The Return of Superman
The Return of Superman
| 30 April 1979 (USA)
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Born out of a Christmas ornaments-filled heaven, Turkish Superman fights the mob in order to save the day!

Reviews
StyleSk8r

At first rather annoying in its heavy emphasis on reenactments, this movie ultimately proves fascinating, simply because the complicated, highly dramatic tale it tells still almost defies belief.

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Gurlyndrobb

While it doesn't offer any answers, it both thrills and makes you think.

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Bessie Smyth

Great story, amazing characters, superb action, enthralling cinematography. Yes, this is something I am glad I spent money on.

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Cassandra

Story: It's very simple but honestly that is fine.

samthecam

Supermen Donuyur is quite possibly the greatest film ever, a towering artistic achievement that would make Kubrick hang his head in shame. Everything about this film is flawless, from the magnificent special effects, to the wondrous performances from leading man Tayfun Demir and Yildirim Gencer. To say that this film is not worth 10/10 is in my mind blasphemy, and will be punishable my death when I establish my Reich. Writing a review of this film is pointless, as no words can describe the artistry behind the cinematography, and the genius behind the camera, who must be Jesus to produce something as mind-bogglingly vast in scope, an intergalactic adventure that will take the viewer from the planet Krypton to Earth without leaving any doubt in the the audiences mind that the camera has travelled the light years between us. This is the standard of special effects we are talking about, the kind of visual feast that would cause Alfonso Cuarons eyes to pop out of his head. And to think this film was released in the 70's. Our current "Directors" have a long way to go to match this. In conclusion Supermen Donuyur cannot be described in words, as to do so would be an insult to the wondrous creation of Jesus and his crew of angel film school graduates.

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Coventry

This was, hands down, one of the most unique and indescribably special viewing experiences I ever had in my life. I was familiar with the fact that Turkish directors/producers bluntly imitated the biggest blockbusters during the 70's and 80's, but I've never actually seen one. I laughed quite hard over the sight of such titles like "Seytan: Turkish Exorcist" and "Last House in Istanbul", so I was very enthusiast when a buddy of mine told me he got hold of the one and only "Turkish Superman". You can tell right away from the opening sequences that this will become a non-stop spitfire of hysterical laughter and stomach aches, and you don't even have to be drunk or intoxicated! It begins with an allegedly mysterious voice-over whilst the camera atmospherically browses through space. The galaxy, however, exists of second-hand Christmas decoration. When we witness Superman flying for the first time, he looks like a Ken Barbie doll hanging by a thread in front drawn clouds and people waving at him from the deck of a ship. It's brilliant, truly brilliant! Clark Kent, named Tyfun in Turkish, is a tremendous dork with a spectacular pair of glasses and he walks around like there's a cloth hanger stuck in his suit. His nemesis isn't bald like Lex Luthor is, but actually looks a lot like the Turkish version of Lee Van Cleef. The most striking thing about "Turkish Superman" is how very anti- spectacular it is! Our hero hides behind trees, doesn't bother much to hide his double identity and conducts the lamest rescue operations ever. Superman stops an out-of-control truck descending a mountain road, NOT by jumping in front of it, NOT by pushing it back up a cliff and NOT by pulling the rear end like he's an anchor… Superman stops the truck by taking place behind the wheel and using the brakes. Oh, how heroic! I guess the budget didn't allow them to wreck the truck. That's also the same reason why the lead actress drives a Lada instead of a real car. The fight sequences are hilarious as well, since they look like a bunch of heavily mustached men group-hugging each other. The creators of "Turkish Superman" didn't just steal the plot of "Superman" but also the soundtrack of James Bond. The scene where Superman single-handedly prevents a train collision from happening is perhaps even the ultimate highlight of the film. According to the most rudimentary rules of physics his rescue act is just impossible, I don't care if you're a superhero or not.

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terri-156

Turkish filmmakers, it seems, have little respect for copyright laws. They tend to rip off Hollywood blockbusters with no compunction, yet what results is reminiscent of what Jack Black and pals threw together in "Be Kind, Rewind." "Supermen donuyor" (Superman Returns), filmed not long after the first Christopher Reeve epic, retells the familiar story of the Man of Steel, here played by an actor who looks like Charlie Sheen with acromegaly. Krypton, and its place in space, is represented by undisguised Christmas-tree ornaments. Clark Kent, here called Tayfun (pronounced Typhoon), tearfully parts with his adoptive parents after he finds a sea-green paperweight and, in a cave, discovers the spirit of his dad Jor-el (played by an actor dressed like Marlon Brando in "Superman: The Movie"), who informs Tayfun he is ready to fulfill his destiny as Superman, complete with the wisdom of Solomon, strength of Hercules... wait a minute, folks, you've got your Shazam in my Superman! Tayfun suddenly finds himself in the familiar Super-uniform (looking spectacularly un-buff) and takes for the sky. Oh boy, does he! I can't contain my laughter as his flight is represented by a Superman doll dangling in front of a rear projection screen.Mild mannered Clark, er, Tayfun finds employment at what is apparently the Istanbul Daily Planet, attempting to get to first base with Lois, er, Alev, while using his X-ray vision to check out the underwear of random ladies in the hall. The while, a downright colorless villain plots to steal the "Krypton stone" (what they call Kryptonite) and use it in a machine that transforms objects into gold. Said stone, in possession of a scientist (who happens to be Lois/Alev's father), is identical to the paperweight Tayfun has.I won't spoil it for you - this must be seen to be disbelieved.Forget about "Sweded" films - I love 'em "Turked"!

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crooow

Anyone familiar with Turkish cinema(at least the ones that have made it over here) know that Turkish remakes of popular American films are made with an extremely low budget and are filled with footage and music stolen shamelessly from the source material. "Turkish Superman" is no exception.The plot generally follows the greatly superior 1978 version, but with numerous corners cut that are just plain laughable. For instance, the film opens in outer space. It's clearly Christmas ornaments hanging from strings in front of a black screen covered in glitter. The most-used and funniest example is watching Superman fly. A doll is held in front of the camera while stock footage is used over and over again in the background.As for the acting, I really can't fully comment, since I don't know Turkish. But the actor who plays Superman appears to be competent, and pulls off dual personas of Superman and Clark Kent. Superman in this film is quite mean. He is indirectly responsible for the deaths of three villains(for example, he throws a henchman into a wall, where he is impaled by an extended pipe).The only disappointing aspect of this film that renders it a cut below its fellow Turkish remakes is a bland, generic super villain that bears no resemblance to Lex Luthor. Still, for the no-budget visuals and eye-popping incompetence, "Turkish Superman" is worth a look for Superman fans or fans of bad cinema.

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