Wow! Such a good movie.

Truly Dreadful Film

Good start, but then it gets ruined

It's hard to see any effort in the film. There's no comedy to speak of, no real drama and, worst of all.

THE MANNER IN which comedian/writer Bill Dana rendered his character for presentation on stage, in stand-up and in the world of the sitcom was truly a most remarkable example of total immersion into the every aspect of the character. It was not just a case of mastering a dialect, for we've seen others in the field who did just that. But, as amused as we were by Guido Panzinni (Pat Harrington, Jr.), Father Guido Sarducci Dom Novello) or even Chico Marx (Leonard), none mastered it like Dana.WE RECALL HEARING Bill relate how he had encountered actual men of Latin American descent while in the U.S. Army. They provided him with an up close and one completely devoid of any fees, course in dialect. One case in particular (which was a post army encounter)involved a man who said he was the "Dutch" representative in a part of Latin America. After some time and further revealing conversation, it was ascertained that this guy was in the automotive business as the "Dodge" rep.AFTER HAVING DONE a character of an Hispanic elevator operator on THE DANNY THOMAS Show, a series was THE BILL DANA Show in which he portrayed Jose Jimenez, an elevator operator. Most of the humor revolved around his having trouble with the Queen's English and his character's outstanding innocence and undiluted honesty. His characterization put us in mind of Andy Griffith's rendering of Will Stockdale in NO TIME FOR SERGEANTS. Thus, the protagonist is a case of pure innocence incarnate, rather than being classified as just plain stupid! THE SERIES AS we recall it was always entertaining and did manage to generate both a respect and sympathy for the "little guy" who was caught in the middle. It would really Be great to see the series once again. But alas no; the dictates of the Political Correctness people would never let this see the light of day again! SO IT IS that Jose Jiminez, along with the likes of AMOS 'N' ANDY, DUFFY'S TAVERN, LIFE WITH LUIGI, THE GOLDBERGS (original with Gertrude Berg) and the animated SPEEDY GONZALEZ are all destined to languish in the Limbo of broadcasting history! AND THAT IS truly a shame, Schultz! For these were programs were innocent, well intentioned and had no malice toward anyone. Also they were genuinely F-U-N-N-Y!!)

I was nine years old and a new comedy show was on the air. The show was named for it's star, but the fact was that the public knew the star from his "stage"/"television" persona - it really should have been called "The Jose Jimenez Show".Some stereotypes are not meant to be offensive, but eventually are considered that way. Bill Dana created a character named "Jose Jimenez" on the old Steve Allen TONIGHT show. The character was part of Steve Allen's regular troop of characters, frequently popping up in his "Man on the Street" interviews. There was the nervous Don Knotts, constantly shaking at the interviewer and his cameraman, and saying "Noop" instead of "Nope". There was Louis Nye as "Gordon Hathaway", the overly smooth hipster who always addresses his questionnaire as "Stevarino". Tom Poston was a slow witted type, constantly having problems with the questions. The long forgotten (unjustly I felt) Dayton Allen would begin his complicated answers with, "WHY NOT!!". And there was Dana, using a "Mexican" accent as "Jose Jimenez", who in a quiet and gentle manner would try to answer the question in his broken English, frequently making a ridiculous point that most of us never thought of.Dana's opening line "My nam' Jose Jimenehs...' became a minor catch phrase of the late 1950s and early 1960s. Unfortunately it would go the way of the "Frito Bandito" and other Latino stereotypes after about 1967 or so. As a partial backlash from the more vocal Latino community (being spurred on by the Civil Rights movement, as were feminists, gay rightists, and other minorities), these figures - even if meant as relatively harmless - were seen as bad as "Amos and Andy" were. So the characterization was doomed anyway. Therefore, in retrospect, Mr. Dana getting his own television show may be considered his high point.I have to agree it was not a well written show, and it really only gets a "6" from me because of the performances of it's three main leads: Dana, Gary Crosby, and Jonathan Harris. Occasionally Don Adams added his comic abilities, but he did not appear as frequently. Set in a hotel, Dana/"Jimenez" and Crosby were bellboys, and Harris the hotel manager. Although one of the other comments suggested Harris like "Jimenez", in truth he found "Jimenez" constantly getting into his hair due to his involvement with Crosby's wild schemes. Crosby would usually have a scheme that would get him a date or some money, and would ask "Jimenez" to assist him, and "Jose" would reluctantly be drawn into it, but would find his own ass in a sling as a result. But he would drive the pompous Harris (honing the domineering tones of Dr. Zachary Smith quite well) up the wall.In one episode that I can recall, Crosby's scheme deals with hiding a large animal (an elephant I believe) in the hotel without Harris finding out. He convinces "Jimenez" to help "gaslight" Harris, making him believe he is hallucinating or failing to see things (one of the funny bits in the episode is Harris repeatedly trying to act as though nothing is happening to him, but also holding onto walls and banisters to support himself in his illness!). The climax is that Dana and Crosby and the elephant are on the hotel's sun roof when Harris comes upon them. Harris is wondering what the elephant is doing on the roof when they convince there is no elephant, but the distant Empire State Building. Remembering previous hallucinations he has had, Harris is buying this, when some other people turn up on the roof, and ask him what the elephant is doing there. "Oh, that's not an elephant, but the Empire State Building!" he announces, before it dawns on him that they are seeing the same thing he just thought he saw.It was, as another account on the thread suggests, bad writing that hurt the show. It was not that the show could not rise, but it rose above due to the three or four leads. Dana is actually a good character actor (you may recall he had a running role on THE GOLDEN GIRLS as Estelle Getty's younger brother...and he was quite funny in the role). In one episode his so-called stereotype actually showed some gumption. An episode dealt with the problem that "Jose" and Gary Crosby have with a spoiled heiress at the hotel. Besides the normal demands she puts on their service, she's mean enough to play humiliating pranks on them for her and her friends entertainment. Finally, "Jose" actually (if in his gentle manner) tells her off to the extent of being a spoiled brat. In the episode Harris has tried to keep the staff in line about accepting this brat's behavior until she leaves, so when "Jose" tells her off he lectures "Jose" about not insulting the guests. As it turns out, the girl's father shows up and thanks "Jose" for not being like so many other employees: being too obsequious to his bratty daughter. Harris of course is amazed by this turn about.It was not a great series, but it certainly had a few good moments due to its leads. It also showed us (briefly) that Gary Crosby had some of his dad's acting talents (his manipulations of "Jose" remind me of Bing's manipulations of Bob Hope in the ROAD pictures). Unfortunately, unlike Harris, Adams, and Dana there was no real follow up for Gary, who made news before he died by trashing his old man in a memoir.

