Instead, you get a movie that's enjoyable enough, but leaves you feeling like it could have been much, much more.

I gave this film a 9 out of 10, because it was exactly what I expected it to be.

Just intense enough to provide a much-needed diversion, just lightweight enough to make you forget about it soon after it’s over. It’s not exactly “good,” per se, but it does what it sets out to do in terms of putting us on edge, which makes it … successful?

While it is a pity that the story wasn't told with more visual finesse, this is trivial compared to our real-world problems. It takes a good movie to put that into perspective.

The familiar plot explores the problem of a mature man, ready to settle down after an outlaw youth, but the justice system won't let him. In some films, such as "The Tall Men" and "The Bend in the River", the man is able to escape the reach of the law and presumably accomplish his transformation. In others, such as this, he is doomed to die trying.Fugitive badman Wes McQueen(Joel McCrea) and feisty tomboyish femme fatal Colorado(Virginia Mayo) have high hopes of 'busting out' of his past baggage and making a new start together as ranchers in Mexico, hopefully out of reach of pursuing US lawmen. But, McQueen is contracted to lead one last train heist as a condition of help in his Missouri jail break, and to provide start up money for their future. This puts him on the radar as the #1 western badman, leading to the quick demise of both. Yep, it's presented as a tragic too late love story. McQueen seems like too nice a guy in most ways to fit his outlaw side. Clearly, Colorado is fatally infatuated by his combination of dangerousness and decency. Yep, he's her man and she will follow him to the grave.Although officially a remake of "High Sierra" in a western setting, McQueen seems loosely modeled on Jesse James, who reputedly was planning to give up his outlaw ways after one more robbery, when he was assassinated by a gang member. It also repeats some key features of the previous "Duel in the Sun". It lacks any substantial musical or humorous elements, being a hard-driving drama and love story. The photography is excellent, much of it in darkened settings, in crisp B&W. In addition to the canyonland settings, the train robbery sequence was done with the Durango-Silverton railway in the SW Colorado mountains. It supposedly takes place when Colorado was a territory, from 1861-76.This is yet another western where the leading man(dare I claim hero?) gets involved with 2 new beautiful single women: one conventionally prim, often newly arrived from the East, and the other a 'bad' flamboyant extraordinary beauty. Probably, in most films, the leading man(who often has a tainted past himself) eventually ends up with the 'good' girl. In Anthony Man's "The Far Country", clearly the 'bad' woman is made for Jeff, but she dies defending him in a gun battle. Hence, he is left with the 'good' girl, whom he considers too young and naive. In the present film, the choice is made more complicated by the reversal of the characterization of the two women during the film. Thus, when Julie(Dorothy Malone) learns that the tall handsome man who earlier saved her from a stagecoach bandit holdup is actually a notorious escaped convict with a $20,000. reward for his capture, she tries to open the door and tell the posse that McQueen is inside, so she can collect the reward.(Jesse James's capture topped out at only $10,000. during the same era!). A cat fight ensues, as Colorado tries to keep her from informing the posse. Previous to this, Colorado expertly extracted a bullet lodged in McQueen's shoulder with doctor's tweezer's, as if she had performed many such operations(?), cauterizing the wound by lighting a bit of gunpowder!. Yes, this is a historically legitimate procedure, but has to be done expertly for a good result! Obviously, from this point on, Colorado is the woman McQueen can trust to back him up. Like Tracy, in "Harry Tracy, Desperado", McQueen tells his girl that he now has to go it alone, knowing that he will resist recapture to the death. Once McQueen is trapped by the posse in what clearly looks like the spectacular Canyon de Chelly(AZ)(which they ominously dub 'The Canyon of Death'), it's pretty obvious he's not coming out alive, especially since he can hold his rifle with only one arm. Unlike Tracy's girl, Colorado feels she must die taking a measure of revenge on the posse.Before they split, McQueen gives Colorado essentially all the stolen money. She stuffs some in the offering box in the old Spanish mission and hides the rest nearby, before praying at the alter. Presumably, this is what the friar meant in the closing scene when he said this backwater village was renewed by this happy couple who passed through. The posse has no idea where to look for the money, and the friars probably won't find the major part for some time.Although his past says he's a habitual desperado, McQueen comes across as one of the few characters we can trust, along with Julie's father(played by perennial scene stealer Henry Hull) and Colorado. Julie, McQueen's other partners in the holdup: Reno and Duke, as well as associates Pluthner and Wallace, clearly are untrustworthy backstabbers. Viginia Mayo is winsome as the knockout fancy-free badman's moll, with cat-like gleaming eyes. She would revisit her passionate tomboy persona in the later excellent Raoul Walsh western "Along the Great Divide", where she has another meaty role in trying to save her father from a lynching or court-ordered hanging as an alleged murderer, as well as rustler.

