Such a frustrating disappointment

Gripping story with well-crafted characters

The joyful confection is coated in a sparkly gloss, bright enough to gleam from the darkest, most cynical corners.

The movie really just wants to entertain people.

"The Reporter" was a very ambitious 1964 show that seemed to have the potential for greatness. Thirty-nine year old Harry Guardino played idealistic young columnist Danny Taylor and Forty-nine year old Gary Merrill was city editor Lou Sheldon. Guardino and Merrill had been terrific in an "Outer Limits" episode the previous season called "The Human Factor", where the two actors alternated playing the good guy and the bad guy, sort of like "Face/Off". I always found Gary Merrill an interesting looking guy and a good actor. I thought he might have been good as Lt. Gerard on "The Fugitive" or as General Savage's commanding officer on "12 O'Clock High".In addition to having two interesting (and rather expensive) series leads, "The Reporter" was filmed on location in New York City, always a promising sign for a drama series.Jerome Weidman ("I Can Get it For You Wholesale", "Fiorello") was the creator. "The Reporter" basically had the same premise as the 1962 "Saints and Sinners" with Nick Adams and John Larkin.Directors included Tom Gries ("Will Penny"), Stuart Rosenberg, Mark Rydell, and Paul Stanley. Writers included Weidman, Gries, Hal Lee, and George Bellak."The Reporter" splurged on big name and interesting guest stars: Claude Rains, Mildred Dunnock, Efrem Zimbalist, Jr., Franchot Tone, Richard Conte, Arthur Hill, Jack Lord, Nick Adams, Robert Ryan, and William Shatner.Young actors on the way up who appeared on the show included Edward Asner, Michael Conrad, Warren Oates, James Farentino, Dyan Cannon, and Zohra Lampert. Brenda Vacarro had a terrific cameo as a sexy secretary who finds Guardino resistible. They should have made Vacarro a regular. Roy Thinnes was to have had a recurring role as a police detective friend of Guardino, but he was only in one or two episodes.In the first episode, Rip Torn played an ordinary man who comes to the aid of a person being attacked, only to be seriously knifed himself. Torn had read a column of Guardino deploring a Kitty Genovese type incident. Torn calls Guardino, who spends the hour episode trying to locate him. Shirley Knight was a receptionist at the newspaper who becomes emotionally connected to Torn over the phone line. Torn and Knight were superb. I saw them several decades later in a Broadway production of a play by Horton Foote. They were still superb. Even though I expected to like Harry Guardino's performance in this series, I didn't find it very charismatic. Other actors who started series roles in 1964 that I expected to like were Robert Lansing, Richard Crenna, and Robert Vaughn. None of those three actors disappointed me. Part of the problem was that Danny Taylor as written was young, idealistic, and inexperienced (sort of like Dr. Kildare). This wasn't a good fit for Guardino's persona. Maybe Guardino's character should have been more like Jimmy Breslin."The Reporter" was on CBS on Friday nights from 10 to 11 eastern time. Its competition was "12 O'Clock High" and "The Jack Paar Show." "The Reporter" was replaced in mid-season by the excellent "Slattery's People" with Richard Crenna, which moved from Monday nights."The Reporter" was produced by actor Keefe Brasselle's production company. There was a bit of a scandal at the time that Brasselle, who sold two other shows to CBS that year, might have gotten a sweetheart deal from president Jim Aubrey. But "The Reporter" had plenty going for it, and didn't need any shenanigans to get sold. The producers obviously were trying hard to make a hit show, and almost certainly lost a ton of money on this business venture.Harry Guardino had another series in 1971 when he was 46. He played government agent "Monty Nash". It was a syndicated 30 minute show produced by Everett Chambers ("Johnny Staccato", "Peyton Place"). The show had a good premise and some good on location photography, but a minuscule budget sank the effort. "Monty Nash" wasn't half as compelling as Chambers' "Johnny Staccato". Guardino also played Hamilton Burger to Monte Markham's Perry Mason, in a failed 1973 effort to revive that marvelous lawyer series.Harry Guardino starred in a 1969 CBS TV movie that was a pilot for a promising series. The movie was called "The Lonely Profession". Guardino played San Franciso private eye Lee Gordon. The writer/director of the movie was talented Douglas Heyes ("Kitten With a Whip", "Aspen", "Captains and Kings"). Douglas Heyes had himself played a private eye on radio. Heyes based the movie on his own novel. Heyes named the lead character after his friend actor Leo Gordon. As long as the show was going to be about a San Francisco private eye, Heyes should have named his hero Sam Spade; it might have made the pilot more commercial. Maybe they could even have brought back Miles Archer, Spade's old partner, from the grave. Jack Cassidy would have been a terrific Miles Archer, and Guardino and Cassidy could have made an intriguing team. Maybe the show could have been called "Spade and Archer". The executive producer of the pilot movie was the great Roy Huggins ("77 Sunset Strip", "The Outsider", "The Rockford Files"), so a resulting series might have been interesting.

This TV series lasted only half a season, despite having many things going for it-the cast including Harry Guardino and Gary Merril and shooting on location in New York City like another series of the same era-Naked City. The scripts were uneven, but the show was likeable. One of the most memorable elements was the closing titles showing dissolving multiple exposures of New York skyscrapers accompanied by the lush and beautiful theme written by Kenyon Hopkins. It was one of the most beautiful love letters to New York ever done.