Clan of the White Lotus
Clan of the White Lotus
| 01 January 1980 (USA)
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Shaolin practitioners and brothers Wu and Hung kill the merciless Pai Mei. However, Pai Mei's even more merciless brother White Lotus takes revenge; killing most of the Shaolin disciples, including Wu and Hung's girlfriend, leaving only Wu's pregnant wife and Hung as the only remaining practitioners of Shaolin left to avenge the deaths. But Hung's kung-fu will not be powerful enough so he must learn feminine kung-fu techniques to help him try and defeat White Lotus.

Reviews
Tacticalin

An absolute waste of money

Ogosmith

Each character in this movie — down to the smallest one — is an individual rather than a type, prone to spontaneous changes of mood and sometimes amusing outbursts of pettiness or ill humor.

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Robert Joyner

The plot isn't so bad, but the pace of storytelling is too slow which makes people bored. Certain moments are so obvious and unnecessary for the main plot. I would've fast-forwarded those moments if it was an online streaming. The ending looks like implying a sequel, not sure if this movie will get one

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Married Baby

Just intense enough to provide a much-needed diversion, just lightweight enough to make you forget about it soon after it’s over. It’s not exactly “good,” per se, but it does what it sets out to do in terms of putting us on edge, which makes it … successful?

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chatch16 - The Ninja Sam Seed

Another Gordon Liu classic, Clan of the White Lotus was directed by White Lotus Chief himself, Lo Lieh, and is old school Kung Fu fun at its finest! This one features such crazy concepts as the White Lotus Chief having the ability to suck his testicles into his stomach (as a means of defense) and some insane use of "acupuncture-fu" toward the end of the film. Liu trains in some uniquely interesting 'woman's style' Kung Fu as he battles Lieh 3 times, each fight growing in intensity. And his fights with Wang Lung-wei are absolutely fierce! These two square off in several flicks, with every encounter being great (check out "Instructors of Death" aka "Martial Club" for one of their absolute best). COTWL is hands down a MUCH better version/remake of "Executioners From Shaolin."

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bobcobb-84371

So yeah, I was looking forward to watching this, being a fan of old school kung fu flicks and all. But somehow this really didn't do it for me. The main problem I had with it were the action scenes: they lack ouch. You see, mostly when I watch martial arts flicks I cringe when I see people get hit, kicked or when they fall down. But in this flick it was all so... painless. These guys and girls were all dancing around beautifully, pretending to hit and kick each other but you never believe it. I know, a lot of old kung fu flicks have the same problem. But still, a lot of them don't. I mean, look at some of the stuff Jimmy Wang Yu did in the early seventies. That stuff still kicks major ass. This Clan of the White Lotus doesn't anymore. To think it was made around the same time Jackie Chan, Yuen Biao and Sammo Hung were already making a name for themselves with daring stunts and amazing fight choreography makes this seem even more dated.

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lost-in-limbo

Another churned out Hong Kong production by the Shaw brothers in what can be seen as a Kung Fu cult classic starring the likes of Gordon Liu and Leih Lo as the priest white lotus in colourful performances. The story follows that Shaolin students being released from prison, to only be hunted down by members of the white lotus clan. Survivor Hong Wen-Ting seeks revenge against the priest white lotus for killing his best friend and his fiancé For me there's something nostalgic about the sub-genre, which always brings a smile. Fun, brash and exciting all rolled into one. "Clan of the White Lotus" spends a lot of time either on the masterfully shot and heart racing choreographed martial arts involving the many attempts to take the priest white lotus' life and that of Hong Wen-Ting constantly training to change and strengthen his fighting style to do so. While frequently violent and bloody, it stays rather comical. These tend to be around the training and the constantly amusing charades involving the White Lotus and Hong Wen-Ting. Lieh Lo also directs; crafting out eccentric set-pieces with precision and impressionable images clocking in with creative slow-motion and detailed backdrops. The only thing is that a uniformity pattern starts to work its way in.

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robotman-1

This movie is, bar none, the most fantastic kung-fu film ever made, all centered around the main performers, particularly Gordon Liu and Kara Hui, and specifically the star-director, Lo Lieh. Lieh is probably the grandmaster of kung-fu films, and his ability to take even the most mundane sneering thug character and give it life is a credit to his acting. Lieh plays Priest White Lotus here, a white-haired super-villain whose fighting technique consists of essentially becoming as untouchable as a ghost. Priest White Lotus cannot even be touched, much less struck, and the displays of power combined with his eerie abilities make him visually stunning.But it's more than simple physicality. Lo Lieh gives this supernatural force so much humor, vitality, and humanity, that Priest White Lotus is elevated into one of the great onscreen villains ever, in any genre of film. The scene where Priest White Lotus fights the vengeful hero Liu, who has attacked Lieh during his bath, forcing the Priest to block vicious blows while naked and pulling on his houseclothes, is simply one of the unbelievable joys of watching this movie. You'll laugh, not because the scene is played for laughs, but because the scene is GREAT, and the two actors are dead-on incredible, and you can't believe what you're seeing. And the final conflict between Liu and Lieh cannot be described. There is a frightening majesty to Lieh's Priest, and Liu's hero the perfect culmination of the kung-fu revenge-hero, that the viewer is inawed by them. They become god-like in their techniques, and yet more human as their familiarity through repeated battles reveals just how much alike the two men have become. The two, evil and good, are seperated not by their skill or philosophy, but by the need for one to nullify the other. They have become so close that it is impossible for them both to exist. FISTS OF THE WHITE LOTUS is a great film, and unforgettable.

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