Very very predictable, including the post credit scene !!!

Fantastic!

This is one of the few movies I've ever seen where the whole audience broke into spontaneous, loud applause a third of the way in.

True to its essence, the characters remain on the same line and manage to entertain the viewer, each highlighting their own distinctive qualities or touches.

1941's "Horror Island," double-billed with Lon Chaney's "Man Made Monster," was a quota quickie from Universal, shot and directed at breakneck speed by George Waggner, who graduated to "The Wolf Man" by the end of the year. A search for buried treasure at a remote island castle, which gives it a slightly different flavor than "The Cat and the Canary," punctuated by three murders adding to the fun. Reunited after "The Mummy's Hand" are likable Dick Foran and perky Peggy Moran, as vivacious and beautiful as one could expect (not unlike Paulette Goddard). Comic relief in capable hands, Leo Carrillo and Fuzzy Knight old hands at the game, Ralf Harolde and Iris Adrian also cast to type as a gangster on the lam and his flirtatious moll. John Eldredge was becoming a fixture at Universal that year- "The Black Cat," "The Mad Doctor of Market Street," and Hitchcock's "Saboteur." Included in the popular SHOCK! television package from the late 50s, "Horror Island" made five appearances on Pittsburgh's Chiller Theater- June 25 1966 (following 1958's "House on Haunted Hill"), May 31 1969 (followed by 1943's "The Mad Ghoul"), Mar 22 1975 (following 1942's "The Ghost of Frankenstein" and second feature 1939's "The House of Fear"), Aug 6 1977 (following 1963's "Castle of Blood"), and May 21 1983 (solo).

Fast-talking promoter takes motley group of people to haunted island in search of hidden treasure. Shot, edited, and released, all in 25 days, and frankly it shows. Must be some kind of record, even for a B-movie quickie. In my book, it's the screenplay that suffers most. Looks like they took 90 minutes of material and crammed it into 60 minutes of film. If you can make sense of the castle goings-on, there should be a place for you in the space program. Also looks like the writers took every dark-house gimmick and shoe-horned it in somewhere, anywhere. Note how many puzzles (crossbow killing of the phantom; George's killing) are given abruptly awkward and hurried explanations. Apparently, there was no time for anything else. All of which would be okay if the scary parts were really scary or the funny parts, funny. But unfortunately they're not.What the movie does have are expensive leftover sets, Woody Bredell's first-rate photography, and two really likable leads (Moran and Foran). Foran makes an engaging fast- talking promoter, while Susan Hayward look-alike Moran is both cute and lively. There were a number of these haunted mansion films during this period. My favorite is Bob Hope's Cat and Canary (1939), which really shows how the premise should be done. Too bad that Universal didn't give the production more time to develop, especially to better organize the screenplay.

I had first known about this through a still in the Halliwell Film Guide, though the noted late critic usually dismissed similar programmers: it turned out to be a fun horror comedy (from a story by Curt Siodmak) whose 60-minute length zips by – providing plenty of characters (even if the gangster-on-the-lam and his moll don't really work here), action, old-fashioned thrills (a caped maniac after hidden loot is loose in a remote castle), chuckles – and a surprise villain; the film is a shade overbalanced by the comedy, but the typical Universal atmosphere (and a few of its more notable sets!) are certainly present throughout. It also features a good second-tier cast: likable Dick Foran and cute Peggy Moran – re-united after the superior THE MUMMY'S HAND (1940) – are the leads and they're ably supported by the likes of Leo Carrillo, Fuzzy Knight, Hobart Cavanaugh and Walter Catlett; however, it's Lewis Howard who steals the film as Moran's chronically tired companion – even though he's absent through most of the second half! Michael Elliott had rated this a *** and I almost did myself – but, in the long run, I don't think the film has quite the same draw as even some of the lesser titles in the Universal monster cycle; still, for an 'old dark house' type of film – of which the studio did their fair share – it's well up to par. Incidentally, I had acquired another copy of this on DVD-R last year, but the disc froze several times during playback and I had to give up after a while; I'm glad I caught up with it eventually, as the film deserves to have a legitimate DVD release along with some of the other rare/lesser-known Universal horrors, like MAN-MADE MONSTER (1941) – which I've never watched! – and NIGHT MONSTER (1942).

This film has a LOT of potential: a haunted castle with a cloaked "phantom" running about, secret panels, hidden treasure, etc.The only problem is that the crew seems to take FOREVER to get to the island, and once there, the "scarey business" happens much too fast. It would've been much better if they had added about 20 mins. to this film, that would've allowed them to slowly build up each "scare". As it is, things happens so fast, that you don't have time to "savor" them.A good film, none-the-less.