Really Surprised!

Excellent, Without a doubt!!

Bad Acting and worse Bad Screenplay

The movie's neither hopeful in contrived ways, nor hopeless in different contrived ways. Somehow it manages to be wonderful

In the late 1940s and into the 50s, Lawrence Tierney made a niche for himself starring in film noir pictures. His characters were cold, menacing and without remorse...exactly what you'd want in these sorts of movies. Sadly, while Tierney is in "Step By Step", it's not a noir film at all but a rather tired and uninteresting murder mystery involving neo-Nazis.Johnny (Tierney) has recently returned from serving in the US military during WWII. He sees a very pretty lady, Evelyn Smith (Anne Jeffreys) and soon his lust for this woman draws him into a plot involving murder and post-war Nazis! It seems that Smith learned too much and was taken prisoner and they substituted her with another woman...and Johnny recognized the switch. However, he soon is himself accused of murder and he and the real Smith are sent on a wild chase by the authorities. Can goodness, Americanism and niceness prevail?!This is a silly film with some bad clichés (such as the stranger that automatically believes the pair and helps them evade police). Not terrible...but also not very good and completely lacking in grit. Simply a B-movie...a B that came out a year too late considering its Nazi connection!

Okay RKO programmer. Though released in 1946, the premise involves Nazis trying to keep their goals alive. Actually, the script makes reference to historical Germany (Bismarck) as "enemies of civilization", no less. Anyhow, discharged marine Johnny (Tierney) gets accidentally mixed up with the Nazi remnants, and gets blamed for murders the die-hards actually committed. Good thing he's got help from comely blonde Evelyn (Jeffreys) and motel owner (Cleveland).The remainder involves a lot of sometimes aimless chasing around. For me, the highlights are the expertly photographed ocean views. To its credit, this programmer goes beyond the usual cramping studio sets.Looks like RKO was promoting Tierney as studio stud since he spends movie's first third shirtless, sporting manly pecs and flat belly. He does well enough in hero's role, but his real charisma showed through as emotionless villains, e.g. (Born to Kill, {1947}). To bad for his career he couldn't stay off the juice and barroom brawls. (Apparently, he scared the heck out of the amiable cast of Seinfeld, {1989-1998}, when he appeared in an episode.) Nonetheless he was a distinctive screen presence, though that presence doesn't really come through here. All in all, director Rosen keeps things moving, which helps divert attention from a convoluted narrative. But my guess is that the script was hastily reworked once the big war ended. Happily, RKO soon turned to noir.

Lawrence Tierney didn't often get to play good guys, and--judging by his performance in this compact, tight little actioner--he's actually pretty good at it. Tierney plays an ex-Marine who inadvertently gets mixed up with a pretty blonde (Anne Jeffreys, looking fetching), German spies and a murdered secret agent. There's more comedy than you usually see in a Tierney picture but there's also the kind of shootouts and fisticuffs you expect in a Tierney picture, and director Phil Rosen expertly blends them all together; in fact, this is probably the best of Rosen's pictures that I've seem (he could usually be found grinding out cheap Bowery Boys programmers for Monogram and shoddy jungle pictures, and worse, for PRC). There's a good supporting cast--John Hamilton, George Cleveland, James Flavin--it's well acted, moves like lightning and everything gets wrapped in just about an hour. Location shooting along the California coast helps greatly. A fun picture, definitely worth an hour of your time.

Step By Step plays like a feature version of an old time serial. Jam-packed with fist fights, auto chases, Nazi spies (still causing trouble in the pre-Cold War year of 1946), comedy, a little romance, and lots more, Step By Step also features an attractive lead couple in Lawrence Tierney and Anne Jeffreys. Director Phil Rosen's bread and butter was short and sweet Poverty Row programmers, and this is one of his best. Great fun on a low, low budget.