recommended

Brilliant and touching

This is a coming of age storyline that you've seen in one form or another for decades. It takes a truly unique voice to make yet another one worth watching.

This is a gorgeous movie made by a gorgeous spirit.

Although most critics gave this movie the thumbs down (yes, there were actually some who praised it, including the Monthly Film Bulletin of all journals), and most contemporary patrons thought it at best mediocre fare, it has improved quite a bit with time. In fact, compared with the rubbish offered elsewhere on TV these days, it's actually rather good fun. It seems the astute producer, Walter Wanger, had the good sense to make the movie in two versions: CinemaScope and standard screen (so that theaters unequipped for Scope would not miss out). The latter of course is the version shown on TV. And very nice it looks indeed. The color, divorced from grainy CinemaScope, is appealingly sharp. The framing and compositions are more attractive too, being noticeably tighter than the rather loose widescreen line-ups. Admittedly, Don Weis was never much of a director, the acting is poor and the script juvenile stuff; but Thomas Gomez flings off his dialogue with a very agreeable gusto, Elaine Stewart makes a very decorative heroine and Mr. Derek looks suitably dashing. There are bevies of scantily-clad cuties scampering around and whenever things get even the slightest bit dull, Mr. Nat King Cole, accompanied by Nelson Riddle's orchestra, is whizzed on to liven things up — even under dialogue.

Priceless junk that is pretty much explained by its title. John Derek was a good looking man and at times an adequate actor but not here although the script such as it is doesn't really lend itself to major thesping. Elaine Stewart as the princess is even worse enacting her role with all the passion of a petulant schoolgirl and showing that her eventual participation in numerous game show as a hostess was probably the best use of her talents. The only cast member to emerge with any kind of distinction is Thomas Gomez who chews the high grade ham as an good hearted but opportunistic trader. The costumes are just about what you would expect from this sort of sword and sandal flick but keep an eye out at about the hour mark for a young slave maiden wearing what truly appears to be a mop on her head!! The most baffling aspect of the whole thing is that it has a score conducted by Nelson Riddle and an (awful) theme song sung by the great Nat King Cole that is repeated over and over again throughout the flick. Enjoyable once in a mindless colorful way.

John Derek was ahead of his time in the movement to uplift the status of women. This movie is really about women claiming their power and not being relegated to a status unequal with men. In his own life, he was so appreciative of the feminine ideal and he served the women he loved quite devotedly. I believe that he was more invested in life than in movies. I believe that he was as handsome as any of the great swashbucklers, and as good a performer. It is such a grace that he played Joshua in the Ten Commandments. Joshua is a true hero of the Bible - of the Hebrew and Christian traditions, both. He was an artist of high integrity and profound passion. This movie shows him in one of his best moments, career-wise, and in our insatiable appetite for entertainment, let us not overlook his travail in this life.

The Adventures of Hajji Baba is remotely based on the book by a British writer James Morier who was actually raised in a harem and later served as an English diplomat at the court of the sultan of Iran in the first part of the 19th century. The book called The Adventures of Hajji Baba of Ispahan enjoyed quite a success at the time of its release in 1824 not only in England but also in Iran, the fact that encouraged the author to write a sequel called The Adventures of Hajji Baba of Ispahan in England where our hero is sent to learn its customs and way of life. This film version hasn't borrowed much from the book except perhaps the name of the main character – Hajji Baba (played by John Derek) and his profession – the barber whose banal, but sweet story we follow as he runs of with a beautiful but very capricious princess Fawzia (Elaine Stewart) who tries to escape from marriage to a man she isn't really crazy about which is imposed by her authoritative father Khalif (Donald Randolph) who is not particularly inclined to consider his daughter's opinion regarding choosing her lifetime partner especially when his power and monetary interests are at stake. But the main Hajji Baba's interest in helping the fugitive princess lies not in her attractive physical appearances but in a ring with a priceless emerald in it, which she happens to possess and which Hajji happens to covet. But gradually a struggle ensues inside of our hero's heart as about the change in the flow of his preferences to the girl instead of the emerald, which are also fed by the attraction the princess feels each time stronger towards the irresistible barber. While all this internal fight is going on, our heroes come through numerous adventures most excitingly dangerous of them being caught by a band of beautiful women-outlaws several of whom were once Fawzia's personal servants who managed to escape mainly from princess' ill temper and promptly turned into bandits. Overall Adventures of Hajji Baba is an ultimate what can be called sex and sand adventure comedy with a lot of beautiful women and sand in it all filmed in larger than life Cinemascope, which somehow covers the films poor story and is significantly helped by a pleasant title song performed by Nat King Cole which can be heard several times throughout the film - `Hajji, Hajji, Hajji, Hajji, Hajji Baba, Hajji Baba.' 7/10