Purely Joyful Movie!

Excellent, Without a doubt!!

At first rather annoying in its heavy emphasis on reenactments, this movie ultimately proves fascinating, simply because the complicated, highly dramatic tale it tells still almost defies belief.

It is neither dumb nor smart enough to be fun, and spends way too much time with its boring human characters.

1982 slasher Deadly Games (not to be confused with the similarly titled '84 slasher Fatal Games) begins promisingly enough, getting its first scene of gratuitous female nudity in well before the opening credits have finished—that's got to be some kind of record. The topless beauty is then chased through her very dark house by a killer dressed in black (including regulation ski mask and gloves), before the woman falls through a window to her death on some rocks. So far so good.Sadly, after this encouraging start, it's all downhill. The victim's sister, Keegan (Jo Ann Harris), turns up at the scene of the crime, and a more irritating character it would be hard to imagine: within minutes you'll be wishing it was her who took the face plant onto the rocks, the woman's goofy mannerisms and constant, supposedly amusing quips proving irritating in the extreme. And she is the main character for the next eighty minutes or so. Not so great.The remainder of the film primarily consists of Keegan developing a relationship with married cop Roger Lane (Sam Groom) and a friendship with Roger's best buddy, oddball theatre owner Billy Owens (Steve Railsback), one of whom is obviously the killer. This leads to such exciting scenes as the threesome going to the park for a football game, watching an old movie at the theatre, and playing a board game (part of a montage that is accompanied by a lousy song), all of which has sod all to do with the plot.After lots of pointless waffle, interspersed by a couple of random jump scares, a spot more nudity (during the obligatory sex scene), and a couple of bloodless murders, the film ends with a predictable chase through the darkened theatre, after which Keegan conveniently finds a gun and shoots the killer dead. Normally this would signal the end credits, but writer Scott Mansfield has another surprise up his sleeve, one that'll leave you wondering what the heck you just watched.

"Deadly Games" a.k.a Who Fell Asleep, which to be honest I did as it just dragged mostly for me. It started off well with a young woman getting disturbing phone calls and then getting attacked by a man in a ski mask, which was quite tense and exciting, but the outcome was rather tame.The aspect that I did like about it was the characters, especially the core female cast which I did find rather interesting and blossoming romance between the female lead and the cop, which was actually kind of sweet and they had decent chemistry together. But after a while it did get rather tedious, like for a start none of the other murders had any real spark or tension to them. But the lead actress Jo Ann Harris was rather likable as the female lead, and quite refreshing to have someone real and plucky in the role.It's just everything else in this movie just lacks, for a start the killer was just too easy to figure out and when it came down to the final scenes, it was just well dull and total lack of proper motive, just made everything that came before it rather disappointing.All in all there are glimmers here and there of a decent slasher movie, but sadly not enough of anything special with a mystery element that just doesn't work, despite good performances, this movie was just way too boring to keep me that interested.

Not as bad as some reviewers will have you believe, but this isn't Don't Look in the Basement or Re-Animator either. This film centers on a plucky gal named Keegan (Jo Ann Harris) whose sister is murdered in the opening scene. She returns home to solve the case with help from Vietnam vet sheriff Sam Groom who is one of two suspects. One of the main flaws is that throughout the film, we, the viewers, know that the killer can either be one of two Vietnam vets: the surly, ladiesman sheriff who screws everything in site or his battle buddy Steve Railsback who operates the local theater. Needless to say, the suspense was lacking. The viewer has two suspects. Which Vietnam vet is killing off all the pretty things in town? VIOLENCE: $$$ (This won't disappoint gore hounds but what will disappoint them is the time between death scenes. There is far too much filler in the script--displayed as characterization--that will assuredly lead the less entranced viewer reaching for the fastforward button. The opening scene has Alexandra Morgan strangled. Later Colleen Camp gets hers in a pool, but it is a poorly filmed scene. Denise Galik gets throttled after a romp in bed. Other dames get attacked also).STORY: $$$ (The story starts off very promising: a sexy woman gets pushed out a window to her death. Shortly thereafter we are introduced to a unique character, Keegan, that isn't your ordinary screaming head but a wise acre. Keegan is fun for about half an hour, but once the story starts to sputter, Keegan's antics become less eccentric and more annoying. Also, the story deals with a board game but the screenwriter failed to mix that subplot into the story effectively).ACTING: $$ (Jo Ann Harris, although interestingly plucky at the beginning, will indeed get on your nerves. A character like that needs to be a co-star at best and they had that in the acid tongued waitress that Denise Galik masterfully played. The lead needn't be that off-putting. Sam Groom was alright as the sheriff but fans of Steve Railsback and Colleen Camp need not apply. Colleen has about ten minutes screen time and when she gets killed in the pool, you can hardly tell--given the poor lighting--that it was Colleen who even entered the water).SEXUALITY: $$$$$ (Here you won't be let down, unless this isn't your thing. The lovely Alexandra Morgan (I believe that's her name) has a lengthy topless scene in the opening scene of the film. She is well put together if you know what I mean. Jo Ann Harris has a brief topless scene before entering the shower and the heavenly Denise Galik goes threads free in bed with Sam Groom).

Much more frightening than the actual movies themselves is the fact that one continues to discover slasher movies that were released in the 1980's! This decade truly is an inexhaustible source for low-budgeted and inane horror pictures that often ended up in oblivion shortly after coming out. "Deadly Games" is such a prototype example of the – righteously – forgotten 80's slasher! The plot and characters are derivative, the killings are unimaginative and the attempts to insert humor are downright pitiable. Tension apparently was an unavailable option as well. The plot drags slowly and spends way too much time focusing on bimbos and losers cheating on each other. Past halfway in the film I still hadn't figured out which characters are sleeping together whilst they aren't supposed to, and who the hell cares about that anyway? The strange murder of a voluptuous town girl (sadly, the hottest chick dies first) reunites a group of old friends and makes them speculate together about what could have happened. One of them is a copper – though not a very convincing one – investigating the case, one girl is the wannabe cynical sister of the first victim and all the rest are dispensable dorks. There are plenty of bone-headed who are waiting, no … BEGGING to get slaughtered but nothing happens. At a certain point, the ultimate low point of the film, you're actually watching at how three of the characters (one of them being the copper) sit in a theater and see a film … for several long minutes! What's the freaking point?!? And why can't that chick stop talking to herself or at least realize her jokes and one-liners are totally not funny? If the theater scene wasn't painfully dire enough yet, they carry on playing a board game and football whilst the most abysmal 80's song can be heard. How is this relevant? And you, you stupid cop, shouldn't you be looking for the killer? In case you haven't noticed yet, "Deadly Games" is one of the worst and most redundant slashers of the entire 80's, and that's saying something, since we mentioned the inexhaustible offer before. It doesn't even deserve to be called a slasher, as the slashing is next to none! This is a pile of steaming rubbish about a bunch of losers struggling with midlife crises whilst still in their early thirties. Avoid like the plague.