Sorry, this movie sucks

I don't have all the words right now but this film is a work of art.

The plot isn't so bad, but the pace of storytelling is too slow which makes people bored. Certain moments are so obvious and unnecessary for the main plot. I would've fast-forwarded those moments if it was an online streaming. The ending looks like implying a sequel, not sure if this movie will get one

Through painfully honest and emotional moments, the movie becomes irresistibly relatable

Nothing is ever perfect, but in the world of TV drama – Alan Plater's "The Beiderbecke Connection" gets about as close as you can. The show centres on two secondary school teachers – jazz fanatic Trevor Chaplin (James Bolam) & environmental activist Jill Swinburne (Barbara Flynn). The couple stumble on corruption in high places and reluctantly become involved.The first thing you notice is that the story is quite weak. No twists to end each episode, no emotional crises to deal with. The show does have characters though. To supplement the main couple we get the mysterious Big Al (Terrence Rigby) and Little Norm (Danny Schiller). Colin Blakely and Dominic Jephcott appear are coppers at different ends of the progressive scale. Dudley Sutton is a teacher colleague of Chaplin's and Keith Marsh is a number of things including a wannabe supergrass.The actors are important because rich characters need good actors. All of the above are very good but Bolam, Flynn, Rigby and Blakely are supreme. They "get" what Alan Plater wrote about and convey the characters perfectly. When venturing "out of left field" it is important not to overplay your hand. Writing and acting meet and when played correctly are a joy to behold.So in each of the 6 episodes you take a journey through a slightly unusual yet still believable world inhabited by slightly unusual yet still believable characters. At the end of each episode you are left wanting more but are not left puzzling over any loose ends.In keeping with the title there is also a jazz soundtrack which accompanies the show well.

I recently bought the DVD set of the Beiderbeck Trio - amazingly good stuff. The first one, the Beiderbeck Affair, was made thirty years ago and still retains all its charm and gentle humour.It pokes fun at pomposity and and in particular "the system" without any expletives or stupidity, a difficult thing to do.Every word of dialogue is beautifully delivered and every shot is nicely framed, especially the high-level shots.The two remaining shows maintain the same features - a joy from start to finish. Wish it had been longer.The additional info booklet was very interesting as were the interviews and the splendid CD of the music tracks.

This six part drama, first broadcast in 1985, centres on the lives of two school teachers in Yorkshire; Trevor Chaplin and his girlfriend Jill Swinburne. Their lives seem fairly normal until one day a platinum blonde knocks on Trevor's door; she is selling items from a catalogue to raise funds for the local cub's football team. She has nothing that he wants but when he says what he really wants is a set of jazz records by Bix Beiderbecke she says she can get them. When they arrive they aren't what he ordered and his attempts to get them changed will lead to the two protagonists into dealings with the police, in particular Det. Sgt. Hobson, an officer with unconventional methods; a couple of black-marketeers and even the local planning department!This TV series may be almost thirty years old but it doesn't feel particularly dated. The comedy is inoffensive yet still funny… frequently laugh out loud funny. This is down to fine script from Alan Plater and spot on performances from James Bolam and the delightful Barbara Flynn as the two protagonists; they have a great chemistry. They are ably supported by the likes of Dominic Jephcott as DS Hobson, Terence Rigby as black-marketeer Big Al and Dudley Sutton as sarcastic history teacher Mr. Carter. The story progresses slowly but that is part of its charm as it frequently concentrates of things that appear to be irrelevant to the main plot but later turn out to be relevant. Overall I'd say this series is well worth watching.

If you think "CAddyshack" or "Bill and Ted's Excellent Adventure" are the funniest thing on earth, this is not for you. If you love cool jazz and warm humour prepare for a treat.It's not just the script, although Alan Plater is undoubtedly a genius.It's not just the acting, although not a gesture is out of place, every nuance in its place.It's not just the soundtrack, although the Beiderbecke-inspired jazz soundtrack is superb in every respect.It's the whole being greater than the sum of the parts. Pace? Who needs it. This is a series which proves beyond doubt that frenetic, fast-paced comedy is *not* the be-all and end-all. This is comedy to be enjoyed with a glass of wine and the life partner of your choice; it is as British as chips and brown ale, it is timeless. Watching it again twenty years on it is as perfect as it was on first viewing.