Good story, Not enough for a whole film

I am only giving this movie a 1 for the great cast, though I can't imagine what any of them were thinking. This movie was horrible

This story has more twists and turns than a second-rate soap opera.

It's a movie as timely as it is provocative and amazingly, for much of its running time, it is weirdly funny.

In my years of trawling through cheap movies, I've discovered that there are two varieties of bad films. The first is the 'enjoyably bad' movie, which is poorly made and doesn't work, yet is still fun to watch mainly for all the wrong reasons. You can have a good time watching these kind of movies. The second variety is the 'just plain bad' type of film, the kind that rests at the bottom of the pile. I know I always pick on it, but the first film I bought for review was the Filipino atrocity THE THIRSTY DEAD. That's just a plain, boring, totally worthless bad movie.ONE BY ONE is a film which falls into the former camp of bad movies. Sure, it's very poorly directed (by Bill Hinzman, the guy who played the famous cemetery zombie in the original NIGHT OF THE LIVING DEAD), the special effects are cheap and tacky and the acting is an atrocity in its own. Yet, I found myself glued to the screen, frequently laughing and incredulous at the antics playing out during the movie. You can't really get any more '80s than the beginning of this movie which shows a group of cheerleaders dancing to rubbishy music while a geeky photographer zooms in for a closer look. Creepy janitor Harry is also lurking around, pretending to mop the floor but instead getting an eyeful of the girls. He's the type of character who enjoys watching the girls undress in their locker room - and, coincidentally, the viewer also gets to partake in this activity. There's a lot of nudity which gives the movie a sleazy, slimy kind of edge.It doesn't take long before the murders begin, with the beautiful young girls getting their throats messily slashed by a killer in an army costume. The splattery special effects in this film reminded me of the ones in Friday the 13th, so at least they have something going for them, although the majority of the good stuff has been hacked out by the censor's knives here in the UK. Now, scriptwriter John Russo wasn't content to have his film that straightforward. Thus begins a complex subplot involving a wicked nurse (who also happens to be the mother of Harry, the janitor), who cares for an elderly woman. The woman's granddaughter is one of the cheerleaders and is due to inherit millions on her 18th birthday, which is only a week away. When Harry snaps a photo of the killer, his mother blackmails the villain with the evidence and asks him to commit one last crime; namely, murder the granddaughter on her 18th birthday so that her inheritance will pass on to her grandmother, who can then also be bumped off to make way for the nurse to claim the money for herself.Confused? Well, it explains itself pretty well on screen, although you have to admit that this premise is pretty unrealistic. These activities take up the first hour of the film, and while what's happening up on screen is pretty bad, at least it moves quickly and doesn't become boring. The acting, as I mentioned above, is dreadful from the cast of unknowns (overage actors pretending to be teens again), with the only familiar face being that of Russell Steiner, a.k.a. the unfortunate Johnny from NIGHT OF THE LIVING DEAD. It goes without saying that cronies Bill Hinzman and John Russo also find cameo roles for themselves to appear in.Now, "what of the last half an hour?" you may ask, and "why is this labelled an action film?". This is where the film gets really crazy. It's like at the hour mark, Russo suddenly got tired of his slasher plot and switched track into making an urban thriller. Two young innocents, Jeff and Vicky, are captured by a biker gang headed by a drug-dealer who has been turned in by Jeff earlier on in the film. They are taken to a warehouse, where they are beaten until Harry the janitor intervenes. You see, Vicky is THE granddaughter, and if she dies before her 18th, there won't be any money for his mother. Meanwhile one of the gang members rebels against his leader and violence suddenly erupts, with the rebel, Harry, Jeff and Vicky all getting shot dead. The biker gang flee back to their trailer to hide.Except that Jeff isn't dead. He goes to his house, grabs his dad's assault rifle and goes back to the trailer home of the gang...Yep, incredibly this film has now turned into a REVENGE thriller with the wounded Jeff turned vigilante! I really couldn't believe my eyes as I was watching this film, and the twists and turns the plot was taking. What follows is a highly cheesy shoot-out in the woods, with loads of stuff exploding and people getting shot. Things culminate in a one-on-one with the gang leader in which Jeff shows no mercy. Yes, ONE BY ONE is a bad movie. Yes, it's also an enjoyable bad movie, worth watching alone for the bizarre plot and unpredictable storyline. It's amazing the kind of films they make these days...

