I like the storyline of this show,it attract me so much

Just intense enough to provide a much-needed diversion, just lightweight enough to make you forget about it soon after it’s over. It’s not exactly “good,” per se, but it does what it sets out to do in terms of putting us on edge, which makes it … successful?

The movie turns out to be a little better than the average. Starting from a romantic formula often seen in the cinema, it ends in the most predictable (and somewhat bland) way.

The film's masterful storytelling did its job. The message was clear. No need to overdo.

This movie holds a special place in my heart. I watched it 2 years ago but I still remember every scenes. The story behind the movie is also heart-touching. The main character, Eric Draven is a classic. And also, I like the gothic theme in the movie.

"People once believed that when someone dies, a crow carries their soul to the land of the dead. But sometimes, something so bad happens that a terrible sadness is carried with it and the soul can't rest. Then sometimes, just sometimes, the crow can bring that soul back to put the wrong things right."Those are the words that usher us into the world of director Alex Proyas' legendary film "The Crow," based of course on the beloved comic book created by James O'Barr. The film is a defining masterpiece of its decade, and a dark and Gothic portrayal of action, romance and vengeance that thrilled audiences and remains a cult-classic to this very day, more than twenty years later. Though overshadowed by the tragic loss of its star Brandon Lee, whom was accidentally killed in an on-set incident, the fact remains that there's something special here. Something that cannot be stopped by the misfortune of Lee's passing. Something provocative and moving. Something that spoke to audiences when it was released in 1994 and still very much does.The film follows Eric Draven (Lee), a rock-and-roll guitarist who is slain- along with his fiancée Shelly- the night before their wedding in an apparent gang attack. One year later, he is brought back to life through the power of a crow- who are said to carry the souls of the dead into the afterlife. Now granted an array of supernatural (and superhuman) abilities that render him seemingly immortal, Eric stalks the night on a mission of revenge against those who destroyed his life. He receives help from Sarah (Rochelle Davis), a young girl who had befriended Shelly before her death and kind-hearted cop Albrecht (Ernie Hudson) in his hunt for retribution. What Eric doesn't realize, however, is just how far into the dark and criminal underworld he'll have to go, nor will he be able to predict the severity and intricacy of his search...I think a great deal of the magic of "The Crow" lies in the fact that while not particularly original and reliant on plenty of cliché and convention, it fundamentally excels at everything it sets out to do with a level of style and competence that is far beyond the standard Hollywood film. We've seen this story and these ideas before. But not told in quite this same way. The film isn't content with just giving us a standard visual palette... instead it crafts a complex and Gothic atmosphere that's striking and visually engaging, and combines different filmmaking techniques to create a world all its own. The characters aren't just archetypes... they're fully fleshed out and even the more minor of characters are given a great deal of establishment and development. The film doesn't just follow the standard path... but rather it gives us a stirring narrative where stakes are constantly raised and because of the supernatural elements at play, we can never guess what's going to come next. The original comic came from a very unique place, and it's clear that the cast and crew of the film are going above and beyond to craft a masterpiece.To build upon this, the performances are a phenomena and lend much to the story. Lee is a revelation, and injects not only plenty of pathos and agony into the role of Draven... but also a large amount of hope and joy. Conflicted though he may be, he's still willing to do the right thing by other people and to help them even in his war of violence and vengeance. Hudson and Davis round out our protagonists in nuanced and sensitive roles that very much compliment Draven's struggles and help to inject some heart into the narrative so that it never feels bogged down by the rampant darkness of the story. And our villains- including David Patrick Kelly, Tony Todd, Bai Ling and the extremely underrated Michael Wincott are all deliciously evil, yet still feel somewhat grounded and "real." It's a great rogues gallery for Draven to face off against with some top- notch performers behind them.And finally, the film is a complete powerhouse of visual storytelling. As mentioned above, director Alex Proyas seemingly builds and entire new world with the help of writers David J. Schow and John Shirley, in addition to his inspiration from James O'Barr's original comic. The colors are cold and stark. The designs sharp and vast. And the contrast in color and darkness is simply outstanding. Proyas takes inspiration from many sources and his slick, flowing camera-work perfectly compliments the twisted Gothic world that is crafted. He knows how to showcase both his actors and his sets for maximum emotional impact, and the film is never anything less than completely absorbing and wondrous to behold."The Crow" is by far and quite easily one of the defining films of the 1990's. With an impact still being felt to this day, definitive demonstrations of themes and visual nuances, stunning performances and a memorable message, it's no wonder why the film has maintained such a strong and dedicated following. And though its effects and ideals might feel somewhat antiquated or even dated by films that have gone on to successfully improve on the techniques used and defined here, you simply cannot downplay how big an impact its had on popular culture. It's a stunning work of art through-and- through and easily earns a perfect 10 out of 10.

