytelling, which is so unique today. At the same time i wanted to understand and feel some of the pulse of the underground spirit in Madrid of those days. Both these issues are personal. I wanted to understand how one can use a force of available young (and inexperienced) talents and give a faithful expression of a certain moment in time and space. I also wanted (and still want) to get to "first works" by directors i admire, so i can understand how they used their technical and budget limitations to pursue ideas they were after. This is not Almodovar's first film, but it is the oldest to which one can have access in legal (and i suppose illegal) market.I think this is a failure. Not because it's technically and formally (very) flawed. I actually enjoyed watching all the flaws passing in front of my eyes, i think some times a project can work out stronger if its amateur/inexperience face shows. This is that case. Anyway, i think this is a failure because it is a film where Almodovar is not yet capable of turning his soap operish stories into something intelligent from a visual narrative point of view. The story here is not more or less poor than in many other successful Almodovar features. But here he couldn't find a device that can with intelligent turn the experience into something purely visual, the way he does in his best works. So, i tried to see the positive side of this. The film proves to me how intelligent Almodovar is, for the paths he pursued after this adventure, intelligent in what concerns storytelling, and visual narrative and how he always searches for new ways to fold his stories and deliver them to us as visual products.Actually, we have hints here. In between the scenes, the girls suggest the production of a film about their own lives. That film would depict precisely the events we get on screen. I decided to understand (i think this is a matter of choosing which interpretation you want to give) that i was watching the film they were discussing, as if the story was in fact things from the real world that actually happened, and i was watching women representing those lives. But there's an important statement, Carmen Maura's character warns that for those girls to interpret their own lives, they have to perform. They have to act, in order to be themselves. Intelligent. Almodovar would go on depicting women who act, many times act like themselves, other times they act like actresses ("Todo sobre mi madre" was all about this). This possible film within a film, and the denouncing that we may be watching a film depicting characters who represent themselves was to me a hint to layered storytelling, and narrative invention. Almodovar's career to me has everything to do with that."La movida" is here. In a moment i'm willing, and trying, to move into creating something in the visual world of images (call it cinema if you want), i really care about understanding how in this moment of Spanish pop culture so many talented people were able to come out, and produce important work. I'll search for other visual proof and important documents from this time, i'll try to understand how this and other films were possible. This is a bad film which i envy. I which i could one day gather such a crew.My opinion: 2/5http://www.7eyes.wordpress.com

"However, you begin to disappoint with the first dialog (silly and absurd, no provocative), and it's better if we don't talk about the papers and acting (what happened to great Carmen Maura?!!)." I totally disagree with that, this movie is great, full of references to other great directors,which I guess the person who wrote this comment failed to see.The actors are simply great, and act in the most purely Almodovar-John Waters way, making all the dialogs hilarious, playing with language (changing register in the same sentence from the highest to the lowest, making absurd speeches, from the point of view of the linguistics) and intonation, which I think is the greatest tool used by almodovar in his films.Again, he rises daily life and common problems to the absurdity, by magnifying them, making us laugh at our own problems.One of his greatest movies, in his purest style, which he greatly used again in his latest film "volver".

The first feature film from Spanish director Pedro Almodóvar is controversial and shocking, especially the time it was made (although not that shocking in Spain), but also very funny. Basically it is a movie about nothing, although it shows a pop-culture that Almodóvar inhabited.We see how Pepi (Carmen Maura) is raped by a policeman (Félix Rotaeta) after she offers sex, although tries to back out, so he would not report her illegal cannabis plants. Pepi seeks revenge and she lets her friends beat the guy up. It seems they have beaten his twin brother so Pepi must come up with another plan. She tries this through the policeman's wife named Luci (Eva Siva) who turns out to be a masochist, perfect for Pepi's friend Bom (Olvido Gara) who likes to disparage her.A film about nothing really, like I said. There are some nice little jokes here, sometimes because they are quite unexpected and therefore shocking. When Luci turns out to be what she is it is Bom who pees all over her; Luci likes it a lot. May be it is shocking, it is pretty funny too. There are more gags like this. One of the best moments is when Pepi has to make her own money, her father has cut her off, and she has an idea of producing menstruating dolls.Filled with things like this, a sloppy editing and a cinematography that is as good as any amateur would do it can not prevent that this film is simply entertaining. It is not too long and therefore we can finish it. Still, I would start with another Almodóvar film, then see this only as an interesting debut.