A killer is going around in an army camouflage jumpsuit slicing up the desirable high school majorettes with their trusty knife and leaving their bodies immerse in water. Lt. Roland Martell is put onto the case with the help of the local sheriff, but the body count is rising. There are some punk bikers and their leader is a prime suspect, but could it be the perverted school janitor or maybe his deceiving mother who plans to take over the inheritances of the old lady she's looking after.What in the name?! This is one extremely patchwork film that has so much going on in its heavily plotted premise that it feels like everything has been chucked into a blender. Yummy camp that's frightening for all the wrong reasons. I was rubbing my eyes in disbelief in how ridiculously stupid it gets! What starts off as your conventional copy and paste high school slasher turns into an embarrassing revenge action story. Huh? Where did that come from? We watch one of the characters go "Rambo" on us. It's raining down gunfire and unnecessary explosions. Pure anarchy! These sudden incomprehensible shifts in the fitful story truly made it one unpredictable smörgåsbord of gratuitous 80s cheese. The slasher element is poorly done, but sticks to the main gruel. Vixens who get their clothes off when they can. A POV shot with heavy breathing to inform us it's the killer. Bloody murders (although they are mostly the same old repetitive kills; knife to the throat routine) on "unexpected" victims. And red herrings around each corner. The banal nature of this segment suddenly turned moronic in falling by the wayside. The a-wire action is plain bizarre, and rather guilty entertainment. A lot people bite the dust and there are unexpected surprises in who does too. Sounds complicated… well no, just messy and padded out.Some of the key players in Romero's "Night of the Living Dead" are who to thank for this shamble. The premise is taken from writer John Russo's own novel and the script he dragged off it is completely insipid and dank across the board. Is the novel that bad? The amateurishly leaden acting makes matters even worse and there's no real central figure rounding it off. The ladies in the picture look nice, but do little else. Bill Hinzman (zombie in the graveyard in the opening scene of "Night of the Living Dead") is in the director's chair, but you wouldn't know it. One or two decent stalk scenes are there, but there wasn't much control and direction seemed quite non-existent. Being plastered with a low budget immensely brings it down and leaves a lot to be desired. The off-kilter story just didn't make too much sense or did the other pointlessly out-of-left-field sub-plots to the bigger picture. It feels fairly longer than it actually is and this erratic mood swings enhanced it even more. A tacky one-note music score is especially jerky and the stale camera-work only hurts your eyes. Mindlessly idiotic and mundane accurately sums up the hack-eyed presentation and feeble production.This z-grade stinker entertains in its unintentional wackiness, but you can find yourself doing it tough in a glut of unbearable shoddiness. Be afraid… be very afraid.

The general opinion is that this slasher flick by the "Night of the Living Dead" co-creators John Russo and Bill Hinzman really sucks. And in this case I'm afraid the general opinion is right on the money. What you basically have here is a bunch of barely legal Hollywood bimbos/Motley Crue groupies playing barely illegal high school majorettes who, when they're not prancing around in butt-hugging leotards or skimpy bikinis, are taking long, hot showers and getting butchered by a maniac in military fatigues. I guess I'm not entirely complaining, but these ingredients do not necessarily a good horror movie make.The problem is this movie is derivative to the nth degree. At one point the movie lifts a scene (in a swimming pool) almost verbatim from "The Prowler". And I think this film sets a new record for stupid characters saying, "So and so, is that you?" I'd almost think this was meant to be a pre-"Sceam" parody/homage of the slasher films, but it is neither particularly funny nor clever, just tediously unoriginal. The only thing that sets it apart from other bottom-of-the-barrel slasher dreck is a really stupid action/revenge sub-plot where the studly quarterback takes on a particularly unconvincing motorcycle gang (and if there was one genre that hit bottom more consistently than the 80's slasher films it was the 80's action/revenge films). Amazingly, this empty-headed film was actually based on a novel by John Russo. I would read that instead--it can't possibly be any worse.

I had great expectations for THE MAJORETTES when I found out that JOHN RUSSO (co-author of NIGHT OF THE LIVING DEAD) had based it on his novel. Sadly I had no idea of the disappointment that awaited me inside the cover of this hugely mediocre effort.A masked killer - disguised in army surplus garb - is stalking and murdering the young female members of a majorette team one by one. The brutal slayings leave authorities baffled as there seems to be no apparent motive for the vicious and ruthless attacks. It's left up to the surviving members of the group to watch their backs before they become the assassin's next victims.This is easily one of the 'cheapest' of the period slashers and is best avoided by fans of the genre. Atrocious acting, muggy cinematography and a theme tune that sounds like it was knocked up on a $25 keyboard (honestly!) add up to make an extremely unpleasent viewing experience. The only redeeming feature is that the killings - that were heavily edited in the BBFC's print that I watched - are surprisingly well executed and look like they might be pretty gory in an uncut print. If only director Hinzman had showed the flare for the rest of the film that was evident in the murders, he could have made this a half decent thriller. But the problems really begin when the maniac's identity is revealed far too soon leaving the closing half of the film filled with a poor and unconvincing action-revenge plot that looks like it owes more to Gary Busey's EYE OF THE TIGER or RAMBO than it does any slasher flick.Sadly MAJORETTES ended up being a major-let down...