What a waste of my time!!!

This movie was so-so. It had it's moments, but wasn't the greatest.

All of these films share one commonality, that being a kind of emotional center that humanizes a cast of monsters.

The movie turns out to be a little better than the average. Starting from a romantic formula often seen in the cinema, it ends in the most predictable (and somewhat bland) way.

Not many cinemas will screen this independent little British drama. But it's a well made, heartfelt period piece that rewards your patience and attention. It's about a woman in the 1970s in working class Yorkshire who is determined to become a comedian, despite huge barricades she must overcome. Such as poverty, an abusive father, sexism, an abusive husband, and her own fear of failure. Somehow she knows that a better life is out there, and she manages to hang on to that dream, against the odds. In the lead role, Maxine Peake is great, as someone who won't take no for an answer, and is courageous in leaving relationships that aren't working. She is good at rising above people who treat her badly - e.g. when she visits her adult brother, and he and his wife are hostile to Funny Cow because the wife, for some unknown reason, dislikes Funny Cow. We see the spark of perseverance she had as a child, and she never loses that. The script, by Tony Pitts, is rich and taut. The pacing is good. Sometimes the accents are very thick but you do get used to them in the end. Alun Armstrong (New Tricks) is a joy to watch as Lenny - the crusty old vaudeville style comedian who Funny Cow latches on to as her mentor, even though, at first, he tells her that women can't be comedians. Paddy Considine has a meaty role as Funny Cow's intellectual boyfriend, who is kind and loving, but who she doesn't love. The film is a stylist's and costume designer's dream. Don't see this film if you're against smoking - all the characters drink like fish, and they smoke so much I almost started coughing. It's authentic to the period, though.

Somber ,but a good study of a woman who managed via her wry view to achieve success in a man comedic world ... Though the darkness we saw a flower bloom . Her jokes were off but this was an era when cruss was fash ..I must confesses the outrangesness certainly did raise a laugh ... This was a period piece . My comments would not be complete without mention if the excellent soundtrack ..

Hugely entertaining while I watched it but I think it helps if you experienced the back-to-back streets and working men's clubs in the '70s, as I did when I was living in Leeds. I was however able to pick plenty of holes in it after the credits rolled. We weren't told what the abusive father and husband did for a living (perhaps they signed on at the job centre?), the larking about in the pub with her husband seemed a bit unlikely, her confessional sequences in the spotlight were a clumsy device, there was no follow-up to the old comic committing suicide in the toilets, we had to assume that she did so well in the clubs that she was able to buy a flashy car and a country house, the mother episodes were a bit superfluous and it did start to drag towards the end. But the performances were excellent: Maxine Peake deserves a BAFTA and the little girl who played her as a child was also terrific. Also every detail from hairstyles to dress to wallpaper was spot on. The talent show auditions were hilarious and worth the price of admission alone. Don't be too hard on it, it's a thoroughly British film with an Original Screenplay and I think it's an utter disgrace that only three cinemas in London are showing it.

Maxine Peake is on top form as a conflicted maverick in seventies Yorkshire who rails against the endless stream of male violence ,human indifference and suffering with her dry wit. The film tips a huge nod to kitchen sink dramas like Saturday night Sunday morning and there's no flinching away from the racist /sexist/homophobic jokes of the era. This film is not for everyone but does provide lots of humorous lines and moments amid the relentless misery. Cameos agogo - even Corrine Bailey Rae gets a look in !