Turn-of-the-Century Surgery
Turn-of-the-Century Surgery
| 01 January 1900 (USA)
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George Mélies made a version of this a few years later, often titled Une Indigestion, but Guy-Blaché’s earlier film Chirurgie Fin de Siecle (1900) is more widely available. And it’s not one to watch the night before an operation. In this clinic, a sign pleads “On est prie de ne pas crier/Please do not cry”, and the doctors set about the patient with saws, cheerily hacking off limbs, and then slopping them into a bucket, all the while arguing ferociously with each other. They then reattach arms and legs from a bucket of “exchange pieces” (using glue) before re-animating their victim, I mean patient, with bellows. (from http://silentlondon.co.uk/2015/01/23/10-disgusting-moments-in-silent-cinema/)

Reviews
Karry

Best movie of this year hands down!

Salubfoto

It's an amazing and heartbreaking story.

Philippa

All of these films share one commonality, that being a kind of emotional center that humanizes a cast of monsters.

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Curt

Watching it is like watching the spectacle of a class clown at their best: you laugh at their jokes, instigate their defiance, and "ooooh" when they get in trouble.

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Michael_Elliott

Turn-of-the-Century Surgery (1900) *** (out of 4) Pierrette's Escapades (1900)*** (out of 4) At the Floral Ball (1900)*** (out of 4)Cabbage-Patch Fairy, The (1900) *** (out of 4)This group of films from Alice Guy takes a pretty big step up from her previous features as not only the running times go up (to a whopping two-minutes each) but they also features more attempts at actual story telling. TURN-OF-THE-CENTURY SURGERY is in the same mode as the films of Georges Melies, although I don't recall seeing anything this graphic from him. We see a doctor use a large knife and a saw to remove the arm and leg of a patient. They then put him into a wheelchair only to have him jump up and dance around. The scenes of the doctor sawing into the body parts is certainly something I haven't seen in any other movie from this era but the tricks at the end, done with editing, are certainly inspired by the work of Melies. PIERRETTE'S ESCAPADES is a nice attempt at hand tinting, which doesn't tell much of a story but we see two women getting ready for something and eventually dancing around. The real reason to watch this short is for the hand tinting, which is pretty ugly by today's standards but I always love watching films that used this early technique. The film ends with the two women kissing on the lips, which might be another first for this type of film. AT THE FLORAL BALL is another hand tinted short, which features two women dancing at what appears to be, as the title says, a ball. THE CABBAGE-PATCH FAIRY will put a smile on the face of anyone who has heard of this tale or in later times seen the actual Cabbage Patch dolls. A fairy, in her cabbage patch, picks a few babies out from the weeds and sits then on the steps in front of her. I'm not sure how good it was to put the babies on the ground the way they did here but this is a pleasant little film that will certainly make you smile.

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