Comic Bill Dana was a whole lot like Vaughn Meader in terms of having the character pull his career right out from under him. Just as Meader saw his career crash and burn after the assassination of John F. Kennedy when his act became unwanted overnight, Dana was subject to a lot of criticism from Latino groups. These were the years that Cesar Chavez was emerging as a major figure in American life and also when Black groups succeeded in getting Amos and Andy syndicated reruns off the air because they saw it as caricatures from white people.So too with Dana's character Jose Jimenez which he originated on the Steve Allen Show. While it lasted Jose gave Dana a one note career and some stardom. Which manifested itself in The Bill Dana Show.Dana's Jose played a bellhop in a big city hotel who was a hard working guy, not the sharpest knife in the drawer, and was continually having his friend and fellow bellhop Gary Crosby get him in trouble. Crosby was an operator of the first magnitude. Given his involvement you can absolutely take to the bank that somewhere was the influence of Poppa Bing on behalf of the son who turned on him posthumously in the production of The Bill Dana Show.Pressure from Latino groups got this show canceled which wasn't drawing those good ratings in any event. Jose was not a character capable of sustaining a thirty minute comedy show built around him.Two other people got to try out some shtick that was put to good use later on. Don Adams played the bungling house detective Glick and you can see more than traces of Maxwell Smart in his performance. And Jonathan Harris who did this show between The Third Man series and Lost In Space played the supercilious hotel manager who was forever foiling Crosby's schemes involving Dana. He was condescending in this role, but had a streak of kindness towards Dana, otherwise he would have canned the poor schnook. If you watch Disney's The Suite Life of Zack and Cody you can see a lot of Harris's character in that of Phill Lewis as Mr. Mosby the hotel manager of the Boston Tipton Hotel.But like Vaughn Meader's Kennedy impersonation, Dana's Jose was banned due to circumstances beyond his control. Although Dana became a respected character actor, Jose Jimenez became his 15 minutes of fame.

This show was well-acted and well-written. Jose is a well-meaning emigrant who due to mistaken identity ends up as a bell-hop at a posh hotel. His best friend, Eddie is well played by Gary Crosby in what may be his best performance. Don Adams is a pre-Maxwell Smart, even using trademark dialogue such as, "Would you believe...?" Jonathan Harris is extremely energetic in this show, and with a little imagination, you could almost see him yelling at the robot from "Lost In Space" with the same exasperation he yells at Jose. Interestingly enough, Bill Dana played Agent 13 in Don Adams' "The Nude Bomb."