Stay Away, Joe
Stay Away, Joe
PG | 08 March 1968 (USA)
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Joe Lightcloud persuades his Congressman to give him 20 heifers and a prize bull so he and his father, Charlie, can prove that the Navajos can successfully raise cattle on the reservation. If their experiment is successful, then the government will help all the Navajo people. But Joe's friend, Bronc Hoverty, accidentally barbecues the prize bull, while Joe sells the heifers to buy plumbing and other home improvements for his stepmother.

Reviews
Tetrady

not as good as all the hype

Lumsdal

Good , But It Is Overrated By Some

Stoutor

It's not great by any means, but it's a pretty good movie that didn't leave me filled with regret for investing time in it.

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Taha Avalos

The best films of this genre always show a path and provide a takeaway for being a better person.

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Frog-Legs

There are some bad Elvis films and then there is Stay Away, Joe- a bomb at a much lower level. Filmed as if there were only 2 pages of dialogue and the actors were told to just mug in front of the camera to pad it for 100 minutes. I'll give it 2 stars just because it's in color and it has a nice opening montage of the Grand Canyon. Burgess Meredith wears the worst Native American makeup I have seen in many a decade. There is also some guy with orange hair who is Elvis' sister's boyfriend. Joan Blondell was obviously just happy to get a paycheck and otherwise a waste of her timeNow that the Cleveland Indians have decided to retire the Chief Wahoo logo that was the center of so much controversy, Native American pressure groups can now focus their attention to this piece of cinematic travesty which portrays their culture as folks who just want to drink and brawl.

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Michael_Elliott

Stay Away, Joe (1968) * (out of 4) Incredibly bad film has Elvis playing an Indian who also just happens to be a rodeo champion. He decides to return to the reservation so that he can help his father (Burgess Meredith) raise cows but soon he gets into trouble with various women and some government men. I'm really curious if Marlon Brando watched this movie and that's what set him off about how Indians were being treated in film because this movie is so outrageous that even D.W. Griffith and John Ford would blush. For starters, all of the white cast members are wearing tan paint to make them look like Indians and the first time we see Meredith he's an ignorant drunk. In fact, all of the Indians do nothing more than get drunk, fall down and start fights. The stereotypes here are outrageous but the film is so poorly done that you can't even get any politically incorrect laughs at of it. I'm really not sure what in the hell was going on with the story but it was incredibly stupid and full of large plot holes. The songs were equally as bad including one scene where Elvis sings to a bull. The supporting cast are all pretty bad but Meredith comes off the worse with the most embarrassing performance and part I've ever seen him do. He was such a great character actor that it was rather sad seeing him in something like this. Elvis, on the other hand, actually manages to be the only decent thing here but that's still not saying too much.

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MARIO GAUCI

After a few lean years, 1968 was a pretty swell time for Elvis: not only did he make that celebrated "Comeback" TV Special but he also became a father and starred in two pretty decent movies as well – SPEEDWAY and LIVE A LITTLE, LOVE A LITTLE. Therefore, personally I can forgive him for the misstep that was STAY AWAY, JOE which, at best, emerges as an interesting misfire and is not all that bad considering. Sure, Burgess Meredith and Joan Blondell are indeed embarrassing – as, respectively, a dopey Indian father to Elvis' character and a bawdy bartender who has her eye on Mr. Presley too - but one is glad to see Elvis surrounded by top veteran Hollywood talent like Katy Jurado (as Meredith's Mexican wife), the two Jones – Henry and L.Q. - and Thomas Gomez who is particularly amusing as sarcastic Chief Thundercloud who is Meredith's stubborn father still donning his old chieftain clothes in the present day! While there is a surprising (if not unwelcome given their usual blandness) lack of songs, there seems to be no shortage of free-for-all parties were the male Indians hit the bottle steadily while Presley practices his womanizing skills behind their backs! As can be expected, the typically 'Western' Arizona scenery is a major asset here and the sleepy, snoring bull gag is not only a good one but a major plot point. On the other hand, the climactic 'destruction of the house' episode is one we've seen too often since and doesn't work too well here...

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wes-connors

Elvis Presley plays a "half-breed" Native American ("Indian") who has to defend his reservation from nasty business tycoons. Everyone likes to get drunk, fight, and make children. Fighting, wrestling, and "punching out" each other replace the stereotypical hand-raised expression "How"?Although he does have make-up on, it's obvious Elvis is healthier than he appeared in prior films; possibly, he was getting ready for his famous "comeback". It couldn't have been because this movie's script was anything to get excited about. Joan Blondell trying to seduce Elvis, and Burgess Meredith in "war paint", should be ashamed.The best song is "Stay Away" (actually, "Green Sleeves" with different lyrics). The most embarrassing song is Elvis' love song to the bull "Dominic". There are some surreal scenes, but it never becomes trippy enough to succeed in that genre; though, "Stay Away, Joe" might provide some laughs if you're in the right "mood".Otherwise, stay away. ** Stay Away, Joe (3/8/68) Peter Tewksbury ~ Elvis Presley, Burgess Meredith, Joan Blondell

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