I have never really bothered with the Western genre in film. Just like country and western music (as typified by those solo recording artists who are all rubbish and that includes the trendier singers such as the depressingly monotone Johnny Cash) it has always left me cold. For some reason, I do like Dolly Parton, though. However, I just can't seem to get enough of them at the moment and I think it is because I have been picking good ones to watch. Well, my trend for seeking out quality Westerns will continue after seeing this film.The story is essentially as follows - Joel McCrea (Wes) is sprung from jail to pull one last train robbery for mastermind Basil Ruysdael (Dave). Joel holes up in a deserted town with his gang that consists of thuggish John Archer (Reno), slimy intellectual James Mitchell (Duke) and initially not wanted saloon girl Virginia Mayo (Colorado). They bide their time until it's time to steal some loot. But, there are plenty of double crosses to come.Comparisons have regularly been made to the film High Sierra (1941), of which this is a re-make set as a Western. An easy comparison - this film is clearly the better offering in terms of action and scenery. It also has a much more credible thread with love interest Dorothy Malone (Julie Ann) and her father Henry Hull (Fred) taking the roles of Joan Leslie and Henry Travis who added nothing but boring sentimentality in the original. Yawn. And there is no blasted dog written into the script for poor plot contrivances. There is an overall higher satisfaction level with this film.The cast do well with a special mention for the 2 lead females. Virginia Mayo and Dorothy Malone both do justice to their roles and may not seem as they first appear. They also appeared together in "Flaxy Martin" in that year but with a role reversal on that occasion. In this film, they have some scenes together that are fraught with tension and there are many other memorable moments. A case in point is a shot of two men hanging from a train - certainly didn't expect that! Quite disturbing. This film also has great dialogue and captivating scenery and it makes for entertaining viewing with a happy ending. Of sorts.

There are a number of technical aspects about this film that are interesting. It is considered to be a remake of Humphrey Bogart's "High Sierra", and plot similarities are quite obvious (and both were directed by Raoul Walsh). According to Google, it was also the last film that premiered at a drive-in movie. It was filmed in the red rocks country of New Mexico and Arizona, which could have provided spectacular film locales...except that it is a black-and-white film.No, that there are interesting things about the film doesn't mean the film itself is that interesting. It's pretty much an average B western for the first two-thirds of the film, and with one big problem -- there's no character in the film that's very likable; no good guy...just different degrees of bad guys. The fact that Joel McCrae sort of wants to go straight...after just one more hold-up, doesn't make him a good guy. It just makes him a not so bad bad guy.McCrea is the only notable actor in the story. I always thought he was generally wasted in westerns, because he was a very good actor. But in westerns, he pretty much became just another B actor...successful though he may have been in the genre. Virginia Mayo is beautiful -- but not likable until toward the end of the film. Dorothy Malone is okay, but doesn't get much screen time. Henry Hull's character -- Mayo's father -- is a likable guy...not that it gets him very far.No, if I wanted to see the plot of "High Sierra", then I'd simply watch the incomparable Humphrey Bogart in "High Sierra". Of course, in "High Sierra", no one used the warning phrase of you'll be "dead meat"! And no one poured gun powder into a bullet wound. And, the last third of the film does get pretty exciting with lots of action. But still, unless you're really into old westerns, I'd let this one pass right by. Well, maybe it was worth watching...just once. But not one for your DVD shelf.

Outlaw Wes McQueen (Joel McCrea) gets sprung from a Missouri jail on the day before he is to be transported to Leavenworth by his old gang who need him for a big train robbery somewhere out in the Colorado Territory. The characters couldn't be more different. McCrae plays the part of an outlaw struggling with his own moral scruples while his partners Duke (James Mitchell) and Reno (John Archer) compete to see who the meanest one is. The presence of Virginia Mayo in this group doesn't make a lot of sense, but her part increases as the film moves along. One of the film's best plot lines is the jealousy that comes to the surface of Reno's character as Mayo's Colorado Carson is clearly taken with the cool McQueen played by McCrae. On the other side of the law is a ruthless and relentless US Marshall played by Morris Ankrum who leads an impressively sized posse out to catch up with and either shoot or hang McQueen. The film zeroes in on treachery and deceit at every opportunity. Dorothy Malone's character is especially memorable.