Phffft
Phffft
NR | 10 November 1954 (USA)
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Robert and Nina Tracey resolve to live separate lives when their eight-year marriage dissolves into disagreements and divorce. But their separate attempts to get back out on the dating scene have a funny way of bringing them together.

Reviews
Tedfoldol

everything you have heard about this movie is true.

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Inadvands

Boring, over-political, tech fuzed mess

Arianna Moses

Let me be very fair here, this is not the best movie in my opinion. But, this movie is fun, it has purpose and is very enjoyable to watch.

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Catherina

If you're interested in the topic at hand, you should just watch it and judge yourself because the reviews have gone very biased by people that didn't even watch it and just hate (or love) the creator. I liked it, it was well written, narrated, and directed and it was about a topic that interests me.

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nomoons11

You wanna know why? Cause she doesn't play Judy Holliday.Normally of all the Holliday films that get bounced around as great, Born Yesterday and It Should Happen to You are usually what gets mentioned. This one, to me, is her best. She actually plays a character that's not the dumb ditzy blonde. There's no trace of the Born Yesterday character in this. I loved it.There doesn't have to be a whole lot mentioned about Jack Lemmon because...well...he's just great in just about anything he does. This one is no exception. The chemistry between these 2 is pretty amazing. I'm a little surprised they didn't do more films together.Watch this on a rainy day with an ice cold glass of milk and a box of doughnuts. It's one of those films you'll fall into on the couch and smile when the credits role.

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bkoganbing

In an incredible coincidence Phffft marked the second featured role for both Jack Lemmon and Kim Novak. It was also the second time that Lemmon was co-starred with Judy Holliday, the two having made such a hit in his debut feature film, It Should Happen To You. Though I don't think it was as funny as the first one, Phffft definitely got it's share of laughs. And Novak refined her ersatz Marilyn Monroe imitation for Harry Cohn and Columbia Studios.A seemingly happily married couple Lemmon and Holliday both arrive at the conclusion that they seem to be in a rut after 8 years. So just like that they get themselves divorced.Lemmon moves in with his old navy buddy Jack Carson who is playing his usual screen lout and starts to live the bachelor life again. Judy goes back to Mom who's an interior decorator and she starts dating as well. But as fate would have it, these two keep running into each other and maybe what they had wasn't so bad after all.Carson's a great pal, setting up Lemmon with Novak so he can finally make a move on Holliday now that she's free. As for Holliday, she's a writer for NBC and does a soap opera. Her first experience in the dating scene is with the leading man in the show, Donald Curtis. He's making his move on her because first and foremost he wants more of the show to himself and is relying on his leading man charm to see that happens. That's quite a comedown for Holliday, Curtis is very good as the actor quite full of himself.I guess the ultimate lesson of Phffft is don't mess with the fates.

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Mortimer Bogardis

Almost all US sex comedies of the 50's & 60's are dated now by a quaint leering approach to sex & marriage, not to mention the costumes, hair, settings. But the remarriage theme will always be ripe for romantic comedy fun. Here, George Axelrod got his start. He later wrote screenplays for "Will Success Spoil Rock Hunter," "Breakfast At Tiffany's," "Goodbye Charlie," and in a dark mood, "The Manchurian Candidate." His style is comparable to Preston Sturges, using wit to slice through the social conventions. Judy Holliday & Jack Lemmon were a wonderful match. Judy could play an "everywoman" to Jack's "everyman" as in "It Should Happen To You." She could surprise & bedevil him with her mix of ditzines & intelligence. Their comic timing together seems effortlessly perfect. This film should be remembered more fondly.

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marcslope

It's sort of like "The Awful Truth" as re-imagined by a '50s screenwriter with a smutty mind: Married couple divorce, try other partners, reunite. The high-school-boy-giggling-about-sex tone gets pretty heavy, but try to overlook that, because the film has so much to recommend it: New York location filming, early Kim Novak in a small part, and most of all, Judy Holliday and Jack Lemmon. Was there ever a greater romantic comedy team? She's hysterically funny and amazingly touching at the same time, and he partners her perfectly. They're even sexy together -- it's not a quality you usually associate with either actor. Watch the "mambo" sequence, with their shifting feelings about each other played out in dance: a classic scene.I'd rate these two over even Tracy and Hepburn. How sad that they made only two movies together.

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