The actors and the story are terrible, the cinematography, color and lighting are excellent, the director is still too obsessed with the form, the story is simple, the actors are like wooden people, and the theme antecedents are not amazing and die endlessly. Like wong Kar-wai's technique to shoot A film, A rush of music, after shaking, electronic, metal mix psychedelic cold, also unreal also true, very good, dengzi people later see small movies, you can turn off the original sound to try their own soundtrack.

The only amazing scene in the whole movie is that the couple sit in the taxi and start to quarrel all the time, with their emotions breaking out and all kinds of old quarrels. However, with the help of peripheral lights, they outline the profiles of the two protagonists, and the sense of pressure and awkwardness makes the relationship about to be broken very obvious. The overall erotic scenes are worthy of the 16 ban, and the film also contributes to the most beautiful sex background music. And has been relying on the soliloquy of the male protagonist, it seems that the whole film is too literary.

It's about the size of a poster. The last time I saw a shot on this scale was probably nine Songs. The only disadvantage of the love triangle story with frequent use of large-scale shots is that the consumption of words in the second half of the story is a little off the main line, while the rest is wonderful. The connection of the shot is a black screen transition of a few tenths of a second. The music is replaced by music box style, electronic music and piano music, creating a psychedelic "drug aesthetics" effect.