Very very predictable, including the post credit scene !!!

The Age of Commercialism

A clunky actioner with a handful of cool moments.

There's a more than satisfactory amount of boom-boom in the movie's trim running time.

So many WTF moments, so many laughs, so much terrible. This is a great movie! Lots of fun to watch and provides more entertainment in its ineptitude than 99% of the studio movies with 1000X the budget. Classic cheese!

After I finished watching Samurai Cop, I sat in silent disbelief for a few moments not really knowing what to think. I decided that I had either just watched one of the absolutely worst movies ever made or I had watched a piece of satirical brilliance that my puny mind couldn't fully comprehend. After doing a little research, I realize that my first notion was correct – it's bad. However, as bad as Samurai Cop is, that doesn't change the fact that I was entertained. If you do an internet search for a movie that's "so bad, it's good" (God, do I hate that phrase), a picture of Samurai Cop should immediately pop-up on your screen. It is the embodiment of what a "so bad, it's good" movie is.So just how bad is Samurai Cop? Everything about the movie shows a level indescribable incompetence. Technically, the movie is a train wreck. The direction is horrible, there is a complete lack of continuity, my 5 year-old could have done better with the sound editing and effects, lighting is literally non-existent, and visual effects are incredibly poor. Artistically, the movie isn't any better. Sets, costuming, music, and make-up are all bargain basement. As for the acting – when Robert Z'Dar stands head-and- shoulders above the other actors talent-wise, that speaks volumes about the quality of the acting. I won't go into the full backstory of how the movie was made, but it does explain a lot and is worth reading for a laugh or two. I haven't even mentioned the plot because it really doesn't matter. It has something to do with a Japanese gang that controls the drug trade in Los Angeles and the police that are trying to put them out of business. In reality, the plot is about a gang of bad guys and the cops that routinely shoot them. That's about it. With a name like Samurai Cop, I expected to see some martial arts type action with a lot of hand-to-hand fighting. But alas, this Samurai Cop and his trigger happy partner are much more at home shooting the baddies. The one or two actual fight scenes are (as you probably could guess by now) poorly choreographed messes. As bad as it all is, the whole thing is just so funny it's hard not to find entertainment in what you're watching. For example, there a scene where Samurai Cop and his trigger happy partner go visit a burn victim to get some information. This man is wrapped head-to- toe in bleeding bandages. What does our hero do? Standing about four feet from the hospital bed, he hits up the nurse with some of the most inappropriate, cringe-worthy dialogue ever heard. It's literally laugh-out-loud funny. Another example of incompetent brilliance occurs when Robert Z'Dar's character, Yamashita (yes, Robert Z'Dar plays a character named Yamashita), throws a grenade that we inexplicably and hysterically hear explode twice. One grenade – two explosions. Funny stuff. And just when you think the movie has hit a low point and can't get any more absurd, somehow it does. Samurai Cop keeps giving.Realistically, Samurai Cop is a complete disaster of a movie. If you rated it as a serious action film, you'd have to give it a 1/10. However, it is unintentionally one of the funnier movies I've seen in awhile. As a comedy piece, I'd rate it an 8/10. Averaging the two ratings together and rounding up, I'm giving Samurai Cop an overall 5/10. If you're into "bad" movies, this one is not to be missed.

This film is so bad and so bizarrely weird, yet it has a lot of charm and countless involuntarily funny moments that watching it is quite amusing. Unlike the utter madness that is Birdemic, this film was made by Amir Shervan, a guy who had genuine ambition and wasn't completely insane, but rather had a total lack of understanding of the American culture, as well as the film medium as such. Also, he seemed not to care that his shots were faulty, that the direction was bad, or that abysmally low production values could not be covered up. Amir combines tremendous energy and love of filmmaking with total ignorance and lack of concern for the actual quality of the final product. He sets up ambitious shots that involve car chases, helicopters, and fight scenes with large numbers of actors, but then he inexplicably ruins them with poor direction, cinematography, or acting. Some of the extras here are among the worst in the history of filmmaking, but the director seems to be fine with their performances, if you can call them that.I will not start listing the faults of this film, because literally every scene has several things wrong with it, from screen writing to camera-work to lighting to set design to acting to directing to editing... And yet it remains a more competent and watchable film than the likes of Birdemic, and it is just tremendous fun. I believe it is largely due to the fact that the actors actually tried to make it work, and because of the director's enthusiasm. Come to think of it, Amir Shervan has a lot in common with Ed Wood. This film is enjoyably bad. Still, it is best to watch it with a group of friends so you can collectively laugh at the silliness. By the way, the sequel is very bad and I would not recommend it to anyone.

Joe Marshall (goofy beefcake actor Matt Hannon) is a detective trained in the ways of the samurai, and together with his affable partner Frank Washington (Mark Frazer), he goes after the many goons and thugs working for big time Japanese mobster Mr. Fujiyama.That's about it for plot in this knowingly cheesy, sloppy, and silly martial arts action movie mess, written and directed by Amir Shervan. Obviously he knew exactly what kind of movie he was making, and just had fun with it. Often, "Samurai Cop" offers plenty of bad movie charm, as it clunks along from one inept sequence to another. The acting is hilariously, endearingly dumb across the board, with Hannon as one majorly wooden hero. Frazer has many great facial reactions. The ladies present are delicious eye candy: Melissa Moore as horny cop Peggy, Jannis Farley as leading lady Jennifer, and Krista Lane as a henchwoman. Robert Z'Dar is great fun as Yamashita, the primary henchman.Marshall dispenses with inept bad guys left, right and centre; ultimately, the movie isn't always terribly funny, and gets a little tiresome, but it's still amusing enough to make it pleasant if not uproarious fare. It could have used some better pacing, but still delivers enough laughs for those B cinema enthusiasts looking to have a night of bad movies and beers.Six out of 10.