Saawariya
Saawariya
PG | 09 November 2007 (USA)
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Two souls arrive in a small town, one on vacation, the other to meet a lover. They spend the most magical dream-like days of their lives in that town... with each other.

Reviews
Greenes

Please don't spend money on this.

Ameriatch

One of the best films i have seen

Blake Rivera

If you like to be scared, if you like to laugh, and if you like to learn a thing or two at the movies, this absolutely cannot be missed.

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Ortiz

Excellent and certainly provocative... If nothing else, the film is a real conversation starter.

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nk-09478

Saawariya is a romance film of bollywood produced and directed by Sanjay Leela Bhansali. This film is based on Fyodor Dostoevsky's short story & White Nights The film marks the debut of both the lead actors; Ranbir Kapoor son of actors Rishi Kapoor and Neetu Singh, and Sonam Kapoor, daughter of actor Anil Kapoor.The story is narrated by Gulabji a prostitute who frequents RK Bar. this view was just awesome. After this,The bar lead singer, Raj whom she affectionately calls Saawariya was a kindhearted guy.The theme of the story is good.Emotional scenes of this movie was wonderful. mid part of the movie was just amazing according to the story.The end part of the movie as a tribute to Raj Kapoor, where Raj walks and sings in a style similar to Kapoor from the film Shree.Music of movie was average.Finally i rated this movie with 6 stars.

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ThousandsOfFilms

I thought it was a great film, surprised by its relatively low rating and encouraged by so many very enthusiastic reviews. One seems to either really like it or is quite turned off by it. If you like Bollywood films, you may well really like it or at least really like most of it. If you don't like Bollywood, you probably won't like it. If you don't know Bollywood at all, but like the musicals of Hollywood's (and MGM's) Golden Era, then your reaction will be like those who like Bollywood. It's a musical – it has lots of songs and dances. If you're a big Salman Khan fan, be aware that he's only on screen for a short time.Ranbir Kapoor won Best Male Debut at the Filmfare Awards and "Stardust Superstar of Tomorrow – Male". Similarly, Ranbir's distant (4th) cousin, Sonam Kapoor, won "Stardust Superstar of Tomorrow - Female" and was nominated for Best Female Debut at the Filmfare Awards. Rani Mukherji, per usual, gave a strong supporting performance as Gulabji the prostitute. The acting is strong.As an aside, Sonam Kapoor wanted to be a writer but had no aspirations to be an actress – possibly because she had a weight problem (180 pounds) and bad skin and health problems due to diabetes. An actress friend who knew she wanted to write, suggested she take a job as a stage hand on director Sanjay Leela Bhansali's movie "Black". She did. Bhansali told her if she lost weight, he'd consider her for the lead in Saawariya. So for 2 years she ate healthy, lost 75 lbs and studied acting non-stop and, good to his word, Bhansali hired her and, out of the depths, she became one of the biggest stars of Bollywood. Her real life story is so fitting for this movie.The opening scenes have a lot of heart. The rest of the movie has a lot of heart but is often misunderstood. The story-line message is that you need to fight unhappiness as pantomimed by Raj's shadow boxing. The writing is unusually well crafted with every line woven to support the message. Why then did it get a somewhat low rating? First, it's Bollywood, but it's also a very ORIGINAL film - people keep asking for originality, but when they get it, they seem to be thrown by it. Next, I'll address the 2nd reason, but you should only read it AFTER you see the movie as the following CONTAINS A SPOILER. Since Raj is the main character and an appealing character who clearly expresses his love for Sakina, the audience is hoping he'll get the girl so even though they've liked 98% of the movie, they're disappointed/crushed by the ending. Many of the reviewers with low ratings even explicitly confirm that. But the point is that Raj will keep on fighting unhappiness and win no matter what – it's a surprising but very upbeat message. Surprisingly, even most of the critics don't get it, just the best ones get it.

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hotbabenana2006

I agree with most of the comments that said this movie was horrible. WHat is up with the blue light all through the movie! And what kind of weird world was that, that you only see daylight when he is happy. A complete waste of three hours of my life i could have spend watching something that actually made me feel good at the end! Yes, we do like realistic endings but we like them HAPPY too. And the girl cant even act. She never had tears when she cried, and her laugh is the most annoying thing one can hear before going to sleep. Even if you have nothing to do don't watch this movie, there are plenty of pointless movies that are better than this one.

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sumanbarthakursmailbox

An expensive and indulgent experiment, Saawariya doesn't quite work because the writing is flawed and the director doesn't seem to notice. Once a master manipulator of human emotions, Bhansali now fails to invest in his characters even the smallest dose of believability. Like cardboard caricatures, lifeless and dull, they rattle off ridiculous dialogues trying to sound like they have something profound to say. How you cringe in that scene where Ranbir convinces Zohra Sehgal to lease him a room, or that one in which he likens being sad to losing a boxing match.Saawariya comes off contrived and fake, and fails to strike a chord. You feel nothing for its characters, at best sympathy for the two young actors trapped in this pathetic, pretentious pap.Starring newcomers Ranbir Kapoor and Sonam Kapoor as Raj and Sakina, the protagonists in question, director Sanjay Leela Bhansali's Saawariya is a glossed-up, all song-and-dance take on Dostoevsky's classic tale White Nights, and also borrows judiciously from Luchino Visconti's 1957 film version. But where Visconti's black-and-white film stays faithful to the story's intimate set-up and stark feel, Bhansali goes for a larger-than-life, almost kingsize scale, throwing in dazzling colours, opulent sets, imaginatively choreographed musical numbers, a half-dozen references to Raj Kapoor's films, and the kind of melodrama you can expect only in a Sanjay Leela Bhansali film - remember Devdas?Well, the problem with varnishing a simple love story with all those embellishments is that the very simplicity of the plot, the fragility of the characters' emotions is lost amidst all that showing-off. What you get as a result, is a love story without soul.

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