This movie was so-so. It had it's moments, but wasn't the greatest.

This is one of the few movies I've ever seen where the whole audience broke into spontaneous, loud applause a third of the way in.

The storyline feels a little thin and moth-eaten in parts but this sequel is plenty of fun.

Blistering performances.

So many director's could learn from this. White-knuckle suspense, an excellent set-up and pay-off, and it keeps things barebones enough so that you know just enough about the characters to care about them (perhaps unconsciously the children are all dressed in white to emphasize the innocence, might seem obvious or not to some but it's visually a wise decision), and how Griffith keeps up the tension between the woman calling up her man to get help, the attackers breaking in to each successive room, it seems as if this is a landmark in a lot of ways. It's directed without an inch of story fat, and the stakes keep getting tighter as the men go from one room to the next and the women can't keep them out. It may be resolved just a little too quickly, but maybe not. It seems to end at just the point it's supposed to. I love it and it's one of the best of the earliest short films out there (and hey, Mary Pickford!)

This 1909 Biograph drama cleverly uses a telephone to heighten the stories suspense. A gang of thieves pick a well to do family to rob, by luring the husband away from his home, leaving his wife and three young daughters alone. Watching the husband leave, the gang breaks into the home as the wife and her daughters run to safety into another room, they start barricading the door with furniture. Meanwhile, the car the husband was being chauffeured in breaks down in front of an Inn, as the chauffeur starts to check out the car's motor, the husband notices a sign advertising a telephone inside. He decides to call his wife and tell her about his delay, luckily the room she and her daughters are trying to keep the crooks from breaking into has a telephone. She frantically tells her husband what is taking place, then one of the robbers cuts the telephone line. The husband rushes madly outside and finds a gypsy wagon, he and a group of men race home just in time to save his family. For 1909 audiences watching someone using a telephone was very exciting in itself, and it's use in this manner helps to heighten the viewers anticipation. D.W Griffith keeps the action flowing, making good use of Fort Lee, New Jersey for the outdoor location scenes. The Biograph actors all portray their characters adequately and Mary Pickford fans will instantly recognize the young actress as one of the daughters and Owen Moore as the villain who delivers the letter that summons the husband away from his home. This silent drama is a perfect example of what kept early silent film audiences excitement growing for this popular new form of entertainment.

This was not the only film like this that D.W. Griffith made, as he later made a very similar one with the Gish sisters in similar straights. Regardless, it is very exciting and holds up well today.The film begins with a husband being lured from his home by some evil thieves. As soon as he's gone, the crooks break in and the wife takes her three daughters (one is Mary Pickford) into an adjoining room to safety. There she barricades the door against the three scum-bags. Just then, the husband calls and the wife tells him of their plight--and he rushes home to try to save them. Will he be too late? This is a very, very simple plot and works effectively. The acting is reasonable and the action exciting. A very good film for its day.

Three burglars (Owen Moore, Herbert Prior, and Anthony O'Sullivan) lurk outside the Cullison estate. When the family butler and maid leave on a date, the burglars trick master-of-the-house David Miles (as Robert Cullison) into vacating the premises; Mr. Miles doesn't know it, but the lurking trio are planning a robbery. After Miles leaves, the thieves terrorize helpless Marion Lenard (as Mother Cullison) and the three Cullison girls - Mary Pickford, Gladys Egan, and Adele DeGarde. As the burglars bust in, Ms. Leonard's uses her telephone to desperately call for help… For its time, "The Lonely Villa" likely packed an audience pleasing punch; but it's rather ordinary, when compared to director D.W. Griffith's later revisitations of its story/situation. The location footage is a highlight, and the cutting of the Cullisons' telephone cord is a nice touch. Ms. Pickford, with her relatively small stature, makes a convincing little girl. Real little girl Egan shines as the first Cullison who notices something is not quite right… **** The Lonely Villa (6/10/09) D.W. Griffith ~ David Miles, Marion Leonard, Mary Pickford