Why so much hype?

Did you people see the same film I saw?

As somebody who had not heard any of this before, it became a curious phenomenon to sit and watch a film and slowly have the realities begin to click into place.

The film's masterful storytelling did its job. The message was clear. No need to overdo.

The overwhelming suspense does not detract from the moment-to-moment tension and indeed frees you to enjoy the film's technical accomplishment. The director, Massimo Coglitore, came to prominence in 2003 with your short film in 35mm ''Deadline,'' which similarly discovered new visual and stylistic possibilities. Coglitore also directed ''Uomo di carta,'' a Pirallendiano short movie and the TV movie "Noi due" a comedy love story where the look and atmosphere of that picture were so fresh, so persuasive, and so well matched that the logical instability of the story almost didn't matter. ''The elevator'' or "3 minutes" with its small cast of characters, and severe constraints on time and space, is a less grandiose undertaking. Aside from brief scenes at the beginning and the very end, the whole thing takes place on a single set in a single night. But its challenges were clearly attractive to the director, and his camera sense and assured pacing make it an above- average thriller. The director has mastered the traditional syntax of cinematic suspense: the shifting points of view, startling cuts and slow camera movements that work subliminally to fill us with dread and anxiety. But he also uses computer- assisted techniques to amplify the effects, extending what the camera can do. Vote 10!!!.

Following the path started with DEADLINE, Massimo Coglitore, Sicilian director, debuted at Tao Film Fest, with THE ELEVATOR independent film produced by Riccaro Blacks. A courageous film, unusual, in English, with excellent acting, great photography and beautiful music, with which Coglitore likes to wink at genre cinema, the suspense. But here we are faced with a film that has its own life, its own soul, no reverence or blinking but only a film made impeccably. Coglitore lends conscientiously to THE ELEVATOR, a film that directs so beautiful and very personal from the technical point of view. Impossible not to be charmed by the basic colors of the photography, that icy green, unsaturated distinguishes the lift and that amazingly does not kill the color but enhances it in order to create the ideal setting in which the characters move to represent a hypothetical, violent chess game, a quiz here, based on primitive instincts. There are many themes, instinct for survival, power, revenge. Extraordinary and magnetic interpreters Caroline Goodall and James Parks where around them prevail only human ancestral impulses. A well-written film by Mauro Graiani and Riccardo Irrera, with a clipped role tailored to evergreen Burt Young. The lift of the film, a few square meters of pure claustrophobia, imprisons Jack Tramell famous American TV presenter, isolating it from the outside world. It 'clear charges of Coglitore the ills of modern society. Men tend to ghettoized, close in sophisticated prisons in which they themselves are the jailers, isolating themselves from the outside world, and the various issues. The woman burst into the comfortable life of the famous presenter, catapulting him on a journey into the unknown, where one misstep means risking their lives. different social realities, among them, but something links them, a thin wire, a terrible secret. Coglitore deftly changes the order of the game and reverses several times their parts, with a strong dramatic where violence - exploding at night in that elevator of an elegant New York -It seems to arm themselves in the hands and thoughts of everyone, without exception.

The Elevator has superb lighting, an innovative use of cinematography in only a few locations and superb acting that is able to hold your attention from the first to the last frame. It jumps right to the inciting incident within the first few minutes, and the bloody fight between the protagonist and the antagonist is heavily suspenseful until the last scene. The superb dramatic action is well synced with the careful psychological crafting of the camera shots, always giving the audience a different look of the scene, even though the characters are at the same place.James Parks and Caroline Goodall are truly amazing at their parts. Overall, The Elevator is truly remarkable for being a smaller budget feature, filmed in the United States by an Italian producer Riccardo Neri and the Italian director Massimo Coglitore.

This is a very underrated film which was surprisingly good. Given that this is a low budget film (the title is a give away. 90%+ of the scenes happen inside the elevator, which can feel monotonous but the director/script/actors did a good job to keep my attention throughout.) You are made to choose which of the two characters is the foe and which is the protagonist. The movie does a good job in changing your pick through out the movie. And then there's a twist in the end (or a couple). The final shot is also an excellent touch. It gives some sort of relief that everything worked out as intended. Though some can miss it as it wasn't as pronounced.