Thanks for the memories!

It's not great by any means, but it's a pretty good movie that didn't leave me filled with regret for investing time in it.

I enjoyed watching this film and would recommend other to give it a try , (as I am) but this movie, although enjoyable to watch due to the better than average acting fails to add anything new to its storyline that is all too familiar to these types of movies.

A clunky actioner with a handful of cool moments.

The Gunfight at Dodge City is directed by Joseph M.Newman (This Island Earth/Fort Massacre) and jointly written by Martin Goldsmith and Daniel B. Ullman. It stars Joel McCrea, Julie Adams, John McIntire, Nancy Gates, Richard Anderson, Don Haggerty and James Westerfield. Hans J. Salter scores the music and Carl Guthrie is the cinematographer, with the production being in CinemaScope with colour by DeLuxe. Primary location shoot is Melody Ranch, Newhall, California, USA.McCrea stars as Bat Masterson, we find him originally in Hays City, Kansas, where he has set up shop, but after killing a man in self defence he heads to Dodge City to stay with his brother, Ed (Harry Lauter), who is the City Marshall. But upon arriving he finds that Dodge City is not a nice place, beset with lawlessness and run by corrupt sheriff Jim Reagan (Haggerty). After befriending the town doctor, Sam Tremaine (McIntire), and meeting Ed's fiancée Pauline (Adams), Bat buys a half share in the ailing Lady Gay Saloon run by Lily (Gates), herself struggling because of Reagan's interference. Bat sets about earning an honest living, but sheriff Reagan has no intention of letting either of the Masterson's flourish in Dodge: and just why is Dave Rudabaugh (Anderson) in town?Sometimes referred to as The Bat Masterson Story, The Gunfight at Dodge City is not a biography of the frontier lawman who once worked alongside Wyatt Earp. It does have some semblance of facts inked into the narrative, but ultimately view it as light telling of Bat Masterson's time in Dodge City. Running at just 81 minutes long, Newman's film has just enough character development, drama and period detail to sustain interest for that length of time. There's no attempt at histrionics or psychological depth, or even a message in the offering. This is a very stream-lined Western dealing in familiar B Western themes. But what it lacks in originality it makes up for with its all round production values.Although the CinemaScope is not used to the full (not enough exterior panoramas here, sadly), the film boasts some fine performances, wonderful colour lensing (night time shots are gorgeous) and that under valued asset of the Western, costuming (check out Lily's purple frock). McCrea obviously doesn't have the iconography that Randy Scott, James Stewart and The Duke have, but he quite often cuts an imposing, straight backed figure of note. Such as he does here, giving Masterson a rugged noble elegance in the process. Adams is beautiful and proves adept during the more tender moments and Gates, likewise, is hugely effective in portraying the nagging pangs of yearning. McIntire is nearly always good value, especially in official roles, and he adds a touch of quality here as the Doc who likes a drink and stoically stands by Bat's side when he needs support. Haggerty is a touch weak, not really exuding menace, but that's offset quite some by Anderson's suspicious and sneaky portrayal of Rudabaugh. All told it's just a real safe B Western with good production value into the bargain. 7/10

If this had been a black and white film, I probably would have rated it where I go with almost all of them, a solid 'six' and not much more. But you don't see many 'B' Westerns in color, hence the bump up a notch. That, and the main character named Bat Masterson, portrayed by the generally competent Joel McCrae in the lead role. The story plucks Bat from his buffalo hunter days and puts him directly into a situation challenging Dodge City sheriff Jim Regan (Don Haggerty). Standing up to bully Regan gets him elected handily, though it took the murder of Bat's brother Ed (Harry Lauter) to help push the story along.Masterson's legacy as a real life gambler is dealt with neatly in the story line. Arriving in Dodge City, Bat's described as a dealer of black-jack with three fingers - thumb, index and trigger. Later, when asked if he's giving up his half interest in the Lady Gay Saloon after being elected sheriff, he declines citing Wyatt Earp's ownership of three gambling joints in Wichita.I was a little surprised to see Bat put a move on his dead brother's girl (Julie Adams), and I probably would have been disappointed if the picture went in that direction. Fortunately he figured out that the relationship would have been doomed from the start. However there was a fall back position with partner Lily (Nancy Gates) from the Lady Gay which wound up working out in the end.I had to do a double take with the gunfight finale here, as all the while it had the earmarks of the James Arness weekly opening of 'Gunsmoke' which ran for twenty one seasons. It made some sense, since Matt Dillon was the marshal of Dodge City too, probably right after Bat left if I had to guess. Interestingly though, the first season of Gunsmoke occurred four years earlier, making McCrae's showdown somewhat unoriginal in the execution.

I enjoyed this. It provides everything one expects from a Western: good plot, revenge, love, conflict between law and personal conscience, plenty of gun-play, and mood. And a few excellent quotes. Try: "The distance between here and that street is the distance between a rabbit and a man." The beginning is refreshing too. Before the title and opening credits, a world-weary McCrea is telling a simple teenage boy who admires his prowess with a gun what it really is like. How scared one is, how little it has to do with heroics, and how awfully wretched one feels afterwards. In this film, the gunfights are fast, and mostly in the dark. That's probably more accurate than so many more overblown sequences in other films. The performances on everyone's part, even the baddies', are in many ways unexpectedly subtle. Take Regan, the bad Sheriff. Look at his strange, tormented eyes. None of it's overplayed. If it's raining outside, get out the popcorn and curl up with this.

Just what the audience could expect from director Newman: a routine action-packed western with veteran Joel McCrea as the legendary Bat Masterson. It is not so much the story that makes this film worth watching, but the appearance of Timothy Carey (uncredited-unbelievable!) as one of villain Haggerty's henchmen.