Brandon Lee (R.I.P) is absolutely brilliant as Eric Draven 'The Crow', and gives one of the finest comic book film performances of all time. The picture opens with a police officer discovering their bodies, and to showcase what actually happened, the director decided to use flashbacks which work very well, as he does not want to glamorize their murder, simply show the audience how bad and disgusting these scumbags were, so kudos to Alex Proyas for doing great work there. The story is more than your basic revenge story, Eric Draven's character is a man with personality, bravery and he and his girlfriend before there death looked after and hung out with a young girl, Sarah played by Rochelle Davis, they were there for her when Sarah's mother was either mixing with scumbags or doing drugs, this too me show two good natured people, and later on in the picture Eric comes as a blessing in disguise to Sarah Mother, and tells her to be a better mother, she instantly changes, paying more attention to her daughter, this is one of many good things Eric does in the picture.It's obvious than Eric will exact revenge on the filth that murdered his wife, and when he does, it's well shot, original and extremely satisfying, Proyas keeps the action moving, with great choreography and a fast pace, much like the picture which has one of the darkest atmosphere's and mood's you'll see in a comic book film, and much like 2008's The Dark Knight, this is a comic book film for adults, leaving out the immaturity we have come to expect from most of Disney Marvel's outings. The performances here are all effective, though none match the sheer brilliance of Lee, among the supporting cast are Ernie Hudson as good hearted cop Sergeant Albrecht, Rochelle Davis as Sarah, Michael Wincott as the very menacing villain Top Dollar, his right hand woman Myca played by Bai Ling, Anna Levine as Darla, Sarah's mother and Tony Todd as Top Dollar's henchman Grange, and they are all very good. Also good are the four thugs responsible for the murder, David Patrick Kelly as T-Bird, Laurence Mason as Tin Tin, Michael Massee as Funboy and Angel David as Skank.The only thing that could have been better, was the backstory and development for Top Dollar, I would have liked to know a bit more about his past and perhaps his organization, luckily the villain is interesting, bad-ass and very good despite this. The Crow also has a great Rock n Roll soundtrack, impressive Gothic production values that include some well suited, well-crafted costumes and make-up. The action is high octane, highly enjoyable and the picture has one or two adequate surprises in store as well. Overall The Crow is a brilliant comic book picture with a perfect mood, atmosphere, fast paced, coherent action and a stunning, memorable performance from Brandon Lee, who will be remembered as one of the greatest Comic book performances of all time.

It was so interesting to watch one of the most infamous movies ever made. It's not infamous because of its content but because of its production. The movie stars Brandon Lee, the son of the famous Bruce Lee. There was actually an accident on the set that actually killed him in real life. Yep, really. I feel bad for not liking this movie more if only because I want to remember a film that was truly made in remembrance to someone. Of course, it's a good film for me. It was based on an Image comic that I wasn't quite aware of.I recognized Ernie Hudson which was cool because I believe he's the most prolific black actor in history. I admit that some of the story doesn't make that much sense, especially near the end. It's still great to watch a good superhero movie from the 1990's before the golden age really hit. I personally didn't care that much for "Blade" and think this works better as an R-rated superhero movie. Brandon Lee is of course wonderful and we get lots of great imagery and lighting effects. The mood and atmosphere are perfect in this film that doesn't get too dark. ***