Excellent, Without a doubt!!

Am I Missing Something?

The performances transcend the film's tropes, grounding it in characters that feel more complete than this subgenre often produces.

The movie runs out of plot and jokes well before the end of a two-hour running time, long for a light comedy.

The Magdalene Asylums and the treatment an estimated 30,000 'fallen' women is one of the great shames on the Irish nation and the Catholic Church, which the Irish government only apologised for in 2013. The British-Irish co-production of The Magdalene Sisters set out to tell the true story of a group of young women who suffered at the hands of the Church and their families.Starting in 1964, The Magdalene Sisters focuses on three women, Margaret (Anne-Marie Duff) who is raped by her cousin during a wedding, Rose (Dorothy Duffy) who had a child out of wedlock and was forced to give him up for adoption and Bernadette (Nora Jane No one), a teenage orphan who has the audacity to flirt with boys and is sent to the asylum, even though she is a virgin. At the asylum, each the woman all have to atone for their 'sins', through hard labour in the laundries, participating in prayer and can only be freed on the grace of the Mother Superior Sister Bridget (Geraldine McEwan).The Magdalene Sisters has a rape scene within the first five minutes sets the tone that this is going to be a bleak, hard-hitting drama about a truly appalling institution. Writer-director Peter Mullan felt this was a story that he needed to tell. Mullan does showcase the physical and mental abuse that these women went through, who were humiliated, dehumanised and used as slave labour. The nuns of this institution are made out to be sadists who use Catholic beliefs as a justification and a method of control on the women, while Mullan shows the hypocrisy of the church in its various forms.The Magdalene Sisters is mostly set in a small, claustrophobic environment and Mullan uses this microcosm to explore some wider psychological and sociological. The character of Katy (Britta Smith), a woman who had been in the asylum for 40 years, is so institutionalised, that she acts as an extra enforcer for the nuns, under the hope she can complete a pendant. All of the other women are completely rejected by their families and have to join the order because they have nowhere else to turn.When Mullan does take us outside of the asylum he portrays the conservative nature of Irish society at the time. The public look down the women when they are allowed out, seen as the lowest of the low, the state offering some complicity, as police occasionally help the nuns. On the other side of the coin, young men see the women of the asylum as easy because of their reputation for being 'whores' and 'sluts'.Each of the actors give their all for the film and they had given the heavy material. The film is blessed with a talented cast and for many of the actresses, The Magdalene Sisters is their biggest credit. The tragedy is played to the fullest, as these women suffer inside and outside the asylum, yet Rose and Margaret keep their kind aspects of their characters and Bernadette reminds a fiery woman who does not crack to the punishment she has received. In comparison the naive and kind-hearted Crispina (Eileen Walsh), a young woman with properly learning disabilities, who is abused in various forms and is the character who suffers the most.Mullan made an incredibly important film, looking at tragic historic story where many women suffered. This is a film that is furious towards the Catholic Church and Mullan does portray many hard scenes in physical and emotional abuse, filled with violence and nudity. It is a tough yet rewarding watch. But if you think the treatment the women suffered in this dreadful Mary-Jo McDonagh, a former Magdalene inmate said that the reality was even worst.Please visit www.entertainmentfuse.com

What is the difference between the parents of the girls in the asylum and the nuns who ran it? Absolutely nothing; they were both guilty of unspeakable crimes against these girls.What is the difference between the nuns and Southerners? Absolutely nothing; they both used people as slaves.The nuns silence as a weapon to keep the women from getting to know each other. One woman (Mary Murray) who ran away is brought back by her father (Peter Mullan), who beats her up in front of the women in the dormitory. Her hair is then cut off by Sister Bridget (Geraldine McEwan) in an attempt to further degrade her. In another instance, the three new arrivals along with others are forced to stand naked in front of a nun who ridicules their body parts. Crispina (Eileen Walsh) is sexually abused by a priest.The Catholic Church has never apologized for the horrendous and inhumane treatment of over 10,000 girls that were imprisoned in these asylums over a period of 70 years, ending as recently as 1996. To this day, various Christian, Jewish and Islamic fundamentalists continue to subjugate women on account of their fear and hatred of female sexuality and freedom.

I agree with the previous reviewer that said if you can't handle a "mind- blank" then don't watch this. All of the character stories hit on every "biggest fear" you could have. All of the stories are HEARTBREAKING. Having been brought up Catholic this is, by far and away, the most disturbing and heartbreaking film I have EVER seen. I literally cried all the way through it. I don't care how many shiny new Popes this church comes up with,this (and the other abuse of it's members/member's children) STILL HAPPENED. This is a very, very well made movie; however, it is NOT easy to watch and will stick with you a LONG time.

Kudos to Peter Mullan for his sincere attempt to tell the harrowing story of the horror that fell upon four girls place under the care of the Magdalene sisters. Mullan proves to be a competent director as he convincingly tells the story of four girls who were victims of physical and sexual abuse, assisted and committed by the so-called sisters. He is a very focused filmmaker because he never derails from the main story. The sets are simplistic but quite effective. The convent has gives a feel of coldness and a suffocating claustrophobia. Mullan draws fine performances from his main cast. Geraldine McEwan is hateful and frightening as the headnun. The four leads, Anne-Marie Duff, Dorothy Duffy, Nora-Jane No one and especially Eileen Walsh perform naturally. Many films are being sold using the tag 'Based on True Events'. Yet, that itself does not guarantee a great film. Fortunately this is not the case with 'The Magdalene Sisters' which truly is a relevant film. Let's wait and see what Mullan tries next when he assumes his seat on the director's chair.