A brilliant film that helped define a genre

Simple and well acted, it has tension enough to knot the stomach.

When a movie has you begging for it to end not even half way through it's pure crap. We've all seen this movie and this characters millions of times, nothing new in it. Don't waste your time.

A film of deceptively outspoken contemporary relevance, this is cinema at its most alert, alarming and alive.

John Schneider is Eddie Macon, a young man imprisoned for a crime he did not commit. He escapes from the slams, arranges for his beautiful wife and lovely kiddie to meet him on the border bridge in Laredo, kidnaps the governor's daughter, Lee Purcell, in her Mercedes, and races across Texas with Kirk Douglas hot on his tail.The musical score has a theme song, a kind of cowboy rock, with lyrics like, "Put your head on my shoulder, we can talk about things before." The music gets a jazzed-up treatment during the requisite car chase through the cemetery. It slows down and we get to hear a mournful harmonica during the scenes in which Schneider and Purcell get to know one another and Schneider talks about how much he misses his wife.The couple spend the night in the La Posada Motel in Laredo. By this time, Schneider is both filthy and exhausted from the flight. Lee Purcell coaxes him into taking a shower. She follows him in and gives him a loving wash and a kind of massage. Later she puts some moves on him but he, having just woke up, says he remembers nothing of the night before and he refuses to do anything untoward with her now because -- "You're wife," says Purcell, capping his apology.Well, the fact is that Schneider may be a good-looking guy. At least he looks, sounds, and acts like a typical Hollywood actor with an even sun tan and carefully styled hair. But he's a complete moron for brushing off Lee Purcell because she's a fox. On top of that, his three years in stir may have taught him a lot, as he claims, but they never taught him how to act. I don't think he utters a believable line in the entire movie and there are moments when a viewer might understandably wonder if he's wandered by mistake into a high school play in East Windsor Township.Purcell, however, does a professional job and so does Kirk Douglas as the savvy cop in pursuit. The dialog isn't a total loss but I'm confused about the direction and about the intended audience. It's a modern Western that smacks of the drive-in theater, but it's both cruel and indulgent to the Texans we meet on the screen. I'll give an example. Douglas is relaxing at a bar for a moment and this dumb-looking bar tender tells him a joke about blacks. It's truly offensive -- yet it's funny too. Douglas replies, "That's very funny," with no expression on his face. The audience will presumably snicker at the joke before feeling a twinge of guilt. The encounter has no function in the plot. It's simply slipped in for a laugh from the cowboys in the theater. This is known as having your cake and eating it too.As I say, the dialog as a whole isn't insulting. The writers did okay, given the plot that was demanded of them. But there is no invention in the movie. Not even in the title. "Eddie Macon's Run"? Well, there had been a successful "Logan's Run" some years before, and "The Last Run" more recently. Then there was "Macon County Line" and "Return to Macon County," the second being an indication that the first had made money, and not to mention Macon, Georgia. The failure of the film to get Texas down on celluloid wouldn't be so noticeable if there hadn't already been some that had done so successfully. Try Sam Pekinpah's "The Getaway." Or, if you want still more stylized but empathic realism, try the more recent, "No Country For Old Men." That last, a superb study of the Southwest and its citizenry, was written and directed by the Coen brothers, two nice young Jewish kids from Minnesota.

My friend and I saw Eddie Macon's Run at the theater when it was first released. I remember really liking it back then and I bought the video tape of it a year or so ago. I enjoyed it as much as I did when I was in my late teens. It contained action that had me on the edge of my seat with the good cop chasing the bad guy scenes, with a twist. It had some flirtatiousness, and was also a love story. There were parts where it kept you wondering what would happen next. It gave me so many different feelings throughout the movie; anywhere from being scared, sad, and angered to happy and relieved, etc. You can never go wrong with Kirk Douglas and John Schneider in the key roles.

I saw this movie when it was released. Its a very good movie (I thought) and, the acting was better then your avg. "B" type Movies. Kurt Douglass while showing his years here, plays the street wise detective hot on the trail and his acting is still top notch. I found the story line original and creative which added to the suspense. I gave it high marks because the events in which Eddie finds himself in trouble could happen to any of us.When Eddie discovers that his job is taking a 25% cut for letting him work there he leaves in a huff. Mad, he drives off at a high rate of speed only to be pulled over by the small town cops that seem to enjoy busting Eddies chops. Already upset, Eddie finds himself in a scrap with the cops who bring him in. Now facing the local town judge, he's given a ridiculous jail term for his infraction. Eddie decides he's got to figure a way out of jail. He comes up with a clever way of not only pulling it off but, he's planned out details of his escape route as well

Standard plot of "innocent guy on the run from the law" works well. However, this movie would be much less without Kirk Douglas. He makes the movie. Nothing spectacular here, but not a bad movie. Any movie that has the video game "Gorf" can't be bad. I give it a 7 out of 10. Lee Purcell is hot!